Lazaros Andreou

A mother with her ten year old son, are looking to find an apartment for rent but those who finds are expensive or hide bizarre people and chaotic situations. But time is short and there is a risk being left on the road.

As Georgios Vizneyos, one of Greece's greatest authors, degenerates in an Athens mental asylum, the tale of another story-teller, his grandfather, begins to emerge through his mad ramblings. This lavish film recreates (through his own words) the writer's childhood life, rich with fantasy and legend. Apprenticed to a tailor, young Georgios' mind is filled with his grandfather fairy tales. He ponders the hill from which one can climb into the sky and waits each day for the chance to bring clothes to the princess and win her heart through song. But, just as reality begins to germinate doubt in his mind, Georgios is called home to his ailing grandfather, who will reveal one final, true story that may prove to be the most fantastic of all.

As his wedding day approaches, the architect Yannis keeps having a recurring dream that leaves him shaken when he wakes up. The girl in his reverie is stunningly beautiful, a blithe spirit who taunts him with her smile, her shapely figure, her sensual persona - all that a man would want as a companion for life. The real world, however, offers him someone entirely different. Anna is sweet, attentive, down to earth - all that a man could wish for in a normal marriage. The right decision, it appears, is made. And then it happens: Yannis's dream comes true - on his wedding day.

비가 내리는 어느 일요일, 죽음을 앞둔 시인 알렉산더는 삶을 마무리하기 위한 마지막 여행길에 오른다. 하지만 딸을 찾아간 시인은 기르던 개를 돌봐줄 것을 부탁하지만 거절당하고, 사위에게서는 죽은 아내와의 추억이 깃든 집을 팔았다는 소식을 듣게 된다. 이제 그에겐 못다 바친 시 연구에 대한 후회와 죽은 아내가 남긴 편지가 남아있을 뿐이다. 그러나 어느 일요일 알렉산더는 우연히 한 알바니아 소년을 길에서 구해주게 된다. 알렉산더는 마피아에 의해 관리되는 수천 명의 불법 이민 소년들 중에 한 명인 이 소년을 알바니아의 고향으로 되돌려 보내기로 한다.

An old man, Loukas (Lazaros Andreou), constantly avoids facing the evils of his life. But when he falls in love with Zena (Aphrodite Al-Saleh), who is entangled with a spiral of antiquities, he finally decides to act vigorously and save her.

This highly acclaimed drama from Greek writer/director Sotiris Goritsas, inspired by the Sotiris Dimitriou short story, represented Greece as an official selection for the 1994 Cannes Film Festival Directors' Fortnight. It concerns two young Greek men seeking refuge in Albania. Thomas (Vassilis Eleftheriadis) and Achilleas (Ierassimos Skiadaeressis) make an illegal late-night run at the Greek border, joined by young Nikos (Antonis Manolas), a child whose mother had been killed by Albanian guards. Returning to Athens, they find that the land they had missed and dreamed of so often has changed, refusing to accept the returning refugees or even see them as Greek -- the locals refer to the trio as "Albanians" throughout the film. Demoralized and disillusioned, Thomas is accidentally killed while working at a building site to make ends meet, and Achilleas and Nikos decide to return to their Albanian village rather than stay in an Athens, which clearly has no place for them anymore.

Panagiotis (Argyris Bakirtzis) and Giannis (Lazaros Andreou) are two good friends but also rivals in love. The first is a merchant and the second a violinist; one is tall and slim and the other short and fat; one is bossy, the other one mild. Both make an inimitable comic couple, wandering in the Peloponnese, looking for a date tree that will prove the innocence or guilt of the wife of one of them and possibly lover of the other. They are guided by an old picture depicting Panagiotis' wife, Maria, in the arms of Giannis, under a date tree. However, the area of their search, there are no date trees.

By the 14th century, the Byzantine Empire was, if not on the verge of actual collapse, at least seriously decadent and clearly on its last legs. The hungry wolves of Europe were preparing to dine on its corpse, and as a result the Byzantine army and its allies were constantly engaged in battles and skirmishes. In this story, a widow lives in the 14th-century Byzantine village of Doxobus with her son Xenos. She forms a relationship with a village elder, and when she gives birth to the elder’s son, her son from her previous marriage is sent to live in a monastery.

Shortly before the end of the Greek Civil War, in 1948, the border villages are evacuated to facilitate the movements of the Hellenic Army. Margaritis, a villager in his forties, is forced to leave his home and travel to Thessaloniki with his two children. He takes up residence in the Karavan Sarai (a building requisitioned for this purpose) and tries in vain to remain unaffected by the unspeakable events unfolding around him.

Set during the Greek civil war. A villager is forced to leave his house and property and go to Thessaloniki with his daughter and son. They find refuge in an old building with hundreds of other people. They live a miserable life as the daughter becomes a whore, and the son has to work.

The story of a young man who every day watches the inhabitants of the apartment across the street. They have a very beautiful daughter, but after a few days he finds himself in love with the mother...

Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.