Alan Oke

An opera by David Sawer and Rory Mullarkey, based on a novel by Roberto Bolaño. A local civil servant’s obsession with a beautiful figure skater drives him to embezzle funds to build her a secret ice rink. When an unlikely group of characters discovers them, tension mounts until a murder on the ice unravels everything. Garsington Opera‘s commission The Skating Rink, written by leading British composer David Sawer with award-winning playwright Rory Mullarkey, premiered in July 2018. Based on Chilean author Roberto Bolaño’s novel it tells the thrilling tale of jealousy, political corruption and the lengths we go to for the ones we love.

This outstanding performance marks an unforgettable night in Met history: Renée Fleming's farewell to her signature role as the Marschallin, and Elīna Garanča's final turn as Octavian. This new production was staged by Robert Carsen, and is conducted by Sebastian Weigle

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim. The men around her, whose lives she forever alters, are Johan Reuter as newspaper publisher Dr. Schön; Daniel Brenna as his composer son, Alwa; Paul Groves as the Painter; and Franz Grundheber as Schigolch. Susan Graham sings Countess Geschwitz, and Lothar Koenigs conducts Berg’s landmark score.

William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim. The men around her, whose lives she forever alters, are Johan Reuter as newspaper publisher Dr. Schön; Daniel Brenna as his composer son, Alwa; Paul Groves as the Painter; and Franz Grundheber as Schigolch. Susan Graham sings Countess Geschwitz, and Lothar Koenigs conducts Berg’s landmark score.

An open-air staging by Aldeburgh Music of Benjamin Britten's Peter Grimes, on the beach that inspired the opera. A small seaside community struggles to accept a fisherman.

Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.

Live from the Metropolitan Opera 19 December 2009.

가난한 테니스 강사 크리스(조너선 리스 메이어스)는 상류층 친구 톰(매튜 구드)을 통해 그의 여동생 클로에(에밀리 모티머)와 그 가족들을 알게 된다. 신분 상승을 꿈꾸던 크리스는 클로에의 소개로 그녀의 아버지 회사에 취직하고, 클로에와 결혼하면서 꿈을 이뤄나간다. 그러나 그는 톰의 약혼녀였던 노라(스칼렛 요한슨)와 금지된 사랑에 빠져든다. 크리스를 향한 노라의 당연한 집착이 드러나면서 크리스의 이기적인 욕망은 점차 현실을 인식하게 된다. 이제 크리스는, 생각지도 못했던 결심을 실천에 옮기기에 이른다.

The Magic Flute opens with Prince Tamino being rescued from a serpent by Ladies in the employ of the Queen of the Night. Papageno the bird-catcher arrives and claims he killed the serpent, but the outraged Ladies padlock Papageno's mouth for his lie. They also show Tamino a portrait of Princess Pamina, the Queen's kidnapped daughter, and he immediately falls in love. Protected by a golden flute, he sets off with the bird-catcher Papageno to rescue Pamina from the clutches of the sorcerer Sarastro and a madcap adventure involving magicians, wild animals and very Masonic-like trials. Triumphing over all adversity, the lovers unite, as the forces of light banish the darkness and Papageno even finds a true love of his own. The internationally renowned Mozart interpreter Sir Colin Davis conducts the chorus and orchestra of the Royal Opera House and a glittering cast in David McVicar's 2003 production of the opera Mozart wrote in the final year of his life, recorded live at Covent Garden.

The Prince is melancholy, tragic poetry to blame. Prescription? Laughter! While the court scrambles to amuse the prince, it's a witch that finally does the trick; tripping over and revealing her knickers. His laugh angers the witch, who curses the Prince with an obsessive love for three oranges. The Prince and his jester march off to find the oranges, kept in the kitchen of a murderous cook. But not everyone is on the prince's side; the Prime Minister is plotting to kill him! Does true love lie under that thick orange skin? Will the witch come back for revenge? Will the evil Prime Minister succeed? In this farcical fairytale, you never know what's around the corner.