Writer
"That's life, it can’t be helped", says Kees Hin, one of Holland’s most idiosyncratic filmmakers, who regards the world as a stage. Starting with shoes from the war and countless reels of film, he discusses his motivations with Barbara den Uyl. For him, film is primarily an attempt to get to know people.
Director
"That's life, it can’t be helped", says Kees Hin, one of Holland’s most idiosyncratic filmmakers, who regards the world as a stage. Starting with shoes from the war and countless reels of film, he discusses his motivations with Barbara den Uyl. For him, film is primarily an attempt to get to know people.
Director
Jaap Pieters passionately takes photographs and films, mainly on Super8, of the world around him: vagabonds, drunkards, striking incidence of light, the beauty of decay. In this way he has built up an oeuvre that is appreciated by a small group of film lovers all over the world. In his house, he keeps thousands of negatives and films that have never been developed due to chronic lack of money. He also collects anything in which he sees a glimmer, such as bags of sugar from restaurants where he once had ice cream with his parents, books, records, CDs, vases, glasses, be they broken or not. His girlfriend, with whom he has tried in vain to live together for 26 years, comes to helping create some order in the chaos. With his favourite uncle, the poet H.H. ter Balkt, he reminisces. ‘Two autists together’, but above all Jaap continues to film: now elderly men with whom he feels some bond.
Scenario Writer
Two generations of Moroccan female vocalists meet in a masterclass in Amsterdam. The first generation is represented by Najat Aatabou, a famous star throughout the Arab world and a strikingly emancipated woman. The second generation is represented by four Dutch singers of Moroccan origins. They are young and talented, but all of them have problems gaining recognition and with their own identity. In the first instance, the confrontation with Najat Aatabou only seems to increase their struggle; yet this initial encounter is followed by a liberating happy ending. Najat Aatabou ran away from home so she could become a singer. How far is her life story repeated among young Moroccan/Dutch vocalists? How difficult is it to live between two cultures? Does music help encourage emancipation? In this swinging film, the film maker seeks answers to these questions.
Director
Two generations of Moroccan female vocalists meet in a masterclass in Amsterdam. The first generation is represented by Najat Aatabou, a famous star throughout the Arab world and a strikingly emancipated woman. The second generation is represented by four Dutch singers of Moroccan origins. They are young and talented, but all of them have problems gaining recognition and with their own identity. In the first instance, the confrontation with Najat Aatabou only seems to increase their struggle; yet this initial encounter is followed by a liberating happy ending. Najat Aatabou ran away from home so she could become a singer. How far is her life story repeated among young Moroccan/Dutch vocalists? How difficult is it to live between two cultures? Does music help encourage emancipation? In this swinging film, the film maker seeks answers to these questions.
Director
Once, the Staatsliedenbuurt neighbourhood in Amsterdam was an autonomous state for squatters, punks and the original inhabitants who united in the 'Woongroep Staatsliedenbuurt'. The city council's authority had eroded to virtually nothing after years of failing housing policy. The neighbourhood took matters into its own hands, which became painfully apparent when Amsterdam's mayor Van Thijn was roughly kicked out of the area at the close of 1984.
