Maud Wyler

April 2020––Lockdown. Etienne, a film director, and his brother Paul, a music journalist, are confined together in their childhood home with their new partners Morgane and Carole. Every room, every object, reminds them of their childhood, and the memories of the absents––their parents, their neighbors… This compels them to measure the distance that separates them from each other and the roots they share, those of their ground zero. As the world around them is becoming increasingly unsettling, unreality, and even a disturbing strangeness, invades their daily gestures and actions.

When she arrived at the Elysée Palace, Bernadette Chirac expected to finally get the place she deserved, she who had always worked in the shadow of her husband to make him president. Put aside because she was considered too old-fashioned, Bernadette decided to take her revenge by becoming a major media figure.

Joseph learns that his son and his companion have just perished in an accident. They were expecting a child via a surrogate mother in Belgium. What will become of their future baby? Is Joseph the legitimate grandfather? Carried by the promise of this birth which will prolong the existence of his son, the sexagenarian goes to meet the young Flemish woman with a fierce and indomitable character.

Étienne is barely twenty when he falls in love with Valérie. They are hardly any more when their daughter Rosa is born. And then, one day, Valérie leaves and never returns. He chooses not to make a drama of it and builds a happy life for him and his child. Sixteen years later, when Rosa is about to lead her own life, Étienne recognizes his wife in a television report. The past brutally resurfaces, and father and daughter are propelled into one last chaotic family journey.

Who has never heard of pregnancy denial? This condition, often caused by miscellaneous circumstances, escapes our understanding and even science. How can the mind of a pregnant woman hide a child growing in her body?

When their father dies, Louise, Fabien, and Estelle feel helpless as they confront the task of taking care of their schizophrenic brother Jacques. For Louise, the experience will be life-changing.

Emma and Paul just moved into an old suburban mansion when Paul is forced to leave on a working trip. Isolated and clueless, Emma discovers a Praying Mantis and develops a strange bond with the insect. Until Paul comes home again.

Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.

1차 세계대전이 한창인 1910년대 중반, 하녀로 살다가 타인의 신분으로 살아가게 된 ‘넬리’가 상류층 생활을 시작하면서 벌어지는 이야기

Jack 19, Lisa 17, and Mathis 10, become suddenly orphans. Each of them reacts in his own way to the family catastrophe.

피에르의 인생에 수수께끼같은 줄리엣 웹이 들어온다.

“La nuit d'avant is the work of a true cultivator of tradition. A seventeen-minute masterpiece that has precisely to do with the act of transmission. I have found a very powerful similarity between the film that is at the origin of this short - The Clock, by Vincente Minnelli- and Rossellini's Viaggio in Italia. We could continue elaborating and extract a thread from this. I find it very exciting to be able to start pulling this thread with a film that has been made this year (2019), instead of starting with its birth." - Paulino Viota

30년간 정치인으로 살아온 리옹시의 시장 폴은 완전히 지쳐버렸다. 그의 보좌관들은 폴에게 정신적 활력을 불어넣을 젊고 똑똑한 철학도 엘리스를 비서로 붙여준다. 이 만남은 폴의 생각과 정치적 행보에 어떤 변화를 초래할까?

Yves has accepted to plant an experimental cornfield on his farm. This decision allows the couple to be more financially stable. As they have a baby on the way, everything seems to be on the up. That is, until one day, when Yves discovers some strange sap flowing down an ear of corn.

Over there, in his village at the foot of the mountains, he’s dead. His face radiant and his body at peace, he lies on the bed. Then they can gather around him. Three days long they talk, drink, weep, fight and remember… And they smile, too.

Simon is an experienced doctor who rubs shoulders with death on a daily basis as part of his job in an intensive care unit. Like any good professional, he has learnt to shield himself from it. But when his mother is hospitalised in a nearby unit, and is in a critical condition, his private life and professional life clash spectacularly. Simon’s whole world, and all his certainties and beliefs, are shaken to the core – even to the extent of re-evaluating his career...

Andrea, a drifter, lives an insecure life on the shores of the Garonne. On the verge of sinking for good, he comes back to life one last time, to live a love dream with two women he fiercely desires. With tenderness they accompany him in his last journey, over the water, towards the ocean, towards the unknown.

A disturbing cloud has appeared from the west. It moves slowly towards the centre of the country, prompting the population to take to the roads. As it advances relentlessly, panic increases. It is a cloud of acid.

과거에 사로잡혀 사는 배우 장은 촬영이 무기한 연기되자, 죽은 옛 연인 줄리엣의 집을 찾아간다. 장은 그녀가 죽은 후 방치된 집에서 머물다가 그곳에서 호러 영화를 찍으려는 아이들을 만나 촬영에 동참하게 된다. 프랑스 대배우 장 피에르 레오가 주연한 고스트 스토리.

A man is born. He is ephemeral. He will only live a day, during which he will go through all the stages and ages of life, growing old by several years every hour. Like a visitor from elsewhere, he encounters, discovers, and tries to understand this world in which has been born.

방송국의 거만한 CEO 앙투안은 평소 주변 사람들을 우습게 알며, 독단적인 성격으로 일을 처리한다. 사생활 역시 복잡해서 주변 사람들에게 쉽게 상처를 입힌다. 그러던 어느 날, 앙투안은 주변의 앙심을 품은 인물에 의해 총을 맞아 혼수 상태에 빠지게 되고 깨어난 뒤에 세상이 갑자기 180도 달라져 있는 것을 알게 된다. 자신이 방송국에서 일하는 것은 그대로이지만 기상 캐스터가 되어 있었고 주변 사람들 역시 조금씩 달라져 있었다. 앙투안은 이 모든 게 자신의 환각인지, 아니면 누군가의 고약한 복수인지 혼란스러워 하는데...

Two soldiers, Daniel and Jerome, flee a war we don’t see and we know nothing about. Jerome is badly injured, he will die, he says it, he knows it, he is afraid. Then Jerome confesses to Daniel his last will: he does not want to die a virgin, he wants to die loved…

Marco, in his thirties, is a little lost and tormented at the thought of truly settling. A former war photographer, he no longer wants to cover conflict and is more interested in the world of longshiremen.

One of the misfortunes of Boris Vian - and a misfortune for those who love him - is to be born and especially to be dead a bit too soon to have known the new wave. We saw him actor in "A pocket love" and "The Bel Age", Pierre Kast, in "Dangerous Liaisons 1960", Roger Vadim, where he held the role of Prévan, which was like a glove . His friend Prévert had designed him the cardinal's role in "Notre-Dame de Paris" by Delannoy. But never did Boris dare to put on the stage what he had written for the screen: he believed the thing impossible. An episode from the tv-mini-series "Collection rue des ravissantes: Boris Vian fait son cinéma."

Jim loves Dany. Accompanied by Billy, an orphan kid, he has to go to his own wedding, but nothing happens like planned since he decided to live like a cowboy.

An Easter weekend in a country town. On duty at the police precinct, lieutenants Francoise Ruiz and Clementine Arpinon are dealing with day-to-day matters. The ad hoc boredom arouses the tension between these two women that have very little in common. An intervention for disturbances of the peace at night gives them a chance to go beyond confrontation.

At 33, Arman has decided to change his life. He starts by running. It’s a good start. Amélie carries on with her life. She runs, as well. The first encounter is a shock. The second is a stab in the heart.

Xavier is a 40-year-old father of two who still finds life very complicated. When the mother of his children moves to New York, he can't bear them growing up far away from him and so he decides to move there as well.

여느 소녀들과 다를 바 없는 평범한 고등학생 아델은 빈칸들로 점철된 미래의 답을 찾고 있는 문학소녀이다. 피에르 드 마리보의 소설 을 이해하고자 노력하고 있는 아델 앞에 어느 날 파란 머리의 대학생 엠마가 나타난다. 단지 횡단보도에서 우연히 스치며 지나친 인연이지만 그날 이후 아델과 엠마는 서로를 기억하게 된다. 누가 먼저랄 것도 없이 아델과 엠마는 서로에게 이끌리고, 미술을 전공한 엠마는 본능적으로 자신의 캔버스 안으로 아델을 초대한다. 아델은 자신과 전혀 다른 삶을 살아온 엠마로 인해 이전에는 몰랐던 뜨거운 감정을 느끼게 되는데...

To follow a new trend initiated by American advertisers, a female director, Margaux Bonhomme launches a casting to find women who speak, with the collaboration of casting director, Alexis Millet.

At 33, Arman has decided to change his life. He starts by running and bumps into Amélie. From there, he will relentlessly seek her.

Eve, deposed princess, survives in a ruined country, with her servants, Yves and Anna.Her earthy flunkeys organize her absurds, poetics and violents recreations.

A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…

The day his bank refuses to finance him, Georges will do everything he can to save his shipyard and his employees.

Sarah seems to have the world at her feet. She's young, bright, pretty, free spirited yet hard working, with a real passion for life. Then, in just one day, she loses her job, is told she will have to move out of her apartment, and discovers she is seven months pregnant.

The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.

A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.

매년 수 천명의 실종자 발생으로 암벽등반 루트가 폐쇄된 발칸반도 리스니야크산. 스릴을 즐기기 위해 끌로에, 기윰, 로익, 프레드, 까린느는 위험을 무릅쓰고 금지된 그 곳으로 향한다. 외줄 하나에 의지한 채 깎아지는 절벽을 오르며 짜릿한 모험을 만끽하는 것도 잠시. 가파른 절벽을 연결하는 950m 상공의 ‘악마의 다리’를 건너던 중, 다리가 끊어지면서 까린느가 떨어질 위험에 처한다. 간신히 로프를 던져 그녀를 구해내지만, 산의 유일한 출구가 사라지면서 갇히게 된다. 다른 출로를 찾아 헤매던 중 프레드마저 실종되고, 끌로에, 기윰, 로익, 까린느는 점차 이성을 잃고 변해간다. 자신들이 유일하다고 생각했던 여행에서 정체를 알 수 없는 무언가가 있다는 것을 알게 된 그들의 여행은 악몽으로 변해가는데... 16시간의 사투, 이제 여기서 벗어나야만 한다!