5 students go to a school trip in Karantina Island for History class. But one of them will get lost into an abandoned hospital and her classmates will have to find her, facing paranormal threats along the way.
The world is ending, but the president of The Grand Turkish Republic won’t let that happen until he has a chicken schnitzel. Gleefully silly science fiction satire with political bite.
어느 한 식당. 경찰들이 저속한 음담패설을 주고 받으며 식사를 하고 있다. 도중에 야부즈(무하렘 바이락 Muharrem Bayrak)는 그곳의 종업원과 시비가 붙는다. 대략의 정리를 마치고 이동하는 차안, 한통의 무전은 근방의 위치로 지원요청을 알린다. 경찰들은 지원이 온 곳으로 출동하게된다.
이동 중 세이피가 잠깐 한 눈을 판 사이 차량은 '어떤 것'과 부딪히고는 도랑으로 떨어지고만다. 그 사이 아르다(고르켐 카사이)는 꿈 속에서 렘지(에르군 쿠유주 - Ergun Kuyucu)와 대화를 하게된다. 어린시절 이야기를 하는 아르다는 친구가 '죽기전 무서워 할까봐 미리 나타난' 이야기를 한다. 그 이야기를 들은 렘지는 아르다에 '보이지 않는 것'의 정체에 관해 이야기를 한다.
그리고 정신이 깨어난 아르다는 자신들이 사고난 위치가 지원요청이 들어온 곳이라는 것을 알게된다. 잠시 후 그곳이 '옛 경찰서' 지역임을 알게된 그들은 지원요청에 따라 그 건물에 들어서게 되고, 엄청난 것들을 발견하게 되는데...
Wolfgang follows a ransom note from his supposed illegal kidney donor Irina back to Istanbul, the city which he would love to erase from memory. Donor and recipient collide and struggle for a fair solution after which there is a bitter new beginning
Rimo and Zimo are two towns that are not very far from each other, divided by a small desert. Both towns’ people have stayed away from each other for a long time, feeling mutual hatred and fear. One day, two little rascals from Rimo, Bızdık and Minnik, decide to go to the desert for an adventure. Meanwhile, the Zimo Family enjoys a family picnic at the desert with their baby egg and little daughter.
Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)
