Alexandre Dumas fils

파리 화류계 스타인 비올레타는 불치병으로 죽어가고 있다. 사교모임에서 알프레도를 만나게 된 비올레타는 그의 순수한 사랑 고백을 조롱하지만 이내 마음을 열게 되고, 함께 시골로 내려가 사랑을 키우게 된다. 그러나 알프레도의 아버지 제르몽이 나타나 헤어질 것을 요구하고, 비올레타는 알프레도의 원망을 뒤로한 채 파리로 떠나고 만다. 파리에서의 한바탕 소동 후, 죽어가는 비올레타 앞에 나타난 알프레도와 사랑을 재확인하지만 비올레타의 시간은 속절없이 멈추고 만다.

In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, the painting caused a scandal: the prostitute awaits her client, her expression proud, her demeanour assured. Is this Violetta? Like Olympia, Verdi’s most celebrated heroine surrenders to the spectator just as she surrenders to love, going so far as to die on stage, a woman’s ultimate sacrifice for her lover. Or might it be the spectator who strips her bare and intrudes upon her privacy, in the image of this milieu of social voyeurism? Whatever the case, these two women regard us with defiance and subjugate those who cannot help but look at them.

La Traviata’s sumptuous melodies and timeless depiction of doomed love have made the work a favorite of generations of operagoers. In his approach to this classic drama, director Willy Decker sets the action on a nearly bare stage, focusing the audience’s full attention on the three main characters. As Violetta, the ailing courtesan desperate to escape her past, soprano Sonya Yoncheva offers a fearless and sympathetic performance from beginning to end. American tenor Michael Fabiano sings with ardent longing as her devoted lover Alfredo, delivering emotionally wrought phrases and ringing top notes. Thomas Hampson brings a burnished baritone to Germont, Alfredo’s protective father whose stern demands spell disaster for the young couple. On the podium, maestro Nicola Luisotti leads an electric performance of Verdi’s unforgettable score.

Armand Duval finds himself at the auction of the famous courtesan Marguerite Gautier’s possessions after she passed away. She was Armand’s true love, and the vision of her belongings awakens vivid memories of their turbulent love story. Choreographer John Neumeier adapts Alexandre Dumas fils’s timeless novel The Lady of the Camellias for the stage with great sensitivity and emotional depth in his work of rare beauty. As the troubled courtesan Marguerite, superstar prima Svetlana Zakharova and Hamburg Ballet’s guest star Edvin Revazov as Armand bring the passionate drama to new emotional heights accompanied by Chopin’s fantastic score. Captured live in Moscow on December 6, 2015, for the Bolshoi Ballet's 2015/2016 cinema season. Encore screenings of this recording were released during the 2017/2018 and 2020/2021 cinema seasons.

Alfredo, a young man from the provinces, falls in love with Violetta, the stylish toast of Paris. But she’s not the marrying kind – at least not until now. However, their dreams are threatened by both a merciless society that condemns Violetta’s racy past and an equally merciless disease. Russian soprano Venera Gimadieva portrays the iconic role of Violetta, alongside American tenor Michael Fabiano as Alfredo. The visual beauty of Tom Cairns’s opulent production aptly echoes the irresistible allure of this beloved opera.

Olga Peratyatko and Atalla Ayan star in Rolando Villazón's scintillating production of Verdi's La Traviata at the Festspielhaus in Baden Baden, Germany. Supported by the Balthasar-Neumann-Chor and the Balthasar-Neumann-Ensemble.

Olga Peratyatko and Atalla Ayan star in Rolando Villazón's scintillating production of Verdi's La Traviata at the Festspielhaus in Baden Baden, Germany. Supported by the Balthasar-Neumann-Chor and the Balthasar-Neumann-Ensemble.

La Traviata, one of the world's best-loved romantic operas is performed under the stars on a floating, mirrored stage in Sydney Harbor, with the city, Opera House and Harbor Bridge acting as a stunning backdrop. Giuseppe Verdi's captivating music is performed with the orchestra concealed in a studio beneath the stage to ensure the finest amplified sound combines with the superlative singing of the cast.

Willy Decker’s stunning production of Verdi’s unforgettable drama stars the riveting singing actress Natalie Dessay as Violetta. Exhausted by her restless life as a courtesan, Violetta knows she will die soon. But then she meets the young and idealistic Alfredo (Matthew Polenzani), who offers her true love—with tragic consequences. Dmitri Hvorostovsky is Giorgio Germont, Alfredo’s stern father, and Met Principal Conductor Fabio Luisi is on the podium.

Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

Ballet in a prologue and three acts based on the novel by Alexandre Dumas fils; music by Chopin. The passionate tale of Marguerite Gautier and Armand Duval unfolds ingeniously through a drama-within-a-drama as they meet at the theatre during a performance of Manon Lescaut. So begin their romantic adventures in Paris, brought to life by Neumeier’s intense and refined choreographic language. Chopin’s ravishing music highlights this exceptional neo-classical ballet, featuring the star dancers of the Paris Opéra Ballet. This lavish production, filmed live at the Palais Garnier in High Definition and full surround sound, is all about love, passion, danger and glorious dancing from one of the best ballet companies in the world. John Neumeier has created a ballet in which emotions go crescendo … Agnes Letestu, the great dramatic heroine, triumphs in this ballet danced to music by Chopin.

This performance was recorded in July 2008 at the Opernfestspiele St. Margarethen in Austria. The outdoor setting is stunning–it is a massive Roman quarry with mountains visible in the near and far distance–and apparently this Traviata is the first opera they’ve done without wild animals in residence (Nabucco, Aida, and Carmen have been shown in recent years). The sets are lavish enough to make Franco Zeffirelli blush. Designer Manfred Waba has placed the action in a reproduction of the Paris Opera, complete with stage boxes inhabited by patrons in their fanciest clothing who watch along with us. There is more gold than anyone would know what to do with.

Part of Tutto Verdi series - La Traviata (2007) Parma. 'La traviata' ('The Fallen Woman') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on 'La dame aux Camélias' (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally titled 'Violetta', after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.

Live from La Scala Saturday 07 July 2007. In this live performance of Giuseppe Verdi's opera, Violetta, a courtesan much wooed by Parisian society, organises a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man.

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.

Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man. The Willy Decker production of La Traviata, recorded live at the Salzburger Festspiele in August, 2005. Anna Netrebko stars as Violetta Valéry, with Rolando Villazón as Alfredo Germont and Thomas Hampson as Giorgio Germont. Carlo Rizzi conducts the Wiener Philharmoniker.

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

Live from Glyndebourne 1987.

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

사교계의 스타 비올레타를 본 알프레도는 첫눈에 사랑에 빠진다. 비올레타는 순수한 알프레도의 끈질긴 구애에 동거를 시작한다. 알프레도가 잠시 집을 비운 사이 그의 부친 조르지오 제르몽이 비올레타를 찾아와 알프레도와 헤어져 달라고 부탁한다. 비올레타는 그의 말에 따르고 알프레도는 버림받았다고 오해한다. 알프레도가 진실을 알게 된 후 비올레타를 찾아갔을 땐 그녀는 이미 병으로 죽어가고 있었다. 이들은 지난날의 아름다웠던 시절을 추억하고 비올레타는 그의 품 속에서 숨을 거둔다.

A young girl from the provinces, comes to Paris with one goal: to become a part of the rich bourgeoisie. To achieve this she will use her unique beauty and charm.

The classic opera is brought to life by Beverly Sills.

로마를 처음 방문하는 일망은 친구 가스통과 발레를 보러 갔다가 공작의 보살핌을 받는 마가렛을 알게 된다. 첫눈에 그녀에게 반한 일망은 접근을 시도하지만 그녀는 도도하면서도 제멋대로인 성격때문에 주위의 남자들에게는 쓴맛이라는 뜻의 까멜로 불리고 있었다. 그러나 일망은 그녀를 만나기 위해 그녀와 절친한 푸로뎅스의 고급 의상실을 방문한다. 그곳에서 마가렛을 다시 만난 일망은 그녀 파티에 초대를 받게 되고. 화려하고 끝없이 환상적인 로마에서 파티. 일망은 파티에서 마가렛과 사랑을 나누게 되고 둘은 사랑을 확인한다. 사랑을 위해 함께 떠날 준비를 하던 마가렛은 자신을 찾아온 일망의 아버지에게서 아들을 위해 떠나 달라는 부탁을 받게 되고 진심으로 일망을 사랑한 그녀는 거짓으로 행동하며 그를 피하기 시작한다. 영문도 모르는 일망은 그녀의 행동에 분노를 갖게 되고 그녀 역시 일망을 잊기 위해 문란한 생활과 약물복용에 빠져들고 마는데...

Musical - Soprano Anna Moffo stars as winsome courtesan Violetta Valery -- who tries to protect her rash lover, Alfredo (Franco Bonisolli), even if it means lying and breaking his heart -- in this 1968 version of composer Giuseppe Verdi's masterpiece. Recorded at the Rome Opera House with renowned conductor Giuseppe Patanè leading the orchestra and chorus, the production also stars Gino Bechi as Alfredo's angst-ridden father. - Anna Moffo, Gino Bechi, Franco Bonisolli

The life of belly dancer Funda changes when she falls in love with Ferdi.

"La Bella Lola" is a struggling singer trying to make a living for herself and her sister Ana in late 19th Century Spain. Lola is having an affair with Gabriel, a rich and influential older man who gives her jewelry and supports her singing career. Things change rapidly when Lola meets and falls in love with young playboy Javier, although the romance is doomed from the start. Javier belongs to an aristocratic family and has a bright future as a politician.

A woman of low estate is beloved of a promising young man, but sacrifices her love for him in order to protect his future and reputation.

Life in 1847 Paris is as spirited as champagne and as unforgiving as the gray morning after. In gambling dens and lavish soirees, men of means exert their wills and women turned courtesans exult in pleasure. One such woman is Marguerite Gautier, who begins a sumptuous romance with Armand Duval.

In a luxury hotel, a gathering of foreign high society people attend a wedding lunch. By the end of the feast a dramatic turn of events occurs : on the time of leaving the groom realizes that his newly married wife has... disappeared ! One morning, some time later, he meets her again at the Bois de Boulogne. She tells him everything about her strange attitude: she needed to be married to be able to have access to her husband's money. With this money, she managed to avenge her mother.

Based on the 1852 novel and play La Dame aux Camélias by Alexandre Dumas, fils.

A home movie version of the Dumas play. A young woman becomes a courtesan and tragedy befalls her. Appearances are made by many socialites of 1920s Paris and New York.

A home movie version of the Dumas play. A young woman becomes a courtesan and tragedy befalls her. Appearances are made by many socialites of 1920s Paris and New York.

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

A modern adaptation of Dumas' Camille.

The romantic dalliances of stage actor Edmund Kean with both a married woman and a young wannabe actress cause difficulties.

Claudio is married to Cesarina, a frivolous and unfaithful woman. After the death of their only son their marriage is cold. While his wife lives her free life, Claudio is dedicated to the development of sophisticated weapons, elaborating the project of a new cannon; but smitten by the virtuous Jew Rebecca he can not surrender to his feelings because his religion prevents him from getting a divorce.

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

The Clemenceau Affair (Italian: Il processo Clémenceau) is a 1917 silent Italian adventure film directed by Alfredo De Antoni. The film features the first onscreen performance from Vittorio De Sica.

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

La Signora delle Camelie chronicles the tragic love story of courtesan Marguerite Gautier and provincial bourgeois Armand Duval. Armand’s father disapproves of the relationship and convinces Marguerite to leave Armand, making him believe that she has left him for another man.

This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).

Marguerite is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Marguerite discovers that Armand has not lost his love for her.

It is love at first sight when Armand Duval meets the courtisan Marguerite. They move in together and live happily until Armands father secretly pays Marguerite a visit to tell her that her questionable reputation has put Armand's entire family in disrepute. She sacrifices herself and leaves Armand, who – in the belief that she left of her own free will – embitters by grief and anger. But destiny wants them to meet again. (stumfilm.dk)