Axel Engstfeld
출생 : 1953-10-10, Düsseldorf, Germany
Producer
14호 수용소: 완전 통제 구역은 일단 들어가게 되면 짐승과 같은 생을 살다 삶을 마감하게 되는 완전 통제된 곳이다. 그 곳에서 태어나고 자라, 수용소 너머의 삶은 생각해 본 적도 없는 한 탈북자의 증언이 담긴 본 영화는 우리가 몰랐던 혹은 외면했던 북한인권의 실태를 생생하게 전달한다.
Producer
Producer
Writer
Director
Producer
Documentary about Mikhael T. Kalashnikov, inventior of the AK-47 assault rifle. The story of a tragic hero whose name will be synonymous with struggle and terrorism forever.
Screenplay
Documentary about Mikhael T. Kalashnikov, inventior of the AK-47 assault rifle. The story of a tragic hero whose name will be synonymous with struggle and terrorism forever.
Script
Documentary about Mikhael T. Kalashnikov, inventior of the AK-47 assault rifle. The story of a tragic hero whose name will be synonymous with struggle and terrorism forever.
Producer
Documentary feature about the accident of the super tanker "Exxon Valdez" in Alaska in 1989.
Writer
Documentary feature about the accident of the super tanker "Exxon Valdez" in Alaska in 1989.
Director
Documentary feature about the accident of the super tanker "Exxon Valdez" in Alaska in 1989.
Producer
The film follows the first Greenpeace expedition to the Antarctic on board of the Ross Sea. The film is also about the attempts of the industrialized nations to parcel out the 'last continent'.
Writer
The film follows the first Greenpeace expedition to the Antarctic on board of the Ross Sea. The film is also about the attempts of the industrialized nations to parcel out the 'last continent'.
Director
The film follows the first Greenpeace expedition to the Antarctic on board of the Ross Sea. The film is also about the attempts of the industrialized nations to parcel out the 'last continent'.
Writer
The third episodical film, after Deutschland im Herbst and Der Kandidat, in which notable German film makers reflect on the state of their country.
Director
The third episodical film, after Deutschland im Herbst and Der Kandidat, in which notable German film makers reflect on the state of their country.
Producer
September 1943: the Special Court of Oldenburg pronounces a verdict against an office courier. The man was found guilty of absconding two bars of soap and a tin of shoe polish. As a dangerous public enemy, he is sentenced to death. More than 16,000 death sentences were passed by the Special Court and the People's Court during the Nazi era. And the judges and state prosecutors who perpetrated these injustices were back on the bench after 1945.
Peggy Parnass, a Jewish journalist and a relative of victims of Nazi injustices, experienced this continuity and described many of its ramifications in more than 10 years as a court reporter. The film follows her radical, subjective viewpoint and her incredible encounters with Nazi jurists in today's courts of law.
Writer
September 1943: the Special Court of Oldenburg pronounces a verdict against an office courier. The man was found guilty of absconding two bars of soap and a tin of shoe polish. As a dangerous public enemy, he is sentenced to death. More than 16,000 death sentences were passed by the Special Court and the People's Court during the Nazi era. And the judges and state prosecutors who perpetrated these injustices were back on the bench after 1945.
Peggy Parnass, a Jewish journalist and a relative of victims of Nazi injustices, experienced this continuity and described many of its ramifications in more than 10 years as a court reporter. The film follows her radical, subjective viewpoint and her incredible encounters with Nazi jurists in today's courts of law.
Director
September 1943: the Special Court of Oldenburg pronounces a verdict against an office courier. The man was found guilty of absconding two bars of soap and a tin of shoe polish. As a dangerous public enemy, he is sentenced to death. More than 16,000 death sentences were passed by the Special Court and the People's Court during the Nazi era. And the judges and state prosecutors who perpetrated these injustices were back on the bench after 1945.
Peggy Parnass, a Jewish journalist and a relative of victims of Nazi injustices, experienced this continuity and described many of its ramifications in more than 10 years as a court reporter. The film follows her radical, subjective viewpoint and her incredible encounters with Nazi jurists in today's courts of law.