Carol Kaye

Carol Kaye

출생 : 1935-03-24, Everett, Washington, United States

약력

Carol Kaye is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 50 years. Kaye began playing guitar in her early teens and after some time as a guitar teacher, began to perform regularly on the Los Angeles jazz and big band circuit. She started session work in 1957, and through a connection at Gold Star Studios began working for producers Phil Spector and Brian Wilson. After a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s, playing on numerous hits. She moved into playing on film soundtracks in the late 1960s, particularly for Quincy Jones and Lalo Schifrin, and began to release a series of tutoring books such as How To Play The Electric Bass. Kaye became less active towards the end of the 1970s, but has continued her career and attracted praise from other musicians. During the peak of her years of session work, she became part of a stable of Los Angeles-based musicians which went by a variety of informal names, but has since become known as "The Wrecking Crew". Her work with the group led to her prominent role in the 2008 documentary film titled The Wrecking Crew.

프로필 사진

Carol Kaye

참여 작품

Girl in a Band: Tales from the Rock 'n' Roll Front Line
Herself
All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.
Carol Kaye: Pioneer and Session Legend
If you've ever listened to pop music from the 1960s and early 1970s, you've heard the (probably uncredited) work of The Wrecking Crew. The Wrecking Crew were a group of in-demand Los Angeles studio musicians who played on hundreds of iconic hits, including the Beach Boys' "Help Me, Rhonda" and The Mamas and The Papas' "California Dreamin'." Many different musicians played as part of the loosely organized Wrecking Crew, but there were three mainstays: drummer Hal Blaine, guitarist Tommy Tedesco, and guitarist and bassist Carol Kaye. Kaye was one of the few females working session musicians of the era. According to Vulture, both The Beach Boys' Brian Wilson and super producer Quincy Jones have referred to her as the greatest bassist in the world. 
전설의 세션 밴드 뢰킹 크루
Herself
60년대부터 70년대 초까지 6년 연속 그래미상 ‘올해의 레코드’의 영예는 뢰킹 크루가 참여한 앨범에 돌아갔다. 는 영상과 훌륭한 음향으로 그 이야기를 전하며, 60년대 히트곡들의 백비트, 스윙멜로디 등을 만들었지만 대중적으로는 잘 알려지지는 않은 이들에 대해 얘기한다. 냇 킹 콜, 프랭크 시나트라, 몽키스, 버즈, 비치보이스까지, 뢰킹 크루 뮤지션들은 아메리칸 웨스트 코스트 사운드를 전 세계의 지배적인 문화로 만들었다. 특히 이 영화는 뢰킹 크루의 전설적 기타리스트 故 토미 테데스코의 아들 데니 테데스코가 제작 및 연출을 했다는 것에도 큰 의미가 있다. (2015년 제11회 제천국제음악영화제)
Beautiful Dreamer: Brian Wilson and the Story of Smile
This film tells (using modern day interviews and archival footage and sound tapes) the story of how in 1967, while his band The Beach Boys triumphantly toured abroad, Brian Wilson was trying to push the boundaries of conventional pop music with a new follow-up to the Beach Boys' cutting-edge mega-hit, Pet Sounds. The new album was to be called "SMiLE". SMiLE pushed the envelope both musically and lyrically, and was supposed to out-do the Beatles' Sgt. Pepper record. But Brian wasn't able to sell the project to his band-mates when they returned. The project was shelved and Wilson's well-documented decline into depression, drug abuse, recluseness, and obesity had begun. Thirty-odd years later, Wilson announced that in 2004, SMiLE would be performed live in its entirety in London. This film tells the story of a damaged but healing artist bringing his greatest work to light.
초대받지 않은 손님
Music
평범하고 쾌활한 백인 처녀 조우이는 여행 중에 만난 존과 사랑에 빠진다. 존은 장래가 촉망되는 유능한 젊은 의사이지만 전처와 아이가 사고로 죽었다. 하지만 문제는 그것이 아니라 그가 흑인이라는 것. 어느 정도 사회적으로 성공한 조우이의 부모 맷과 크리스티나는 하나 밖에 없는 외동딸이 결혼한답시고 데리고 온 존을 보고 기겁한다. 맷은 아무래도 흑인과 결혼하는 것이 달갑지 않아 어떠게 해서든지 막아야 할 생각뿐이고, 크리스티나 역시 흑인인 사위가 반갑진 않으나 그래도 딸을 믿기에 딸의 뜻대로 따르려고 한다. 이때 조우이는 이날 저녁 식사에 존의 부모도 초대하기로 한다. 이날 처음 아들이 결혼하겠다는 며느리가 백인 처녀임을 안 존의 부모의 표정도 조우이의 부모와 마찬가지다. 모두들 생각이 깊은 양가 부모들은 이 문제를 이성적으로서 해결하고자 여러 모로 고심한다. 이때 아내와 딸, 조우이와 존, 그리고 흑인 가정부 아주머니까지 모든 사람들로부터 각기 다른 의견으로 압력을 받고 있던 맷은 결국 명쾌한 결론을 제시함으로써 문제가 해결된다. 그것은 두 사람의 결혼으로 인한 모든 문제, 즉 결혼을 하느냐 마느냐도 결국은 두 사람의 사랑에 맡기는 수밖에 없다는 것이었다. 이로서 이들은 모두 유쾌하게 저녁식사를 시작한다.