Marina Zubanova

During the day, Lera studies humankind and its needs through opinion polls, which are an educational practice at the institute; at night, she dances under the pseudonym Gerda in a club to support herself and her mother. The people she meets are as unfortunate as her family. Her father has recently left for another woman, but he constantly returns home, unable to make his choice and thereby making the life of close people intolerable. The mother painfully endures the breakup and constantly sleeps, ignoring reality. Lera doesn’t know how to carry on, where to go and what to live for, and — most importantly — how to improve life. The adult world, invariable unfortunate, which Lera observes day and night, seems hopeless.

러시아의 외진 곳에 위치한 수도원의 수녀 나타샤는 17년 전 두브롭카 극장 인질극의 희생자들을 위한 추모의 밤을 계획하기 위해 모스크바를 방문한다. 추모의 밤 참가자들이 증언하는 사건들을 따라 나타샤의 어두운 개인사가 드러난다.

The main characters of the film are residents of different places of this country, most common people, with whom most uncommon things, pure wonders, happen. Semyon and Lyuba, a family of fireguards, have a chance to fulfill a dream – to go to Moscow to take part in their favorite TV show “Field of Miracles” (“Pole Chudes”), where they should make a life choice “trophy or money?” An inexperienced officer of Patrol-Guard Service and at the same time an experienced loser Sanya will have to not only survive his first day of service but also to accept his wife’s labors and to reanimate his partner. Four newly acquainted fellows must by any means fly to Moscow in non-flying weather, and a couple of young lovers must reconcile their irreconcilable parents by some mysterious way. Valera has to decide on a dilemma: to save mankind from the Deluge or just to fly with his karaoke-alien-friends in their old UFO? All these things can happen only once a year – on December, 31!

Moscow, 1986, the heat of Perestroika. Borya is an average clumsy teenager who is miraculously admitted to the legendary Bolshoi Ballet School. The boy is convinced that he will become a ballet dancer like his father, Mikhail Baryshnikov. But is this father real or imaginary?

An inquiry into the nature of identity, the inevitability of death, and the human condition in the twenty-first century.

A little herringbone girl decided to "learn life" before the New Year.

Four novels: "Spring", "Summer", "Autumn", "Winter" - four very different love stories...

Vera and Andrew can be envied. Money work, a house in a prestigious suburban village, a good foreign car. The young spouses got even a servant: on the garden, working hard, Uzbek builders work, and on the farm - the executive housekeeper Aunt Masha. It remains only to find a reliable nurse who will look after the restless daughter Aley.

Lilya (Marina Zubanova) is an approaching-middle-age singleton who lives with and cares for her grandfather and works at a chicken factory. She is determined to get married soon, but hasn’t quite found the man for the job. Most of the story revolves around various failed dates, her conversations with coworkers and family members, and her innocent stalking of a talented local pianist.