Editor
Eddie and Michael are two 16-year-old gay friends from Liverpool. Berated by his father for his camp behavior, Eddie runs away from his Liverpool home and joins Michael, a streetwise hustler, who is also on the run.
Editor
런던의 한 사진 작가인 콜린은 패션 디자이너를 꿈꾸는 수렛과 사랑하는 사이. 콜린은 돈보다는 순수사진 작가를 고수하려고 하지만 수렛은 그런 콜린을 못마땅해한다. 그래서 그에게 돈이 되는 일자리를 구해주려고 애쓴다. 그러던중 그녀는 어느날 패션쇼에서 뜻하지 않게 재주를 인정받아 돈많은 유명인들과 접촉할 기회를 갖게된다. 이를 기회로 그녀는 콜린과의 결별을 선언하고, 이에 충격을 받은 콜린은 돈을 버는 일에 적극적으로 나서기 시작한다. 훌륭한 사진 기술을 인정받은 그는 파트너즈라는 사람의 제의로 그 밑에서 일하기 시작한다. 그리하여 급기야는 TV에 출연까지 하게 되는데 그 프로의 사회자가 같은 또래의 젊은이들 모두를 모독하는 발언을 서슴지 않자 이에 격분하여 그동안의 울분을 토로하고 지금까지의 생활에 환멸을 느끼게 된다.
Editor
Jazzin' for Blue Jean is a 20-minute short film featuring David Bowie and directed by Julien Temple. It was created to promote Bowie's single "Blue Jean" in 1984 and released as a video single. The film depicts the adventures of the socially incompetent Vic (played by Bowie) as he tries to win the affections of a beautiful girl by claiming to personally know her favorite rock star, Screaming Lord Byron (also played by Bowie).
Editor
Bernard Fripp is told by his doctor that he has only 30 minutes left to live. This sets Bernard bumbling off on a mission to live his final minutes to the fullest.
Editor
Janet and Brad Majors, unhappily married, are separated after appearing on a game show. Janet becomes a superstar while Brad is thrown into a mental hospital. But what does fast food magnate Farley Flavors have up his sleeve?
Editor
The film depicts a 'super roadie' who fights evil orange jumpsuit-wearing bouncers stopping a rock and roll crowd from having a good time. He then falls foul of an evil wench who seduces and cuts his hair in order to take away his strength.
Editor
Julien Temple's wartime documentary parody "Punk Can Take It" (1979) - a theatrically released promo for the UK Subs, complete with narration by BBC voice-over veteran John Snagge - paints a glorious picture of England in a punk rock "identity crisis". Punk morale was higher than ever before. Punks were fused together not by fear, but by a surging spirit of revenge, immortality, and the courage never to submit or yield. This proved that punk won't go away and that punks themselves are becoming younger and nastier everyday. They have no time for the precarious thrills of nostalgia nor for its trivial rules.
Editor
The ART WE DESERVE is an film essay by Richard Cork about the gulf between minority art and mass culture. Examining the public’s preference for bland mass reproduction pictures which are traditional in style and ‘look nice’, the modern artist’s tendency to create an insular, inward-looking art for an educated elite and the media’s unwillingness to take modern art seriously, the film argues that the sense of alienation between artist and the public is largely the result of a class-divided society.
Editor
Happenings in a small Irish traveling circus.
