Akira Sakai

Nikkatsu Roman Porno

A sensual drama depicting a man who lives like a pimp with his wife and three other women.

1938년 일본 오카야마현 쓰야마에서 일어난 30인 살인사건에 기반한 영화

Nikkatsu Roman Porno

Junior High School Student Yudo spends his nights hanging out at the disco; his parents are more interested in dealing with swapping partners than taking care of their son. One evening, while he's shoplifting, a young woman gives him a hand and helps him pull off the snatch. Yudo, mesmerized by the woman, follows her to find out where she lives. Then he attacks her...

Iwata, cheerleader of a university, Odagiri, a free lance cameraman, and Sekiguchi, a day laborer working on a subway project. As they pass an area dotted with the villas of affluent people, they decide to stop at one to ask the owner to let them put through a phone call. What they seen when they enter the gate makes them draw in their breaths quickly and causes their pulses to begin to race madly – Miki, a lass whose only claim to fortune are marvelous breasts, cute nipples and a figure even every top model dreams of having...

Factory worker Osamu (Akira Sakai) has been despondent ever since he saw his girlfriend getting gang-raped. He has a difficult time thinking of anything else. Meanwhile, his boss asks him for a favor. Apparently, the bossman’s son is too-o-o serious about a girlfriend, Yuki (Minako Mizushima). The boss wants the relationship destroyed and asks Osamu to arrange an “unforgettable situation.” Osamu and his friends stalk the lovers to a secluded vacation house where rape delirium erupts (although Osamu isn’t capable of participating). A bit later the boss and two women show up, presumably to check on the results. But Osamu’s gang is completely unhinged from the assault and they attack the newcomers, turning the place into a sexual hell.

세 명의 야쿠자가 다이조의 아내 에미코를 참혹하게 강간한다. 학대를 견디지 못한 에미코가 죽지만 다이조는 아내의 죽음을 받아들일 수 없다. 아내의 사체를 집으로 가져온 다이조는 사체를 목욕시키고 마치 살아있는 사람처럼 대하고, 급기야 사체와의 섹스를 시도한다. 70년대의 명감독 소네 추세이와 구마시로 다츠미 등의 명성에 가려 제대로 인정받지 못하던 타나카 노보루를 평단과 언론으로부터 인정받는 감독 반열에 올려놓은 작품이다. 1979년 일본 아카데미 영화제와 영화전문지 「키네마준보」가 최고의 영화로 선정했다.