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Sequel to the 1969 Cathay Studios film The Monkey In Hong Kong.
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Three tales taken from author Pu Songling's collection of famous classical ghost stories. Wu Qiuyue- Wang Ding falls in love with a ghost and fights with the guards of Hades to bring her back. Monk Lu Shan-A monk takes Wang Qi as pupil and teaches him the act of walking through walls. A Woman's Head- Li Sheng marries Rui niang only to discover that she is a headless ghost.
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A Cathay Studios production starring Annette Chang Hui Hsien.
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This was an adaptation of a ghost story, “A Xiu”. Liu Zigu is on his way to visit his uncle and is attracted by a beautiful girl, A Xiu. Liu meets A Xiu again in a paper fan shop owned by A Xiu's father. Liu goes to the shop every day to buy a fan and see A Xiu. One day, Liu follows his uncle to a matchmaker, who arranges for A Xiu to become his bride. The following day, Liu and A Xiu visit a temple where they meet a ghost who looks very similar to A Xiu. On the wedding day, the ghost disguises itself as A Xiu to spoil her marriage with Liu. Finally, the ghost is in the custody of a magic fan, and Liu and Xiu complete their wedding.
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Three tales taken from author Pu Songling's collection of famous classical ghost stories. Pian Pian- A man shows no signs of repentance and continues to flirt even after he is married. Judge Lu- Judge Lu's magical powers help Zhu to get top marks in the Imperial Examinations. Lotus the Fairy-A student is blinded in an attempt to save a lotus fairy from a sorcerer.
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FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.
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A country girl moves to the city in order to go to school. She has to overcome several obstacles.
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This is the story of three ladies who live together in an apartment in Hong Kong and what happens to them. First, there is Shuxian, whose husband left her and has a son in the hospital who can't walk. Then, there is Meifen, a romance novelist who pines for a deceased lover and, finally Manli, a young lady with some sass who is expecting a visit from Mr. Zheng, a man she has been a pen pal with for a year. She also has been dating someone else, not happily. The film goes through all three lives.
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To marry her fiance Dong Jifang, Wang Danlin and her father Zhuoran take the cruise home to Hong Kong. The daughter fails to see eye to eye with her father who covets after Dong's money for speculation. On the ship, she suffers intensive courtship from the Filipino Chinese Lin Yamang. Meanwhile, Dong is eager to match his old frame Bai Jin with the sailor Mai Qin, but Mai mistakes Danlin for Bai and falls in love with her, resulting in a morass of troubles. Finding out Dong's affair with Bai, Danlin calls off the wedding in anger. Dong responds by deciding to marry Jin. Their nuptials are saved with the timely intervention of Mai.
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Devotion, should be grim enough a lesson for my teenager in love. Little Kitty Ting Hao suffers due to social evils that ruthlessly rob her of the inalienable right to marry Chang Yang, the man she loves. Her incidental misbehaviour with Chang, which leads to the birth of a fatherless baby, does the final nailing of her coffin. Fortunately their daughter is intelligent and strong enough to be the master of circumstances and fights for her own love.
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A comedy about a family with two sisters.
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A Shaw and Sons production
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"This is considered one of the earliest pure gangster films in local cinema. It’s a fascinating plot about a boy raised by a triad kingpin in the 1930s. When the godfather dies, the young Xiang is given power over the gang and the master’s household. Trying to be faithful to the old man’s principles, Xiang finds himself unable to control his master’s widow and daughter, who are led astray by the widow’s worldly, greedy sister. At the same time, Xiang must ally with other triads to smuggle aid to the forces fighting the invading Japanese. He is torn between devotion to tradition and the need to adapt to modern materialism and the impending world war." (From David Borwdell's blog: http://www.davidbordwell.net/blog/2014/04/15/genre-%E2%89%A0-generic/)
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Anatole France's The Man Who Married a Dumb Wife has been adapted into three different Hong Kong films in the 1950s alone. These two adaptations stray from the source material considerably in genre, characterisation and plot, turning a farce about married life into localised romantic comedies that emphasise family values. The Beauty and the Dumb follows the couple from their meet-cute to the misunderstandings they encounter before the inevitable happy ending. The heir of a bank (Huang He) falls in love at first sight with one of the employees' daughter (Li Lihua), but their burgeoning relationship is nearly derailed when the girl's father intervenes to help his dumb daughter land a rich husband.
