Odyssey Flores

참여 작품

모로
Director of Photography
필리핀 민다나오 서부의 마긴다나오 지역. 성실하게 살아가는 형 자심(피올로 파스쿠알)과 노름에 빠져 가산을 탕진하고 있는 동생 압델(바론 가이슬러)이 있다. 어느 날 먼저 간 남편이 나오는 불길한 꿈을 꾼 홀어머니는 두 아들을 화해시키려 노력한다. 지역 공동체의 도움으로 어렵게 가정의 평화가 찾아오는 듯했다. 하지만 곧 예상치 못한 정부군의 개입으로 지역 전체가 심각한 폭력 사태에 휘말리게 된다.
My Teacher
Director of Photography
A high school teacher returns to her hometown and learns life's most valuable lesson from her unconventional student — a 70-year-old man.
The Safe Zone
Director of Photography
As the world crumbles due to artificial intelligence (AI) taking over the world, siblings Emily, Lucy, and Jake engage in an intense discussion for a spot in the Safe Zone, which is the only place safe from the threat of AI. As only one of member of the family can be admitted in the Safe Zone, the ones left behind are going to die.
민다나오 섬
Director of Photography
사이마는 소아암을 앓는 어린 딸 아이사의 엄마이자 민다나오 섬 내전에 투 입된 의무병 말랑의 아내다. 사이마는 소아암 환자 요양소에서 생활하면서, 삶과 죽음을 오가는 딸과 남편을 응원한다. 용과 싸우는 용감한 전사 형제의 전설이 크레용 애니메이션으로 삽입되면서, 희망의 메시지를 전한다.
Indak
Cinematography
This song-and-dance musical follows the journey of an island girl with a natural gift for dancing as she navigates through life in the city to follow her dreams and find love along the way.
Jack Em Popoy: The Puliscredibles
Cinematography
It revolves about a team of "puliscredibles", consisting of three charismatic and adventurous police officers named Jack, Emily, and Popoy, who embark on a mission to stop crimes from occurring within their vicinity.
Siargao
Cinematography
Fresh from a breakup caused by her fear of settling down, video blogger Laura embarks on a solo trip to Siargao hoping to move on and find a new adventure. Here she meets rock singer Diego who is caught between uncertainties of the future and baggages of the past. This fateful encounter stirs up what local entrepreneur Abi thought were long lost feelings for a long lost love, i.e. Diego. In this unlikely triangle, is there room for second chances? Or should they move on to something(one) new?
Saving Sally
Cinematography
Marty is an aspiring comic-book artist who is secretly in love with his best friend, Sally, the gadget inventor. Like every love story, there are complications: Sally has monsters for parents and a literal dick for a boyfriend, while Marty has the innate ability to do nothing about everything despite his vivid fantasies of defending the love of his life from the big bad world.
마'로사
Director of Photography
Ma’ Rosa has four children. She owns a small convenience store in a poor section of Manila where everybody knows her. To make ends meet, Rosa and her husband, Nestor, resell small amounts of narcotics on the side. One day, they get arrested. Rosa’s children are ready to do anything to buy their parents’ freedom from the corrupt police.
Dukot
Director of Photography
Based on a true kidnapping event, Carlo Sandoval was kidnapped instead of his sister.
Kid Kulafu
Cinematography
Before he became one of the world's greatest boxers, Emmanuel "Manny" Pacquiao was a young boy living a hand-to-mouth existence, trying to survive from one day to the next. When he discovers his natural talent for boxing, he embarks on a brutal and intense journey that takes him from the mountains of the Philippines to the streets of Manila, and must risk everything to become a champion - for himself, his family, and his country.
Trap
Cinematography
The story of the rebuilding of their lives by the survivors of the disaster caused by Typhoon Yolanda in the Philippines, particularly focusing on the struggles of a mother who lost their children.
Thy Womb
Director of Photography
A Bajau midwife copes with the irony of her own infertility amid the deprivations of her gypsy community in Tawi-Tawi. A saga of island life stuck between the devil of passion and the deep blue sea of tradition.
Captive
Cinematography
A dozen foreigners are kidnapped by a terrorist group in the Philippines.
Rakenrol
Cinematography
Odie and his best friend Irene are two outsiders who find a second home in the Philippine underground music scene. The two decide to form a band and put together an unlikely crew that consists of the school bully, an ex-punk-turned-barista, and a former-childstar-turned-band-manager. The film follows their misadventures as they face satanic S&M bands, samurai swindlers, narcissistic rockstars, the pretentious Philippine art community and the freakiest music video auteur ever.
Grandmother
Cinematography
Lola Sepa's grandson has been killed by a cell phone snatcher. Despite being devastated by the sudden violence, she must bear the burden of making the funeral arrangements. She and her family are poor, and there is not enough money for the coffin nor the legal pursuit against the suspected murderer. But the elderly woman is ready to even seek a bank loan to assure both a proper burial and justice for her beloved grandson. Lola Puring is committed to getting her grandson Mateo out of jail, although he has been accused of senselessly murdering Lola Sepa's grandson. But the poor aged woman doesn't have the bail money. Each time she visits her grandson in prison to bring him proper meals, it breaks her heart to see him wasting away behind bars with countless others. At the first court hearing, the two grandmothers must face one another. Both frail and poor, each is determined to do everything necessary for her grandson. The future of the case is dependent on grandmotherly love...
도살
Cinematography
A young man tries to make some money so he can marry his girlfriend. He takes a job for $2,000 and then soon realizes that this job involves killing a woman.
Squalor
Cinematography
Four men, four stories, all intersect in Manila. Episode one is about Ariel, a con-man. Episode two is about Boy, an expectant father. In the third episode, Ronald goes to Manila to sell a building. And in the fourth story Baste saves his sister from Ariel.
Service
Cinematography
A struggling family owns a Filipino porn theater where prostitutes conduct their business.
Foster Child
Cinematography
Thelma, together with her husband Dado and teenage sons Gerald and Yuri, are a poor urban family hired by a local foster care facility to provide temporary home and care to abandoned babies pending the latter's formal adoption.
The Inmate
Cinematography
Set in two contrasting environments that underline the same premise of imprisonment, Selda tells the story of Rommel, a young man who accidentally kills a boy, resulting in his incarceration. Inside the jail, he befriends another inmate, who becomes his rock and protector. Seven years later, Rommel is living in the province as a farmer together with Sita his wife. Esteban tracks down Rommel in hopes of renewing a brewing love affair. Rommel and Sita welcome Esteban into their lives until their intimacy crosses borderlines and results in the undeniable scourge of self-discovery
Awaken
Cinematography
One night the docile teenager Rey is mauled as he passes by a drinking spree of street toughies: Pogi, Jopet, Kahoy and Taba. Pogi hates Rey for the simple reason that he secretly loves Rey’s girlfriend. Jopet, a self-claimed police asset, finds Rey a convenient substitute for pouring out his hatred for his handler, a sadistic cop. Kahoy and Taba join in for the sake of camaraderie. Rey regains consciousness and finds his tormentors drunk and asleep… The director: “In the Philippines we see all these things and we don’t even recognize it, because we’re used to it. We’re very passive. But we need to wake up!”
Last Take, Last Shot
A black comedy film, which focuses on two film workers, Raffy, the clapper, and Dido, a utility boy. Both share the same dream: to direct their own films someday. Their lives as mere "small production people" took a different turn when, together with the people in the unit van they were riding,had an encounter with armed men. Their co-workers were killed, and the two of them were forced to drive the unit van out of fear until it ran out of gas. The van contains equipment for movie production like cameras, lights and film stocks. They ended up in a secluded barrio not yet reached by modern technology, and therefore, the townsfolk knew nothing of the movie industry.
Illusion
Cinematography
Set in Philippine post-American colonialist era, where the American influence was still apparent, Ilusyon tells the story of Miguel, a young man from the countryside, who decides to visit his father, Pablo, a Modernist painter in Manila. Upon his arrival, he discovers that his father has decided to leave for the province but he opted to stay in Manila for a vacation. One day, he meets Stella, a nude model originally scheduled to pose for Miguel's father. Struck by her beauty, Miguel does the unthinkable - he pretends to be his father the painter. Developing a relationship based on a lie, things turn for the worse as Stella begets a strange skin disease that turns off Miguel. Surrounded by strange characters - a talking cow, a talkative mailman and a nosy landlady - Miguel is driven into a frenzy realization about beauty, lust, love and being true to oneself. An ambiguous ending underlines the surreal tone of the film.
Naglalayag
Director of Photography
After a chance decision sends her home in a taxicab, Dorinda (Nora Aunor), a widowed judge, strikes up a friendship with the young and charming driver, Noah (Yul Servo), who's overcome with respect for her profession. But soon enough, their fondness for each other results in love -- and an unexpected surprise: At 47 years old, Dorinda becomes pregnant. Will her scandalous romance ruin her future?
Magnifico
Director of Photography
Even though he is not good in school and belongs to a poor and unfortunate family, Magnifico still have a big heart and a large amount of optimism that enabled him to help not only his family but also the community.
Flesh
Director of Photography
Maryo J. Delos Reyes' gritty noir, about the triangle that develops between a man, his wife, and his best friend.