James Joyce

The film chronicles the journey of a genius filmmaker who loses his creative side. Interestingly, his creative stream of consciousness is brought alive by the motley crew of his associates from the ashram he lives in.

Two reluctant companions, schoolmates on the mitch, roam through Dublin along the Royal Canal. An encounter with a stranger leaves one boy changed utterly. Loosely based on the James Joyce Dubliners short story.

The eleventh episode “Sirens” of the novel Ulysses by Irish author James Joyce, is readen by the voice of a machine. In this film, I used photographs I took before 2020 to imitate the sounds and voices described in the text. In the end, the dance of the manipulated body with animation comforted the anxious body that had locked itself in a room.

The Sisters is an adaptation of the first short story in James Joyce's collected works, Dubliners. Set in 1915 Ireland, it tells the story of a young boy, who reflects upon his time with friend and mentor, Father Flynn, while coming to terms with the Priest's death. As he listens to the conversations of the adults around him and thinks back on his own time with the Father, the boy begins to come to a new understanding about his friend and possibly about himself, as he is confronted with questions of faith, loss and new beginnings.

After a priest dies, the young boy he befriended struggles to know how to grieve in a world of suspicion. James Joyce's The Sisters, part of our 52 films in 52 weeks project, completed in 2013. This film was adapted from James Joyce's short story The Sisters, part of his Dubliners collection. All of the 52 films in 52 weeks were produced in Arizona by Running Wild Films and 5J Media. This short features a local cast of actors including Mark DeBoer, Michelle Allen, Ron Foltz, Anne Gentry, Helen Sanger Pierce, Noah Lanouette, and John Miller.

A visual adaptation of page 439 of Joyce's Finnegan's Wake.

Adapted from James Joyce's Ulysses, Bloom is the enthralling story of June 16th, 1904 and a gateway into the consiousness of its three main characters: Stephen Dedalus, Molly Bloom and the extraordinary Leopold Bloom.

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

Based on the story "Araby" from the collection "Dubliners" by James Joyce.

An animated short film inspired by James Joyce's 'Ulysses.'

Stabat Mater opens and closes with two sung laments, then launches into a breathless torrent of words and phrases, a re-reading of the eternal feminine of Joyce’s Ulysses, which echoes the exultant/feverish swoop of the camera through a Mediterranean landscape

그레타와 가브리엘 콘로이 부부는 독신인 케이트와 줄리아의 크리스마스 만찬에 초대된다. 어느 손님이 부른 옛 사랑노래에 그레타는 그만 오래 전에 죽은 자신의 첫사랑을 떠올리고 만다. 그레타는 남편에게 어쩌면 그 첫사랑의 남자는 자기 대신에 죽은 것인지도 모른다며 눈물을 보인다. 남편은 그레타의 눈물을 보며 생각에 잠긴다.

An experimental interpretation of Joycean epiphanies.

In this tribute to James Joyce, Fionnula Flanagan gives a tour-de-force performance as a half-dozen or so women in Joyce's real and fictional worlds. When she portrays his wife Nora remembering their time together, Flanagan captures the era and the author in lyrical detail. As Sylvia Beach, the woman who first published Ulysses, new dimensions concerning the importance of Nora in Joyce's literary visions of women emerge, and when Flanagan interprets Joyce characters like Molly Bloom or a washerwoman from Finnegan's Wake, the beauty of Joyce's language shines through the melodious words.

Director Werner Nekes has created this experimental film in the mode of James Joyce's Ulysses to the extent that human interactions are represented by poetic, symbolic images and language, with a certain amount of nudity added in. ~ Eleanor Mannikka, Rovi

Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty and politics. However his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.

Maria works in a German umbrella factory as the foreman of the production sector. João Lucas has given up on living a normal life and practically lives in bed, in the midst of green plants. His father expressly desired that his son film this eccentric daily life in 8 mm format. Maria’s wages are dilapidated to the last penny by this amateur, monstrous, family movie production.

This short documentary draws on the photographs of Robert French from the William Lawrence Collection held in the National Library. The photos illustrate the Dublin of 1904 which served as a backdrop to James Joyce’s Ulysses. The film traces Joyce’s childhood and adolescence, his meeting with Nora Barnacle on June 10th, 1904, and the highways and byways which Leopold Bloom wandered through on June 16th, 1904. The music in the film references some of Joyce’s favourite songs, many of which appear in Ulysses.

Based on the stage play Passages from Finnegans Wake, itself based on random passages from Finnegans Wake, Mary Ellen Bute's adaptation is a comical, avant-garde kaleidoscope about a man named Finnegan who dreams about his wake and then wakes up from his dream.

Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.

The original Dublin heist story. Based on the short story by James Joyce.