Shaana
Banku, his mother, Anjali Sharma and father move in to their new house -- the Nath villa, unaware of the fact that the house is inhabited by a ghost. It is learnt the ghost is not too happy with his new housemates. But what the ghost is not prepared for is his unlikely friendship with Banku. Now Banku must uncover the reason why his ghostly friend is stuck and help him to attain salvation.
Laila
Indian-born Manmohan Malhotra decided to re-locate to London, England, established himself, returned to India, got married to Bebo, and after a period of 4 years got a visa for her so that she could live with him. Shortly thereafter she gave birth to Jasmeet. Manmohan was always embarrassed of Bebo, as she was overly healthy and not quite sophisticated, as a result he always left her at home, while he socialized. Bebo did not want Jasmeet to end up like her, so got her admitted in an English Medium school, encouraged to mingle with Caucasian friends, and as a result Jasmeet was transformed in to Jazz - a stunningly beautiful young woman, British in looks, talk, habits, and heart. Manmohan's plans to get her married to an Indian boy are all in vain. His friend, Parvez Khan, is in a similar situation with his son, Imran, openly romancing a Caucasian blonde, Susan. Manmohan decides to take his family for a tour in India...
Astrid (as Shaana Levy Diya)
While covering a story in New York City, a Seattle-based reporter uncovers a link between two missing women that changes her lead entirely. Now, with her editor breathing down her neck, she works with her friend and a local art dealer to turn in the headline of her career, a task that takes them precariously close to danger.
Club Worker
어둑어둑한 새벽, 파키스탄 이민자 아마드는 커피와 베이글을 팔기 위해 카트를 끈다. 한때는 히트 앨범을 낸 가수였지만, 아내는 죽고 없으며 아들에게 장난감 하나 마음대로 사주지 못하는 처지다. 우연히 알게 된 스페인 출신의 노에미와 성공한 사업가 모하메드를 알게 되면서 그의 지독한 외로움도 사라지는 듯하다. 그러던 어느 날 카트가 사라지고, 아마드는 큰 혼란에 빠진다. 인종의 용광로, 미국의 대도시 뉴욕을 냉정하지만 섬세한 시선으로 그려낸 작품. 주인공 아마드는 영화의 실제 배경인 뉴욕 맨하탄에서 카트를 끌던 비전문배우로, 이방인의 슬픔과 고독한 감정을 성공적으로 표현해 냈다. HD 카메라로 촬영한 뒤 35mm로 블로우 업한 거친 화면은 메마르고 어두운 인물들의 감정과 삭막한 도시의 느낌을 표현하는데 효과적으로 사용되었다. 2005 만하임-하이델베르그 영화제 특별언급
2005년 테살로니키 영화제 관객상
