Horst Donth

참여 작품

Der Mann an der Rampe
Cinematography
A top administrator in the Federal German armed forces measures the machinery of murder at Auschwitz according to the effiency principle, and deems it a triumph. Militaria dealers market all the components for a do-it-yourself SS officer. The film assembles on, piece by piece, from a price list: the complete Hauptsturmführer for 2,921 Deutschmarks, ready to meet the trains arriving at Auschwitz with the appropriate aluminium lurex armband at 45 Marks.
Die Lüge und der Tod
Cinematography
Kamerad Krüger
Cinematography
SS officer Walter Krüger talks about his career. Now he is Secretary of the „Kameradschaftsverband I. Panzerkorps der ehemaligen Waffen-SS e.V.” (Fellowship of Former Soldiers of Waffen SS 1st Tank Corps). During the interview it shows that Krüger still considers himself and his like-minded fellows to be the elite of the nation.
Amok
Cinematography
The desperate private war of a Vietnam veteran of the US Army. The Film explores the biggest amok run in the history of the USA at that point of time. The story of a mass murder in San Diego on July 18 1984 is told by showing reports of a local TV station. It turns out that the amok was partly caused by traumatic experiences during the Vietnam War.
Eintritt kostenlos
Cinematography
Rustic weapons, centuries old traps; wreckage of U.S. bombers, a perforated “bulletproof” vest are exposed in the museums of Hanoi. “The neglected free visit to the Hanoi museums cost the American people 56,369 killed people and 146 billion dollars.”
Vietnam 1 - Die Teufelsinsel
Cinematography
Le Quang Vinh, a revolutionary student leader, was arrested in Saigon in August 1961. A show trial and death sentence followed. World-wide protests altered it to “life imprisonment” on Con Son, the Devil’s Island. The humiliating “Tiger-Cages” and the methods of torture are shown.
Meiers Nachlass
Cinematography
An auction in Munich, 1974, old man with crockery and knick-knacks labelled "Former property of Hermann Göring": relics of Nazism sold to the benefit of the post-war state: the west criticised by the east.
El Golpe Blanco - Der Weiße Putsch
Cinematography
At the parliamentary elections that the Unidad Popular won, there were activities to overthrow Salvador Allende. By a white, supposedly clean coup, the rightwing powers of Chile tried unsuccessfully to gain a two thirds majority in the national congress. Months later, the armed, violent coup took place.
Ich war, ich bin, ich werde sein
Additional Camera
In the spring of 1974, a camera team from Studio H&S succeeded against the explicit orders of the Junta’s Chancellery, entered into two large concentration camps in the north of the country - Chacabuco and Pisagua - leaving with filmed sequences and sound recordings.
Ich war, ich bin, ich werde sein
Camera Operator
In the spring of 1974, a camera team from Studio H&S succeeded against the explicit orders of the Junta’s Chancellery, entered into two large concentration camps in the north of the country - Chacabuco and Pisagua - leaving with filmed sequences and sound recordings.
The War of the Mummies
Cinematography
The country is portrayed before and after the storm of the military to the government palace “La Moneda” when Salvador Allende is killed and the directors discover the implications of American companies that were involved in the political developments.
Remington Cal. 12
Cinematography
This bullet is stamped with the inscription 'Remington Peters 12' and yet is not mentioned in Remington's catalogue. It consists of 20 small steel arrows.
100
Cinematography
Push-ups to the rhythm of a metronome, a meter counting backward from 100; three words are shouted time and again: “dog – pig – monkey”.
400 cm³
Director of Photography
GDR anti-Vietnam propaganda film with footage of East Germans donating blood to be sent to the Viet Cong soldiers.
PS to the laughing man
Cinematography
The epilogue to the film "The Laughing Man" (1966), which alternates between objectivity and anger, exposes the involvement of the West German mercenary Siegfried Müller in the war against the Congolese government Lumumba. In the sequel, new witnesses against Major Müller have their say, including a former school friend and a French paratrooper colonel. GDR lawyer Kaul reports on the status of the criminal proceedings against Müller, while the final images show the war criminal feeding the ducks in South Africa.
The Laughing Man
Cinematography
An interview with former Nazi and mercenary Siegfried Müller about his life and war campaigns in Africa.
Kommando 52
Cinematography
The film deals with the infamous "Kommando 52", which was active in the 1960s civil war in the Congo and was recruited mainly from West German men. Among them is the former Wehrmacht officer Siegfried Müller. Based on personal accounts and original material - backed by tape recordings of interviewed mercenaries and photos of murdered Africans - it creates a hard hitting historical document.