Telmo Churro

Tiago, a tour guide with a broken heart leads Karen, a grieving and aging Brazilian woman, around a Lisbon of strange suicidal heroes. Tiago lives with his father, Raul, an old sailor haunted by historical defeats, and with his son, Manuel, a teenager fantasising of a solitary, but erotic, trip to the cosmos. All together, they take Karen through dreams, lost glories, and catastrophes to meet a fallen hero who disappeared many centuries ago on an island in the South Atlantic Ocean.

Tiago, a tour guide with a broken heart leads Karen, a grieving and aging Brazilian woman, around a Lisbon of strange suicidal heroes. Tiago lives with his father, Raul, an old sailor haunted by historical defeats, and with his son, Manuel, a teenager fantasising of a solitary, but erotic, trip to the cosmos. All together, they take Karen through dreams, lost glories, and catastrophes to meet a fallen hero who disappeared many centuries ago on an island in the South Atlantic Ocean.

Tiago, a tour guide with a broken heart leads Karen, a grieving and aging Brazilian woman, around a Lisbon of strange suicidal heroes. Tiago lives with his father, Raul, an old sailor haunted by historical defeats, and with his son, Manuel, a teenager fantasising of a solitary, but erotic, trip to the cosmos. All together, they take Karen through dreams, lost glories, and catastrophes to meet a fallen hero who disappeared many centuries ago on an island in the South Atlantic Ocean.

A bear is sighted somewhere in the northwest of Trás-os-Montes. The animal causes a natural uproar, but his existence seems to be called into question by some.

A bear is sighted somewhere in the northwest of Trás-os-Montes. The animal causes a natural uproar, but his existence seems to be called into question by some.

브라질 외곽의 전원 마을에 사는 마르셀루는 자신의 모든 열정을 로데오에 쏟아 붓는 성정이 느긋한 카우보이다. 그에게 찾아온 한 비극적인 사건은 깊은 상처로 남는다. 그는 조금씩 트라우마를 극복해가며 다시금 희망을 되찾게 된다.

From Sunday to Sunday, the Arcozelo football field is battered by the North wind. The lawn has to be swept and lots of clothes washed. - The boys are coming! - The two equipment managers, São and Cunha, know the name of the little players. Everyone is taken care of and the socks drying on the goals are also to be lent.

For two years, we filmed in an ancient convent of the seventeenth century, which houses the Conservatory of Music of Lisbon. Moved by our love for this anachronistic place, for the music that is played there and for the richness of its teaching, Il Sogno mio d'amore immerses us into the universe of the transmission of music between teachers and pupils. Sounds and words mingle with gestures, form a unique language and reveal what is most profound in the human being: the expression of his sensibility.

몰도바 공화국 안에 위치한 트란스니스트리아는 ‘미승인 국가’다. 트란스니스트리아의 국민인 니콜라이는 어쩔 수 없이 몰도바의 여권을 갖고 러시아와 동유럽 국가들을 여행하고, 그 과정에서 니콜라이는 자신의 정체성을 고민한다. 국가와 국가 사이, 그리고 과거의 공산주의와 현재 사이를 오가는 카메라는 니콜라이의 여정을 옆에서 기록하는 동시에 픽션의 이미지들을 과감하게 삽입한다.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

In the year when cinema was paralyzed in Portugal due to lack of funding, a group of friends embarks on a mysterious expedition to see wolves in their natural habitat, but ends up being trapped in a house without much to do. The night goes by and the expedition’s main goal seems increasingly compromised until the biologist who promised them adventures shows up.

Rita is fifteen and spends the summer between warm afternoons of teenage love and party nights with her friend Sara. From Portugal to the South Pacific, the pleasures of this routine will take a turn when the young girl visits the art show of a new neighbor in the local community.

In which Scheherazade doubts that she will still be able to tell stories to please the King, given that what she has to tell weighs three thousand tonnes. She therefore escapes from the palace and travels the Kingdom in search of pleasure and enchantment. Her father, the Grand-Vizier, arranges to meet her at the Ferris wheel, and Scheherazade resumes her narration: “Auspicious King, in old shanty towns of Lisbon there was a community of bewitched men who, in all rigour and passion, dedicated themselves to teaching birds to sing…”. And seeing the morning break, Scheherazade fell silent.

In which Scheherazade doubts that she will still be able to tell stories to please the King, given that what she has to tell weighs three thousand tonnes. She therefore escapes from the palace and travels the Kingdom in search of pleasure and enchantment. Her father, the Grand-Vizier, arranges to meet her at the Ferris wheel, and Scheherazade resumes her narration: “Auspicious King, in old shanty towns of Lisbon there was a community of bewitched men who, in all rigour and passion, dedicated themselves to teaching birds to sing…”. And seeing the morning break, Scheherazade fell silent.

In which Scheherazade tells of how desolation invaded men : “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad ! The residents of a tower block in the suburbs will save parrots and piss inside lifts while surrounded by dead people and ghosts; including in fact a dog that…”. And seeing the morning break, Scheherazade fell silent.

In which Scheherazade tells of how desolation invaded men : “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad ! The residents of a tower block in the suburbs will save parrots and piss inside lifts while surrounded by dead people and ghosts; including in fact a dog that…”. And seeing the morning break, Scheherazade fell silent.

Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells king Shahryar her stories but these are not those in the book. These are stories based on whatever will be happening in Portugal during the production time of the film. As in the book, these stories will be tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events. This film will be about the reality of a disgraced country, Portugal, under the effects of a global economic crisis.

Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells king Shahryar her stories but these are not those in the book. These are stories based on whatever will be happening in Portugal during the production time of the film. As in the book, these stories will be tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events. This film will be about the reality of a disgraced country, Portugal, under the effects of a global economic crisis.

Some of the chapters from Arabian Nights are adapted to a modern Portugal in this epic.

Mariana is an 11 years old girl coming from Serpa who just moved to Lisbon with her father. The first days are spent in the city cleaning the house and knowing the new neighborhood, Entrecampos. After the first day of school, Mariana gets lost coming home and has to call her father for help. The next day, she becomes friends with a boy in her class, Nicholau, and his older brother, Simão. The two brothers invite Mariana for lunch and help her to get home.

A ten year-old boy faces up to the struggles of life in a summer camp. It’s not easy to be ignored by the girl of his heart or seeing his dormitory vandalised by adolescent thugs. Fortunately, in the forest, the wild haggis insists on remaining out of sight.

Tiago is a final-year secondary school student who has failed to graduate twice. Despite praying to the divine, he will fail once again. Between lying to his benevolent mother and giving in to the temptation of a school trip with his girlfriend, Tiago is faced with making decisions. Tiago may not be a lost case.

Tiago is a final-year secondary school student who has failed to graduate twice. Despite praying to the divine, he will fail once again. Between lying to his benevolent mother and giving in to the temptation of a school trip with his girlfriend, Tiago is faced with making decisions. Tiago may not be a lost case.

Tiago is a final-year secondary school student who has failed to graduate twice. Despite praying to the divine, he will fail once again. Between lying to his benevolent mother and giving in to the temptation of a school trip with his girlfriend, Tiago is faced with making decisions. Tiago may not be a lost case.

파울로란 이름의 노인이 카메라 앞에 앉아 담담한 어조로 자신의 과거를 이야기하기 시작한다. 주로 아프리카의 국가들에서 활동한 용병이었던 그의 증언 속에는 수많은 지명과 역사적 사건들이 등장한다. 그리고 감독은 그의 충격적인 이야기를 어디까지 믿어야 할지 자문한다. 개인의 사적인 기억과 공적인 역사적 사건의 교집합을 신중하게 들여다보는 다큐멘터리.

Elsa returns to her homeland, Caldas da Rainha, in Portugal to meet her mother. Through this little adventure, we discover the city and the mysterious activities of its inhabitants, as well as elements of Elsa's family history. A crossed impressionist portrait is woven, temporalities become confused, and dreams mingle with reality.

사랑, 강박관념 그리고 기억에 관한 이야기. 과거로부터 멀어질수록 그것은 우리 마음에서 더욱 환하게 불타오른다. 총 3부로 구성된 21세기에 만나는 아주 특별한 흑백 영화.

사랑, 강박관념 그리고 기억에 관한 이야기. 과거로부터 멀어질수록 그것은 우리 마음에서 더욱 환하게 불타오른다. 총 3부로 구성된 21세기에 만나는 아주 특별한 흑백 영화.

사랑, 강박관념 그리고 기억에 관한 이야기. 과거로부터 멀어질수록 그것은 우리 마음에서 더욱 환하게 불타오른다. 총 3부로 구성된 21세기에 만나는 아주 특별한 흑백 영화.

Portrait of a Portuguese bar whose boundary is a road in a little village. Through a succession of everyday scenes, a community appears, which is unified by the fact that there they feel “at home”. Its protagonists eat, drink, discuss, watch tv... they all spend time there, waiting for something.

They walk in pairs; they go door to door and visit the homes of those who wish to listen. They discuss matters of faith, family, demureness, religion and being. Their quest is personal, it is about proving themselves, an initiation that lasts for the two-year period they spend away from home. The Elders and the Sisters, young Mormon missionaries, leave their country, study a different language and culture and become immersed in a spirit of mission. They aspire to be role models for the perfect boys and girls.

Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.

João is an indolent young man, whose life is desperately empty. Day after day he goes through the motions of duplicating keys in his tiny shop concealed in the basement of an obsolete nearly deserted shopping center. Some day, he hopes, the lady of his heart will come and order the key that will unlock his heart. Against all expectation, the miracle happens...

매년 8월이면 포르투갈의 깊은 산속 어딘가로 돌아가는 사람들. 이들은 그곳에서 함께 놀고 즐기며 축제같은 시간을 보낸다. 산 속 오두막에서 모닥불을 피우고, 노래도 부르고, 다리에서 뛰어 내리고, 멧돼지 사냥도 하고, 그리고 사랑을 나누는 달콤한 시간들. 음악과 함께 흐느는 사랑스러운 이야기들. 영화는 댄스 홀에서 음악을 연주하는 뮤지션들 특히 아버지와 딸 그리고 사촌의 로맨틱한 관계를 따라간다.

매년 8월이면 포르투갈의 깊은 산속 어딘가로 돌아가는 사람들. 이들은 그곳에서 함께 놀고 즐기며 축제같은 시간을 보낸다. 산 속 오두막에서 모닥불을 피우고, 노래도 부르고, 다리에서 뛰어 내리고, 멧돼지 사냥도 하고, 그리고 사랑을 나누는 달콤한 시간들. 음악과 함께 흐느는 사랑스러운 이야기들. 영화는 댄스 홀에서 음악을 연주하는 뮤지션들 특히 아버지와 딸 그리고 사촌의 로맨틱한 관계를 따라간다.

A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.

서른 살까지는 신이 주신 얼굴로 살지만, 이후에는 자신에게 어울리는 얼굴을 가꿔야 한다는 포르투갈의 속담. 프란시스코는 축제 기간에 서른 살 생일을 맞는다. 교사로 일하는 그는 카우보이 복장을 하고 연극제가 열리는 학교로 간다. 그런데 아이들의 연극이 끝나갈 무렵 무대에 등장한 프란시스코가 갑자기 정신을 잃는데, 게다가 불행은 이것으로 끝나지 않는다. 자유분방하고 독창적인 이야기를 선보이는 포르투갈 감독 미겔 고미쉬의 장편 데뷔작. 일률적 기준 아래 성장하기를 강요받는 인물은 혼란 속에 위기를 맞고, 고미쉬는 이를 현실과 환상의 경계를 넘나들며 아름답고 신비롭게 그려냈다.

In a run down neigbourhood in east LISBON (chelas), a public square undergoes rennovation work which lasts three years. In this space, designed in pink, a depressed community, concentrated on their daily routine, lives out their lives increasingly indifferent to the outcome of the interminable public works.

A chronicle of a bloody war that pitted the inhabitants of the hamlet of Canudos, led by their prophet, against the army of the young Brazilian Republic in 1897.