Yasuyuki Maekawa

One day Osomatsu meets an elderly gentleman who tells him a story about his son, who he lost in an accident. Coincidentally, Osomatsu looks similar to the deceased son, and so the gentleman wishes to adopt him. The man turns out to be the CEO of a big company, and, after overhearing the conversation, the rest of the sextuplets deicide to get into a fight with Osomatsu to decide who will become the heir. Later on, the story takes a sudden, unexpected twist as three strange men dressed in black show up.

189 is a phone number to call when a child needs to be saved from an abusive situation. Children and adults can call that number, where they will be connected with the nearest child consultation center. Taiga Sakamoto works as a rookie child welfare officer. A girl that he worked with is being sent back to her mother. The girl was abused by her mother and stayed at a shelter. The next day, she loses her life. Taiga thinks about quitting his job. At this time, he receives a phone call from the hospital. A doctor calls him and tells him that a six-year-old girl's wounds looks as if they were caused by physical abuse. The abuser is assumed to be her father, but the girl's father denies any wrongdoing. Taiga and Attorney Shion Akiba try to prove that the girl was abused by her father.

2011년 3월 11일 오후 2시 46분, 동일본 대지진이 발생한다. 후쿠시마 원자력 발전소 제1발전소는 위험한 상황에 빠진다. 원전 안에 남아, 사고를 수습한 후쿠시마 출신의 작업원들은 해외 언론 매체들에 의해 '후쿠시마의 50인(Fukushima 50)'이라고 불렸다. 그 안에서 과연 무슨 일이 일어나고 있었던 것일까? 진실은 무엇일까? 동일본 궤멸이라는 위기가 다가오는 와중에도 고뇌에 찬 결단을 내려야 했던 그들은 과연 무슨 생각을 하고 있었을까?

HIRAKATA a major apparel manufacturer in financial crisis, decides to launch a new brand to revive its fortunes, and brings back Yuji Fujimura (Masanobu Takashima) who left the company after a previous conflict with the president. and gathers a group of young craftsmen under his wing, including patterner Kyoko Kayeda (Akane Hotta), assistant Seita Yoshino (Hiroki Iijima), and shoemaker Yuriko Kishimoto (Miyuu Nishimura).

Hiromi is a 26-year-old single woman. She is popular with guys. Her hobby and specialty is getting men to like her using small talk and a shy persona. If a guy confesses his feelings for her, Hiromi leaves them. Hiromi's sharehouse mate Akira and her friend Aya blame Hiromi, calling her "Kakure Bitch" (a type of women who uses innocence to flirt with men). Hiromi does not care. One day, she takes an interest in Tsuyoshi, who works in the same office. She becomes to like him sincerely.

Annual Kamen Rider stage show featuring the cast and characters from Kamen Rider Build. This Final Stage & TV Cast Talk Show special event took place after the show’s run, and included In its first half an original stage show story that featured Build, Cross-Z, Grease and more from the TV show, complete with lights, sounds, and special effects. In its second half, there was a talk segment with various cast members from the show. The event was held on October 13-14, 2018 at the Nakano Sun Plaza Hall, in Tokyo.

This premium event featured appearances by the main cast of Kamen Rider Build, who conversed and share stories about the filming of the show that fans were not able to hear elsewhere. The event also included a stage show with an original Kamen Rider Build story created just for the event, complete with lights, sounds, and special effects. The event was be held on Friday, May 4, 2018, and Saturday, May 5, 2018, at the Grand Prince Hotel New Takanawa.

동도, 서도, 북도 3개의 수도가 펼쳤던 전쟁이 끝났다. 판도라 타워에는 새로운 정부가 수립되고 3개의 수도에는 이제까지의 수상을 대신하여 각각 장관이 배치된 평화를 위한 새로운 체제가 확립되었다 그랬어야 했다... 그러나 그것은 가면라이더 빌드 / 키류 센토를 박멸하기 위함이라는 숨겨진 진실과 이어진 완벽한 계획이었다! 최고의 파트너를 잃고 최악의 상태에서 도출해낸 답은 기적의 법칙!! 어째서 빌드 드라이버에 2개의 보틀이 필요한 것인가? 어째서 가면라이더 빌드 / 키류 센토는 싸우는 것인가? 그 답은 단 하나 『반드시 할 수 있어... 너와 나라면... 자아, 최후의 실험을 시작해볼까』

Kamen Riders Build and Ex-Aid team up with the legendary heroes of the Heisei Generation - OOO, Fourze, Gaim, and Ghost.

Loan shark Ginjiro meets two people from his past: Harumi, who runs a kids restaurant; and Shimamoto, a human rights lawyer who isn't what he seems.

어린시절 부모님을 잃은 L(히로세 아리스)는 같은 마을의 오베스(후루카와 유우키)를 의지하며 어여뿐 여인으로 성장하게 된다. 그러나 숙부가 L을 겁탈하려 한 날. 울음을 감추고 오베스에게 자신을 그려달라는 L은 그에게 거절을 당하자, 숙모의 권유대로 옆 마을 세라비로 떠나게 된다. 그곳에서 처음만난 연극 연출자(히라오카 유타)를 만나 사랑에 빠지고 그의 연극을 위해 아버지가 남겨주신 유산까지 전부다 그에게 주게 되지만, 그가 가진 도박중독과 폭력을 못이기고 그의 곁을 떠나게 된다. 또다시 거리로 나온 L은 이번에는 거리에서 웃음을 빠는 '블랙 캣'에 취직을 하여 일약 그곳의 스타가 되지만, 또다시 그곳에서 만난 남자에게 속아 모든 것을 잃게 된다. 이제 남은 것은 아무것도 없는 L. 고향 리비앙로즈로는 돌아갈수도 없는 상황에서 그녀가 선택할 수 있는 길은 무엇이 있을까?

어떤 상황이라도 즐거운 일로 바꾸자는 신념으로 살아온 경력 20년 차 베테랑 방송작가 ‘슈지’는 어느 날, 청천벽력 같은 췌장암 말기 6개월 시한부 선고를 받게 된다. 자신이 세상을 떠난 뒤 남겨질 사랑하는 가족 걱정에 상심에 빠져 있던 ‘슈지’는 우연히 웨딩업체의 광고를 접하게 되고, 한 가지 기상천외한 아이디어를 떠올린다. 그것은 바로 자신을 대신할 새로운 남편을 아내에게 선물하는 것! 과연, ‘슈지’의 인생 마지막 예능은 성공적으로 실행될 수 있을까…?

Based on the mystery novel by Yagi Keiichi, the former Deputy Prime Minister was investigated after leaving a national debt of 1,085 trillion yen, but charges were mysteriously dropped. Now, his granddaughter has been kidnapped. The ransom? Either 1,085 trillion yen- the same as Japan's national debt- or a formal apology and financial reconstruction plan from the former Deputy Prime Minister are to be prepared within the next seven days. Can the police save the young girl before the deadline?

Yanagi Shuji is terrible at being a monk, as he just wants to have fun all the time. His father is the Chief Monk of the Yagira Temple, and Shuji is expected to take over the role eventually.Unfortunately, Shuji is not only not cut out to be a monk, one day, he becomes deep in debt... 10 million yen's worth! In order to repay his loan, he decides to take on the job of teaching literature at a prep school. To be able to earn big bucks, he has to be a charismatic teacher, one that is popular with the students and be in demand all the time. To that end, Shuji decides to put on a bright yellow suit, and help his students learn through comedy and funny jokes.

In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.