Alun Bollinger

참여 작품

Bright Star
Cinematography
Whetū Mārama is the story of Sir Hekenukumai Ngaiwi Puhipi and his significance for Māori in rekindling their wayfinding DNA, reclaiming our place as traditional star voyages on the world map.   
In Dark Places
Camera Operator
In Dark Places is the gripping story of an innocent man, imprisoned for two decades for a crime he did not commit, and an ex-cop's heroic battle to win him his freedom.
In Dark Places
Director of Photography
In Dark Places is the gripping story of an innocent man, imprisoned for two decades for a crime he did not commit, and an ex-cop's heroic battle to win him his freedom.
더 스톨런
Cinematography
뉴질랜드의 농장에서 가족과 힘쎄 행복한 생활을 하던 샬롯에게 엄청난 불행이 닥친다. 어느날밤, 농장에서 일했던 인부들이 강도로 돌변하여 남편을 죽이고 아이를 납치해 간것, 시간이 흘러도 경찰의 수사가 진전이 없자 샬롯은 직접 아이를 찾고자 하는데...
The Great Maiden's Blush
Cinematography
Two first-time single mothers - on a girl racer, the other a pianist and gardener - share a post-natal ward room after the birth of their babies and develop a precarious friendship. As they face the challenges of new motherhood, they must confront their pasts and face the truth about their babies' fathers.
리버 퀸
Director of Photography
19세기 중엽 뉴질랜드. 마오리족과 그 마오리 족을 지배하려는 영국 정착민들 간에 전쟁이 벌어진다. 아일랜드 여성인 사라는 이 두 집단의 사이에서 어느 쪽에 속해야 하는지 갈등하게 된다. 그녀의 아들이 마오리족인 할아버지에 의해 잡혀가게 되고 그녀는 아이의 생사여부가 확인되지 않는 상황에서 아이를 찾기 위해 7년간을 헤맨다.
Oyster Farmer
Cinematography
A love story about a young man who runs away up an isolated Australian river and gets a job with eighth generation oyster famers.
프라이트너
Director of Photography
프랭크 배니스터는 고스트 버스터를 자처하는 심령사기꾼이다. 5년 전 교통사고에서 극적으로 혼자만 살아남은 그는 그 사고로 죽은 사람들의 영혼과 의사소통을 할 수 있는 신비한 능력을 갖게 된다. 어느 마을에서는 원인을 알 수 없는 연쇄 살인사건이 발생한다. 그것은 30년 만에 다시 살아난 살인마 조니의 악령이다. 이유를 알 수 없는 사람들의 갑작스런 죽음이 계속되자 경찰은 프랭크를 의심하고 프랭크는 누명을 벗기 위해 악귀를 잡으려 하는데...
War Stories Our Mothers Never Told Us
Cinematography
Seven New Zealand women speak about their lives during World War II: some lost husbands, some got married, some went into service themselves. The director lets the women tell their stories simply, alternating between them talking and archival footage of the war years.
포가튼 실버
Director of Photography
The life story of Colin McKenzie, a forgotten pioneer of international cinema who was born in rural New Zealand in 1888.
Cinema of Unease: A Personal Journey by Sam Neill
Director of Photography
Actor Sam Neill discusses New Zealand film and his own experiences within and without.
천상의 피조물
Director of Photography
뉴질랜드에서 실제 일어났던 충격적인 사건을 소재로 한 영화로 시리즈를 만든 피터 잭슨이 연출을 맡았다. 폴린은 뉴질랜드의 조용한 마을에서 지루한 유년시절을 보내고 있다. 중학교 3학년이 된 폴린은 전학 온 친구 줄리엣과 친해진다. 검은 머리의 폴린은 재치와 위트가 풍부하고 자신의 의견을 날카롭게 주장하는 블론드 머리의 줄리엣을 새롭게 느낀다. 두 소녀는 특별한 우정을 키워간다.
The End of the Golden Weather
Cinematography
Family drama set in New Zealand about Geoff Crome, a young boy (Fulford) who immerses himself in his own private fantasy world where he meets Firpo (Papps), a strange being who dreams of being an Olympic athlete. Together, the two begin a close friendship as Geoff attempts to help Firpo realise his dream. However, it is not long until the adult world begins to impinge on his fantasy.
The Haunting of Barney Palmer
Cinematography
The Haunting of Barney Palmer is a fantasy film for children about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The film was a co-production between PBS (United States) and Wellington's Gibson Group, which resulted in Ned Beatty (Deliverance, Network) being cast. It was written by Margaret Mahy, based on her Carnegie Award-winning novel The Haunting, and an early fruitful collaboration between her and director Yvonne Mackay.
For Love Alone
Director of Photography
Teresa is a spirited young girl chafing under the oppressive attitudes of 1930s society, and her father in particular. She fancies her poverty-stricken Latin tutor Johnathan Crow, without realising he merely considers her a pleasant diversion and nothing more, and eventually follows him from Sydney to London. En route she meets the gentle banker James Quick. Whilst navigating her relationships in London, including with a political poet bound for the Spanish Civil War, she experiences a transformation in her understanding of love. Based upon Christina Stead's best-selling Australian novel.
Came a Hot Friday
Director of Photography
Set in post-war (1949) rural New Zealand, this film traces the efforts of two con men to run a betting scam in a small town (Tainuea) already rife with illegal gambling corruption, and eccentricity.
Vigil
Director of Photography
Toss lives on a sheep farm with her father in New Zealand. When Toss's father dies in an accident, Ethan, an itinerant hunter, wanders onto the family farm and is given a job by her grandfather. Toss's fairly innocent relationship with Ethan is severed when he forms a relationship with her mother.
Making Utu
Cinematography
Making of documentary on the set of New Zealand's first epic Utu (1983), working with little money and dealing respectfully with matters of cultural protocol. Merata Mita discusses complex issues of inter-cultural conflict.
Wildcat: The Struggle for Democracy in the New Zealand Timberworkers' Union
Additional Photography
Delegates and workers discuss the issues that effect the Timberworkers’ Union, the reasons for the formation of the Combined Council of Timber Workers Delegates (CCD) and their industrial action.
In Spring One Plants Alone
Director of Photography
This is the story of Puhi, an aged Maori woman and Niki, her fully grown but wholly dependent son. The world they occupy is not a world of large events but the rituals of everyday life, traditions and interdependence. “In Spring One Plants Alone” documents the minutiae of their very enclosed existence. Filmed over a period of one and a half years, it emerges as a rare, haunting and powerful portrayal of their life together. This is the story of their rituals and of their survival. The small and disconnected instances that we encounter form a lone vision of the rifts and the bond between an old woman and her disturbed son.
Sons for the Return Home
Director of Photography
A Samoan male, Sione, and a Palagi New Zealand female,Sarah, meet while studying at Wellington's Victoria University. A relationship develops quickly, but each finds the other's culture a hard adjustment. Friends and family are not supportive, particularly when she becomes pregnant, although he proposes marriage. She leaves for Australia for an abortion and he returns to Samoa.
Middle Age Spread
Camera Operator
Colin is the deputy principal of a city high school (Avondale College, Auckland) who reluctantly applies for the principal's job on the latter's retirement. Colin's wife, Elizabeth - who is losing interest in him -gives a dinner party. Among the guests is Judy, temporarily reconciled with her husband for the sake of the children. Colin - who has taken upon jogging to combat a spreading waistline - and Judy, gradually enter into an affair.
Nutcase
Grip
Evil Eva and her cronies threaten to blow their enemies sky-high by reactivating the Rangitoto volcano with a nuclear device. However, the goofy gang isn't all bad - they like to break into song and dance while holding the city for ransom. Who will save the city from destruction? Why a talented trio of kids, including a nutcase who has invented an antigravity machine. The police force, zonked out on Eva's drugged coffee, are made ineffectual.
A State of Siege
Director of Photography
Malfred Signal leaves her life of stifling gentility as an art teacher in a South Island private girls' school and decides to live out her dream – painting alone in the remote North. One terrifying night, beset by a prowler, but confronting only her own image at every step, she relives her past.
Dagg Day Afternoon
Director of Photography
A series of sketches about Kiwi extraordinaire Fred Dagg's secret mission to find a "bionic sheep" which has been lost by the government.
Wild Man
Director of Photography
The story of two itinerant con men, the Wild Man and the Colonel, who operate on the West Coast gold mining towns of the New Zealand South Island during the latter part of the last century.
Uenuku
Cinematography
Tells the Māori legend of Uenuku and his affair with the mist maiden Hinepūkohurangi. A story of love, betrayal, and rainbow redemption. Filmed at the Waimarama base.