Erik Satie

힘겹고 고독한 삶을 살던 권투선수. 오래전에 소식이 끊겼던 엄마와 자폐증이 있는 피아니스트 동생과 함께 살게 된다. 하지만 수년간 모르고 살던 가족과 어울려 지내기가 쉽지 않다.

An experimental short film shot on iPhone 7 Plus during the first year of the COVID-19 outbreak. The film depicts a young man's love for arts and his inability to coexist with his persona.

Not to be confused with the mitochondria, the powerhouse of the cell. This year's theme was "baby."

Asli is an actress working hard for her next role, Iphigenia. One day, she auditions for "shoe advertisements" but agency employees won't let her finish her role. He steals the shoe he wore during the auditions and returns to the theater like a Cinderella.

A wandering through the primal emotions of birth, motherhood, body, nature, metamorphosis and dance.

The Yellow Lounge is nowhere more true to its reputation of bringing classical music to unusual spaces than here in the stunning setting inside MORI Building Digital Art Museum in Tokyo. Pianist Alice Sara Ott as well as cellist Mischa Maisky perform repertoire from Debussy, Satie, Saint-Saëns and Massenet.

A Parade for three managers and four performers. Sketchy drawings in a neatly arranged palette, involving quotes from the French composer Erik Satie, set to the music of Parade performed by the Dutch Willem Breuker Kollektief.

Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

고교 1학년 겨울, 스즈미야 하루히가 이끄는 SOS단원들은 전과 다름 없는 평범한 일과를 보내며 다가오는 크리스마스에는 부실에서 전골 파티를 열 계획을 세우고 있었다. 하지만 12월 18일 아침, 평소의 등굣길에서 쿈은 감기에 걸린 같은 반 타니구치와의 대화가 이상하게 어긋나는 것에 위화감을 느끼는데, 교실에 들어가니 독감이 유행이라며 많은 사람이 콜록대고 있었고 자신의 뒷자리의 하루히도 그 중 하나였다. 점심시간, 쿈은 구니키다와 점심을 같이 먹는데 타니구치와 마찬가지로 대화가 잘 되지 않고, 그 때 독감에서 회복됐다는 여학생들이 교실로 들어오는데 그 중 반년 전 나가토 유키와의 전투에 패해 소멸한 후 표면적으로는 캐나다로 전학간 것으로 된 반장 아사쿠라 료코가 분명한 자신의 뒷자리인 스즈미야 하루히의 자리에 앉는 게 아닌가!

In a small farming valley in Austria in the beginning of the 20th century a tyrannical farmer is found dead, and all the farmhands are relieved to be free of their tyrant. But the farmer was childless, so suddenly they all inherit the farm together. Now conflicts begin, as nobody is the boss and nobody has to obey.

As the waters of the river Seine overflow their banks and surround a Parisian café, composer Erik Satie nurtures bittersweet memories of his one-time lover Suzanne Valadon.

A documentary which follows the most important events of Constantin Brâncuși, a Romanian artist.

The heart is still beating; the eyes can see, the ears can hear. Nights of the full moon, horror stories, disquiet. The spirits from the past are returning. Death is implicated... and grief.

A cinematographic attempt at a maximum of exertion and a maximum of relaxation based on the thoughts of John Cage, Chuang Tzu and others.

"Ghost Body" is a personal meditation on the ambivalences of interracial male homosexuality.

The adaption of Arthur Schnitzler's brilliant study of the moral illusion and reality in a small town near Vienna at the end of the century. - After the famous radio adaption by Max Ophüls in 1954.

Short documentary on Belgian artist Piet Bekaert.

Axel and Bertha are a married couple who are both artists in 1880s Paris, the film addresses the topic of gender equality in marriage and society, for example the property rights of married women.

Story of a woman during the Russian Revolution.

The fauna of the megalopolis, the jungle of the supermarket, the bedlam of brothels and bars, the effect of the bars in the fog, the swaying ears of corn, the swaying of men hanging from the gallows, the ripple of water – seen by the eye of the animator…

As a family goes on with their day, the shadows on their walls lead a completely different life.

Animation. The theme is Weightlessness. Objects and characters are cut loose from habitual meanings, also from tensions and gravitational limitations. A lyric Eric Satie track accompanies the film. Such a portrait seems necessary from time to time to remind us that equilibrium and harmony are possible, and that we will not dissolve into a jelly if we allow ourselves to relax into them: A horseman rides through the landscape, through the town, but never arrives anywhere in particular. An acrobat swings on a rope above a canal in Venice, and is content just to swing there. Nothing threatens to disturb them. This film is a total contrast to the Kafka-like oddities of Eastern European animation. —Canyon Cinema

고통스러운 삶을 술로 달래며 살아가던 30대 남자 알랭은 알코올 중독을 치료하기 위해 베르사유의 한 병원에 입원한다. 미국에 있는 알랭의 아내는 그의 상태가 호전되었는지를 알아보고자 친구를 병원으로 보낸다. 친구는 알랭의 겉모습만을 보고 그가 좋아졌다고 믿고, 알랭의 주치의 또한 그가 퇴원해도 좋다는 결정을 내린다. 파리로 돌아온 알랭은 오랜만에 친구들을 만나 저녁 모임에 초대를 받는데… 천재 재즈 뮤지션 에릭 사티의 음악이 영상과 완벽하게 어울려 영화의 어두운 분위기를 더욱 돋보이게 하는 작품.

Maldone is a canal worker, happy with his life after running away from his family estate. He falls in love with Zita, a young gypsy girl, during a local fete. However, after his brother dies, Maldone is called back to manage the estate. There, he takes up the life of a landowner and marries a neighbor's daughter. Years later Maldone is still restless on the estate, and becomes obsessed with Zita, after meeting her by chance one evening.

Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.

Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.

an artistic exploration of a woman's life through poetry