But I, being poor, have only my dreams. I have spread my dreams under your feet. Tread softly, because you tread on my dreams... So begins Deborah Warner’s captivating 2008 production of Purcell’s timeless opera Dido and Æneas: a careful warning that suits the tragic story only too well. Swedish mezzo-soprano Malena Ernman as a disarming Dido is at the head of a stellar cast joined by Les Arts Florissants under William Christie’s direction.
Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.
