Danielle Sahota
출생 : , Windsor, Berkshire, England, UK
약력
Danielle Sahota is a British-born film director and production designer for film, web and television projects. She holds a BFA in Image Arts and Film from Ryerson University, Toronto, Ontario, Canada.
Production Design
결혼 상대를 찾으라는 부모의 성화에 시달리던 아샤와 라비. 여름 웨딩 시즌만 무사히 넘기려 사귀는 척 연기를 시작하는데. 그러다 보니 어느새 서로에게 정말로 푹 빠져 버렸다!
Production Design
괴물이 나타난다는 전설이 있는 숲, '데블스 덴'. 마을 사람들은 절대로 그 숲에 가까이하려 들지 않는다. 숲속의 숨겨진 괴물의 정체는 '미나', 바로 여러 해 전 실종된 소녀였다. ‘미나’는 어쩐 이유에서인지 흉측한 얼굴을 하고 있으며, 언젠가부터인가 사람을 잡아먹게 되었다. 어느 날, 숲에 한 납치범이 본인이 납치한 눈이 보이지 않는 소년 '알렉스'를 데리고 몸을 숨기기 위해 들어온다. 그리고 숲속에서 몇 년 전쯤 버려진 것으로 보이는 기이한 빈 집을 발견하는데... 한편, ‘미나’ 역시 이들의 존재를 알아채게 되고 납치범을 먹어 치운다. 그러나 눈이 멀어 자신을 볼 수 없는 ‘알렉스’를 ‘미나’는 잡아먹지 않고, ‘알렉스’는 ‘미나’가 괴물인지 알 수가 없다. ‘알렉스’는 ‘미나’로부터 무사할 수 있을까?, 미나는 왜 괴물이 된 것일까?
Production Design
Headmaster Sturgeon has had enough. In an attempt to put an end to Bruno and Boots high jinks, he declares that they are to be separated; no shared classes and, most certainly, no shared dorm room. This punishment is worse than anything the boys could have imagined. However, if Bruno and Boots can alienate every boy in Dormitory 3, Sturgeon will be forced to re-unite them. The plot almost succeeds, but one misstep forces the girls from the Scrimmage Academy for Education and Awakening to move into Macdonald Hall, leaving Bruno and Boots back where they started.
Production Design
전도유망한 10대 피겨 스케이팅 선수 칼리 앨리슨. 어느 날 희귀암 판정을 받은 뒤 온라인 관객을 위해 노래를 부르면서 다시 희망을 찾는다.
Production Design
When an ignored little boy bonds with Bigfoot and discovers the human-like ape is in danger, he has to find the courage to stand up to those bigger than him to save the legendary creature and set him free.
Production Design
고등학교 시절, 첫사랑 아담과의 첫 거사를 치르던 캐시는 알몸으로 온 동네를 뛰어다니는 끔찍한 망신을 당하고 도망치듯 대도시로 떠난다. 어머니의 장례를 치르기 위해 12년 만에 고향으로 돌아온 캐시. 변호사가 된 아담과 오랜만에 재회하지만 헤더와 결혼했다는 사실에 실망한다. 헤더는 아담과 아이를 가지려고 무던히 애쓰지만, 그의 정자로는 임신이 불가하다는 소식을 듣게 된다. 아이를 간절히 원했던 헤더는 정자은행이나 입양까지 알아보지만, 절차가 복잡하고 시간이 오래 걸린다는 이야기에 ‘섹스 칼럼니스트’ 캐시에게 은밀한 난교 파티의 주최를 부탁해 아이를 갖고자 한다. 어색한 분위기 속에서 그들의 첫 번째 난교 파티는 기대와 다르게 흘러가고, 더 많은 준비가 필요하다는 것을 깨달은 그들은 철저한 계획 하에 두 번째 난교 파티를 열게 되는데…
Production Design
The morning after hosting a drug-fueled house party, Gracie wakes to learn her ex-boyfriend Feller is dealing with pseudo-friend Kree and roommate Tanya had her precious heirloom pendant stolen. Gracie embarks to retrieve the necklace, meeting friends and acquaintances along the way in a languorous, darkly humourous study of the precarious transition between youth and adulthood.
Costume Design
DON'T GET KILLED IN ALASKA follows Liney (LEE-NEE) a 20 year-old tomboy as she travels back to Ontario with her new boyfriend Dan after a summer of tree planting. Having lost all their money in a questionable incident, Liney agrees to ask her family for money to get them both to Alaska where they plan to spend the winter working on a fishing boat. Liney is forced to deal with her family dynamics as she meets with her estranged mother, her judgmental older brother and her silent father. Everyone has a plan for Liney, except for Liney.
Production Design
DON'T GET KILLED IN ALASKA follows Liney (LEE-NEE) a 20 year-old tomboy as she travels back to Ontario with her new boyfriend Dan after a summer of tree planting. Having lost all their money in a questionable incident, Liney agrees to ask her family for money to get them both to Alaska where they plan to spend the winter working on a fishing boat. Liney is forced to deal with her family dynamics as she meets with her estranged mother, her judgmental older brother and her silent father. Everyone has a plan for Liney, except for Liney.
Key Hair Stylist
A father fears the sexual awakening of his disabled son, a teenager living with Down syndrome, and struggles with the notion of letting him grow up.
Key Makeup Artist
A father fears the sexual awakening of his disabled son, a teenager living with Down syndrome, and struggles with the notion of letting him grow up.
Wardrobe Supervisor
A father fears the sexual awakening of his disabled son, a teenager living with Down syndrome, and struggles with the notion of letting him grow up.
Writer
Claude, an elderly man living in the 1960s, believes he is dead, and cannot explain why his body is lingering in the living world. He has tried to 'get rid' of his body multiple times to no avail. Claude is just a particle of air in his drug-transcended offspring's lives. Whilst the family prepares for his grandson Florian's balloon-filled birthday, Claude decides to attempt using young Florian to help him meet his end, in order to allow his body to follow his mind into death.
Director
Claude, an elderly man living in the 1960s, believes he is dead, and cannot explain why his body is lingering in the living world. He has tried to 'get rid' of his body multiple times to no avail. Claude is just a particle of air in his drug-transcended offspring's lives. Whilst the family prepares for his grandson Florian's balloon-filled birthday, Claude decides to attempt using young Florian to help him meet his end, in order to allow his body to follow his mind into death.
