Producer
They want a great man. They talk about it, about him, about the one they're looking for. And I don't tell them everything you're not, and I drink to stop looking for the man they're looking for.
Director
An overview of black metal culture in Belgian youth.
Director
A portrait of daily life in Cuba in the late 1990s,
Production Manager
현실 사회주의가 몰락한 직후인 1992년 늦여름에서 1993년 한겨울까지, 감독의 16mm 카메라는 독일에서 모스크바까지 긴 여행을 한다.
Executive Producer
현실 사회주의가 몰락한 직후인 1992년 늦여름에서 1993년 한겨울까지, 감독의 16mm 카메라는 독일에서 모스크바까지 긴 여행을 한다.
Executive Producer
A death in the family. Patrick dies and his three sisters gather at their parents' home in Normandy. Anne, the oldest, is steady, married with two children, showing little emotion. Isabelle, who's cut herself off from her family for eight years, returns from Paris. Claude, Patrick's twin and still a student, grieves for her other half. Along with their parents, each must face family grievances first before they can grieve together for Patrick. Then comes the revelation of how he died, and new feelings come to the fore. Can a death help a family to heal, coax an aging mother back to sanity, bring a couple into each other's arms, and enable two sisters to grow?
Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.
Producer
뮤지컬'80년대 갤러리'를 준비하던 아커만은 재정상의 문제로 3년을 기다려서야 완성을 볼 수 있었다. '80년대'는 그 지난한 3년 동안을 기록한'80년대 갤러리'의 제작 과정에 관한 다큐멘터리이다. 오디션을 준비하고, 동선 연습을 시키고,'80년대 갤러리'〉의 미장센을 고민하는 연출자 아커만을 이 영화에선 자연스럽게 지켜 볼 수 있다. 그러나〈80년대〉는 메이킹 다큐에만 머물지 않고, 독창적인 편집 리듬과 실험적인 사실 재현으로 새로운 픽션의 영역을 창출해낸다.
Producer
어느 대도시의 덥고 폭풍우 치는 여름 밤, 새벽이 올 때까지의 시간에 남자들과 여자들, 그리고 아이들의 욕망과 감정이 보여진다.
Producer
Samy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced. Szlingerbaum felt that the only way he could relate the story of his family’s search for refuge after World War II was in Yiddish. This Belgian-based filmmaker, deeply impacted by New York experimental cinema, gives us a masterful blend of powerful drama and stark documentary to tell the story of postwar European Jewry. Home, as it had been, no longer exists, and all that Samy’s family wants is a place in which to sink new roots.
Producer
A short documentary on the fabulous courthouse building in Brussels from the architect Joseph Poelaert, temporarily a house of dreams structured in 26 bits, 1 for each letter of the alphabet, from A-Z.
During the filming of "Jeanne Dielman" Sami Frey recorded what was happening on the set. A film about a film in the making.
A 4rd short super 8 film made by Chantal Akerman with her friends in Brussels, shot in front of the former Hotel van Cleve-Ravenstein coincidentally the place where now CINEMATEK and the archives of the Chantel Akerman Fondation are residing.
A 3rd short super 8 film made by Chantal Akerman in Knokke to be used to be accepted at INSAS starring her friends her mother and herself.
A 2nd short super 8 film made by Chantal Akerman in Knokke to be used to be accepted at INSAS.
Assistant Director
The first film by Chantal Akerman, a short silent 8mm film shot during the Brussels summer Midi Fair, that was one of four short films she made as a short of entrance exam at INSAS were she studied for just a couple of months.
