Jean-Paul Loublier

Kom is from a tribe of monkeys who live in a canopy. He rejects elders' authority as well as the superstition that the lower world would be inhabited by demons. But he accidentally falls from the trees…

Recognizing no boundaries to her love, Angele manages to foment riots, rages and tragedy in colonial Algeria. Angele, an Algerian colonist with impeccably French origins, has fallen in love with Said, the assistant in her brother-in-law's bakery shop. Said is conscious of his Arab origins and traditions, and Angele has her work cut out for her if she wants to persuade him to marry her. Once she does, all hell breaks loose, as neither her European-origin peers nor Said's conservative Arab family approve of the union. When word of the proposed marriage gets out, strikes, violence and murder quickly follow, ruining not only Angele's life, but the lives of those around her. Her brother-in-law Paco, meanwhile, has been doggedly trying to get along and raise his family in an increasingly chaotic and difficult situation.

In Kabylie, rude mountain region in the north of Algeria. Arezki finds the young Larbi exhausted, buried under the snow. He takes him in and nurses him until he's recovered. The host seduces Arezki's daughter. She is pregnant. This is an unsupportable shame to the father of the female sinner. Arezki claims vengeance. He leaves his house and takes the oath not to come back before having killed Larbi who betrayed him under his own roof.

France, 1815. After his defeat at Waterloo, Napoleon heads for exile. Royalists occupy Paris and attempt to restore the monarchy. However, the battle doesn't seem to be over. On July 6, Talleyrand, a shrewd politician of flexible convictions, invites chief of police and zealous revolutionary Fouché to supper and tries to convince him to serve the king. Over the meal they insult each other, accuse each other, and, at first sight, look like mortal enemies. But they definitely have one thing in common: they are both power-hungry.

스티븐(Stephane: 다니엘 오떼이유 분)과 맥심(Maxime: 앙드레 뒤솔리에 분)은 그들이 함께 음악 학교 입시를 준비하던 청소년 시절부터 알게 된 오랜 친구 사이이자, 악기를 제조하는 일을 같이하는 동업자이다. 그러나 매일 매일의 일상적인 습관과 사생활은 철저히 구분하는 그들 사이에는 알 수 없는 벽이있다. 그런 그들의 삶속에 '까미유 케슬레(Camille: 엠마누엘 베아르 분)'라는 젊고 재능있고 어딘가 청교도적인 분위기를 풍기는 바이얼리니스티브가 타성에 젖은 그들의 분위기를 뒤흔들어 놓으며 뛰어든다. 맥심과 까미유는 서로 사랑하게 되지만 스테판은 어쩐지 그들의 사랑을 못마땅해한다. 그는 외부에 대해 철저히 자신을 방어하는 인물이다. 무엇에도 쉽게 감동하지 않고 연애감정따위는 믿지않는 차가운 심장을 가진 사람인 것이다. 여자 친구 멜멘느와 플라토닉한 사랑을 나누고 편안하고 친숙한 상황속에서 살아가는 것에 만족한다. 하지만 그런 그가 까미유의 관심을 끌기 시작한다. 일부러 맥심을 밀어낼 생각이 전혀 없었음에도 불구하고. 그때부터 스테판은 곤경에 빠졌다고 생각한다. 그것은 새롭고 성가신 상황이기 때문이다. 서늘한 아름다움을 지닌 여성의 사랑은 겨울의 차가운 심장을 가진 이 남자에게 격렬하고 새로운 빛을 던지는데. 앞으로도 계속 그는 이렇게 말할 수 있을 것인가 "나는 당신을 사랑하지 않아"라고.

In this comedy, the requirements of living a respectable life grow too great for Maurice, as do the burdens of his well-paid executive position. After getting fired when a business proposal he has worked on is translated very badly to his English boss, he confides that he has lost his job to his wife. When she freaks out about that, he gets into his camper and heads south. There, a group of wandering Arab thieves rob him of everything he has of value but then admit him into their circle, calling him "Mohamed." One of their best scams comes when the newly renamed executive proposes that they rob his Paris home to raise money to start a restaurant. Though they are thieves, these new friends show every evidence of having more loyalty, good cheer, and basic morality than the associates the hero left behind.

Episodes from entire military history of Portugal are told through flashbacks as a professorish soldier recounts them while marching through a Portuguese African colony in 1973.

Simon, a Jewish police inspector, arrests Karim, a Muslim, in the bust of a drug smuggling cargo ship, only to realize that Karim is an undercover agent from the military intelligence, whose mission he was not aware of. The two men pursue the narc investigation, which will lead them to confront middle eastern terrorists together.

This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger (the film out-does even Luis Buñuel in that department), and the wedding guests and family indulge in cannibalism, among other perversions.

After World War I, a young ex-soldier, Sébastien Monge, returns to his home village. Ignorant of his past, he learns that, 24 years before, his entire family was slain in their home one stormy night. Only Sébastien, then a four-month old baby, was spared. Whilst Sébastien is being seduced by Charmaine, Dupin is killed by someone else. Sébastien’s next victim, the miller Didon Pujol, is also murdered before he has a chance to take his revenge. Sébastien realises that someone is watching his every move and is going to extraordinary lengths to protect him. But who, and why..?

Two teenage girls from Belgium run away to Paris and have to learn how to survive.

A surreal odyssey in which a melancholic maidservant crosses paths with a homicidal little boy, travels to a tiny island of pirates and encounters a man with multiple personalities.

An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.

어느 대도시의 덥고 폭풍우 치는 여름 밤, 새벽이 올 때까지의 시간에 남자들과 여자들, 그리고 아이들의 욕망과 감정이 보여진다.

The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.

A bewitching combinatory adaptation of the Bluebeard tale and a 15th century Portuguese fable of a damsel who disguises herself as a knight errant.

The time is the 1930s and two Soviet spies (both Frenchmen by nationality) have been helping Communist factions during the Civil War in Spain. It is the time of Stalin's iron rule in the USSR, and the two agents are suddenly called to Moscow by the KGB. Knowing that they are in trouble for no fault of their own, fear drives one of them to suicide while the other gets his lover and her child and begins a run for his life, knowing that the KGB will never let him go free.

Guy is fired from is job, and asks to stay with his friend and his girlfriend in their apartment. The longer he stays, the more disaster he creates.

Three friends — Paul, a conservative intellectual: Selena, a dancer who specialises in African dance: and Gabriel, an artist who manages to move with ease between the centres of their different worlds Paul maintains an ambiguous friendship with Gabriel, who goes through a series of homosexual affairs. For Selena, emotions become difficult to handle when she finds herself involved with both men. in the contradictory position of being in the centre and on the outside.

Based on the letters of a fictitious poetess to her lover. Duras reads extracts from these letters, as the film shows a boat journey down the Seine, past familiar bridges and landmarks. – BFI

A couple in a hotel room in Brussels. A painting by Brueghel. In this painting, a mystery.

This black-and-white film explores the dividing line between the theatrical imagination and everyday reality in its story of a narcissistic silent movie actor who believes his screen image as a great lover but is in fact a confused bisexual. His girlfriend, also an actress, is also caught up in the fuzzy space between fantasy and reality but feels this as a loss and tries to do something about it.

Gerard Casanova is the man that all the rich and beautiful women call when they need a little more then the husbands to give them. He's always on call to satisfy their every sexual urge.

Valerie watches over her cousin's place while he's away for six months. She spends her first night there reading, playing records, and calling her girlfriend Sophie over. That night, members of a crazed sex cult break in and mistakenly kidnap Sophie. Valerie's cousin, a member of this cult, has some incriminating photos and the leader wants to ruin his life. Valerie and Sophie's friend Fred go to the cult's mansion stronghold to stop all this madness.

친구의 결혼피로연에서 우연히 만난 젊은 커플은 묘지 근처에서 자전거로 하이킹을 하다가 호기심차 방대한 규모의 묘지 안으로 들어가기로 결심한다. 서로에게 호감을 가진 남녀는 지하 납골당에서 시간가는줄 모를 정도로 사랑을 나누다가 밖이 어두워진것을 깨닫고 밖으로 나가기로 한다. 하지만 묘지를 관리하는 노파는 폐장시간이 되자 묘지의 문을 잠궈버리고 떠나버리고 묘지안은 칠흙같은 어둠에 휩싸인다. 출구를 찾아 묘지를 정체없이 헤메이지만 마음만 조급한 그들의 눈에는 그 어디에도 출구가 보이지가 않는다. 소나기를 비해 들어간 조그만 건물에도 온통 어린 유골과 뼛조각들뿐이다. 두 커플은 서서히 밀려오는 공포에 휩싸인다. 온순했던 여인은 점점 좌불안석 과격해지며 광기를 보이기 시작하고 갑자기 알 수 없는 시를 읆조리거나 기이한 행동을 보이기 시작하는데...

프랑스로 유입되는 아프리카인 이주자들를 향한 차별을 중심으로한 사회적 문제를 다룬 다큐멘터리 영화.

Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about.

A young honeymooning couple stop for the night at an ancient castle. Unbeknownst to them, the castle is home to a horde of vampires, who have their own plans for the couple.

"봄"은 현대 소설과 동등한 위치에 있는 보기 드문 작품이다. 수많은 비유와 유추, 자동 인용으로 가득 차 있는 "봄"은 신문을 오려내는 인간의 흥미와 다를 바 없는 구실에 지나지 않는다. 이 영화의 본질은 바르트가 카탈리시스, 즉 유인반응이라 불렀던 것으로 구성된다. 즉 모든 요소가 이야기의 부분적 요소로 작품과 직접적으로 연관되지 않고, 오히려 지연시키고 전복시키는 것이다. 아눙은 자신의 작품을 문학적 소설과 결별하고자 했고, 영화를 회화와 음악과 동등한 수준으로 만들고자 헌신해왔다.(도미니크 노게즈)