Bernardo Barcellos

Develops from the life, work and memory of Gianfrancesco Guarnieri, one of the most important names in the history of Brazilian theater, to examine the courses of dramaturgy and politics in the last decades. Guarnieri, besides being a TV star, was also seen as the synthesis of the politically engaged artist in Brazil. His sons, also actors, saw a separation between art, work, and politics. As he investigates the portraits of two generations, grandson and director Francisco aims to understand the place of his own generation in history, in art and the world as a whole.

Develops from the life, work and memory of Gianfrancesco Guarnieri, one of the most important names in the history of Brazilian theater, to examine the courses of dramaturgy and politics in the last decades. Guarnieri, besides being a TV star, was also seen as the synthesis of the politically engaged artist in Brazil. His sons, also actors, saw a separation between art, work, and politics. As he investigates the portraits of two generations, grandson and director Francisco aims to understand the place of his own generation in history, in art and the world as a whole.

One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.

One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.

The year is 1984. Estela is going through the turbulent phase of adolescence. Sex, lovers, friendships; everything seems very complicated. Her uncle Carlos is her hero, and visiting him in California is her biggest dream. But everything collapses when he returns thin, weak and ill. Between crises and discoveries, Estela will face a reality that will forever change her way of seeing the world.​

A film crew travels to inner Brazil in search of the best “piadeiro” —amateur comedian— of the region. We meet these characters on the streets, squares and inside bars, while they are displaying their sense of humor. Beyond being interesting characters, they have the knack of making people laugh. In this film, they each have their 15 minutes of fame —or maybe more.

Rânia is a teenage girl who lives on Santa Teresinha hill in the city of Fortaleza. Her busy days are also occupied by the dream of being a dancer. Rânia's best friend, Zizi, introduces her to 'Sereia da Noite', a local joint where fun, dance, money and sex rock the night. When Rânia meets the choreographer Estela, she will be torn between the possibility to make money in the nightclub and the will to become a "real dancer".

José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.