Cinematography
Farah, an Iranian woman, is forced to migrate to her private planet to be free. She buys other people’s memories in form of Super 8 films and records and archives her own to create an alternative history of Iran.
Editor
Farah, an Iranian woman, is forced to migrate to her private planet to be free. She buys other people’s memories in form of Super 8 films and records and archives her own to create an alternative history of Iran.
Director
Farah, an Iranian woman, is forced to migrate to her private planet to be free. She buys other people’s memories in form of Super 8 films and records and archives her own to create an alternative history of Iran.
Editor
내가 물었다. “그들은 왜 너를 지우지?” 그가 대답했다. “두려워서 그럴 거야.” 내가 말했다. “겁을 먹은 사람은 자신을 지우지.” 그가 대답했다. “그러면 산 사람의 얼굴은 사라지고 죽은 사람만 남아.”
Editor
이란 혁명 전후 세속적인 가치관의 아버지와 종교에 충실한 어머니의 관계, 그리고 그 사이에서 자란 딸의 이야기. 감독은 스스로를 "이란의 전통주의와 현대화의 끊임없는 갈등 사이의 결과물"이라 말한다. (제22회 전주 영화제)
Editor
This film reviews the lives of 6 former residents of Sitir Street (Ghavam Al-Satna) and their memories of living on this street. While reviewing these memories, the importance and historical-biological value of this street is shown in the memory of the people of Tehran and Iran.
Director
In this absorbing film, seven independent female Iranian documentary makers take us into their personal and professional world, in an Iran that continues to be punctured by political, social and economic crises. What becomes clear over seven autobiographical chapters, is that choosing to become a documentary maker in Iran is a brave decision, often placing your liberty in danger. These women are driven by the need to document their world, and the forces that continue to restrict their movement and freedom. Whether it is making a film about department stores in Tehran featuring mannequins with severed heads and breasts, or the women singers they used to love as children, who have been banned from radio and TV since the revolution, or the huge swell of hope that comes with each election, these directors provide a rare and incisive view inside contemporary Iran, a country they continue to love, even as they will it to change.
Editor
It is 1978. Tehran is in bloodshed. The young Bahman falls in love with Leila, the sister of his martyred friend. Unrest in the streets, unrest in the hearts.
Writer
It is 1978. Tehran is in bloodshed. The young Bahman falls in love with Leila, the sister of his martyred friend. Unrest in the streets, unrest in the hearts.
Director
It is 1978. Tehran is in bloodshed. The young Bahman falls in love with Leila, the sister of his martyred friend. Unrest in the streets, unrest in the hearts.
Writer
The documentary "Iran in Announcements", a research documentary about announcements in Iran, is from the early years of the announcement of Iran to the arrival of the Islamic Revolution.
Director
The documentary "Iran in Announcements", a research documentary about announcements in Iran, is from the early years of the announcement of Iran to the arrival of the Islamic Revolution.
