Janine Viénot

모파상의 원작을 가지고 쾌락에 관한 3가지 이야기를 옴니버스 영화로 만들어냈다. 제 1화 "가면"은 '쾌락과 젊음'에 대한 이야기로, 나이를 속이기 위해 가면을 쓴 채 무도회장에 들러 여성들에게 구애하는 한 남자의 이야기를 다룬다. 제 2화 "텔리에 부인의 집"은 '쾌락과 순수'에 대한 이야기로, 조카의 성찬식에 참여하기 위해 창녀들과 함께 시골로 가는 텔리에 부인에 관한 것이다. 제 3화인 "모델"은 '쾌락과 죽음'에 대한 이야기로, 자신의 모델과 사랑에 빠졌다가 그녀를 버리려 하는 화가의 이야기를 들려준다. 쾌락과 행복의 관계를 탐구하는 3개의 흥미로운 에피소드들로 이뤄진 "쾌락"은 시각적 테크닉을 구사하는 데 있어서 막스 오퓔스가 얼마나 사치스러워질 수 있는가를 보여주는 영화로 꼽힌다.

Andre Noblet, a 21-year-old French artist falls madly in love with Christine, the mother of two children. He tells Chistine he will tell all to her husband and demand her freedom. Christine learns that her husband has been carrying on a romance of his own and they have a meeting.

Robert Montfort, happily married to Solange, is his parents-in-law's pet aversion though. To them he is a punk, a good for nothing, a small-time, untalented poet! Robert, who is more gifted than what they think, manages, following a workmate's recommendation, to debut as an entertainer in a nightclub and -even better- to please the audience. Not daring tell the truth to Solange he starts leading a double life, being Robert Montfort in the daytime and Jean Rigobert at night. Of course his wife wonders what is going on and worries about his regular night outings. Only too happy, her parents incite her to have a divorce. Fortunately, all comes right in the end.

By taking the defense of Raymond Denis, accused of having killed his mistress, when she committed suicide because he did not want to recognize his child, the lawyer Claude Nogent, learns that he himself was born of unknown father.

Breton doctor René Laennec fights tooth and nail against consumption, all the more desperately as his brother Michaud has just died of it.

Between eleven o’clock and midnight one evening, a notorious trafficker Jérôme Vidauban is shot whilst walking in a tunnel in Paris. The case is assigned to Inspector Carrel, who is Vidauban’s perfect double. Using his resemblance to the arch criminal, Carrel manages to infiltrate in Vidauban’s circle of acquaintances and contacts. He becomes embroiled in a bizarre web of intrigue and discovers no shortage of possible murder suspects, all of whom appear to be surprised to see him still alive.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

The story of the Swiss soldier, Henri Dunant, who was responsible for the founding of the Red Cross, and who was offered the first Nobel Peace Prize.

A beautiful young pianist falls for her mentor.

Émile Boulard is a props man in a Paris movie studio. He has a wife, Suzanne. Or to be more accurate, let's say he HAD a wife since she left him fifteen years before, allegedly ... to go buy a post stamp. But now that their daughter Martine , who lives with her, is old enough to marry, she resurfaces. She confesses that, in order to explain his absence, she has told Martine her father was a great explorer and lion hunter in Africa. Not to disappoint his daughter, Émile accepts to pose as the adventurer he is supposed to be. At the same time he will help Daniel, Martine's bashful fiancé, not to become a henpecked husband like him.

Jean is a good man who has a steady job (he is a mechanic in the village garage) and a companion named Aline. But Jean is also a guzzler and a philanderer. As a result, when a local prostitute is killed in the surroundings, he becomes at once the victim of rumor...

The Marquis de Montauran was appointed to command the Chouans whose first two revolts were crushed. An aristocrat, Marie-Nathalie de Verneuil, is sent by Joseph Fouché to seduce and capture him.

A time lord of Valois must go to war. He learns by a prophecy that his honor risks being affected. He entrusts his wife to Maxime de Falindor who, despite the temptation, will know how to restore her wife and honor intact.

Muichkine, a young Russian prince, returns home to St. Petersburg from a mental institution, determined to spread decency and kindness in the harsh and cruel world. He becomes betrothed to an innocent young girl while trying to save a less-innocent woman from her own travail, but jealousy and his own naivete conjoin to bring about unimaginable tragedy.

The exploits of Chief Police Inspector Chabrier, first before the invasion of France in May 1940 as he fights against spies preparing the coming the Germans, particularly Emmy de Welder, the alleged manager of the Rouen hospital. Later, Chabrier and his men go underground and resist the occupiers whatever the price to pay. When the Liberation comes Chabrier resumes his activities at the French National Police.

During the stagecoach trip of a frightened group of inhabitants of Rouen, Elisabeth Rousset, known as "Boule de Suif", renders these people a signal service, but comes up against their stupidity and their sufficiency. A little later, Boule de Suif assassinates the formidable Prussian lieutenant whom his friends had nicknamed Fifi and who shamelessly displayed his taste for pillage and his sadistic tendencies.

Daughter of a French officer and an Annamite, Mahlia was brought up in Indochina by Mr. and Mrs. de Roussière. Their son, Henri, would like to marry her but they are against it. Mahlia flees and Henri is killed for trying to protect her. The young girl enters the Mission to raise children there in the love of France.

With a hand of steel, Hélène efficiently runs a big luxury perfume factory in Grasse. There is no room for fun in her dull businesswoman's life. Then, a car accident drops Claude Dubois, a painter, into her lap. But the artist will have to deploy all his subtle wiles and clever tricks to rouse Hélène's feelings and get her to enjoy the cozy life of a cherished wife.

France, 1880. Francois Roquevillard is a respected lawyer in Chambery and the head of a family that prides itself on its impeccable morals. Francois's world rapidly begins to fall apart when his son Maurice elopes to Italy with Edith Frasne, the wife of an esteemed notary.

Picpus is a street and a subway stop where a number of murders have been committed. Maigret tries to find the killer.

Pierre, who is a Fine Arts student, and Denise, who is a chemistry student, work for a department store where, wearing wedding suits, they distribute flyers to passers-by. The store manager, Bernard, falls in love with Denise and arranges to take her to an inn not far from Paris, run by the handsome Robert. This one opens Denise's eyes who ends up returning to her home. After a fight between Pierre and Bernard, Denise ends up choosing to stay with Pierre.

Five young people - brothers, sisters, cousins ​​- are on vacation in the countryside. Pernette suggests to Marianne, who wants to be appreciated by her cousin Olivier, to make him jealous by inventing an aviator in love. At this announcement, Olivier bursts out laughing, but an airman knocks on their door, his private plane having had a breakdown. The mirage then becomes reality, and thanks to this unexpected visit many feelings will come to light.

An airplane manufacturer asks his son-in-law to try out the prototypes he builds. This one ends up having an accident because of fatigue, and pushes the sacrifice to help his rival.

The film shows the seizure of power by the Nazis and Hitler wants a trial, at a time when France has just declared war on Germany (Sept. 3, 1939). Hybrid composition, it alternates originals and reconstructions performed by actors (docudrama). A not-so-subtle condemnation of Hitler, Nazism and Germany by the movie's French film makers, which conveniently makes no mention of how the policies of Great Britain and France created Hitler and allowed him to go as far as he did prior to the beginning of the Second World War.