Flávia Guimarães

Flávia Guimarães

프로필 사진

Flávia Guimarães

참여 작품

A Sogra Perfeita
Writer
10 Horas Para o Natal
Writer
Three siblings devise a plan to get their divorced parents to spend Christmas together.
Quero Botar Meu Bloco Na Rua
Screenplay
"Quero Botar Meu Bloco na Rua" is an affective journey through the history of the street carnival blocks in Rio, telling the saga of this popular manifestation that spans the centuries adapting to all sorts of social, political, cultural or economic transformations in Brazil.
Berenice Seeks
Screenplay
Berenice is a dedicated female taxi driver in Rio de Janeiro. She is consumed by her job and the little free time she has needs to be divided between raising her son Thiago, a teenager exploring his sexuality, and her troubled relationship with her husband Domingos, a police reporter. The scars of the worn-out relationship, ruined by her husband's violent outbursts, have erased her femininity and led her into a great existential emptiness. The murder of Isabelle, a beautiful transgender woman, on Copacabana Beach, ignites her investigative side and transforms her life.
Quanto Tempo o Tempo Tem
Writer
We live in a new age. We are always rushing, rushing for no reason, rushing for nothing. As though time had sped up. Everything implies speed, urgency. But ultimately, why does time seem so short? This film is about the director’s conflict about time and the lack of it in today’s world; she reflects on civilization and the future of existence.
Pioneiros
Writer
“Pioneiros” narrates the saga of the brothers Mário and Renato Spinelli, descendants of Italians who actively participated in all national political movements between the 1920s and 1970s.
Irmãos de Fé
Macária
Priest Marcelo Rossi visits a juvenile correction center, and gives Paulo, one of the interns, a Bible. He starts reading the story of St. Paul.
Mary, Mother of the Son of God
Marta
Maria Auxiliadora is a 24 year-old woman very poor, that she lives Joana, her 7 year-old daughter close to. Needing go look for the result of Joana's exam in the hospital, Maria asks the priest of the local church that takes care of her to return. In spite of Joana's insistence to go with the mother Maria insists that she is with the priest, because she distrusts that her daughter suffers of a serious disease. To entertain the girl while it awaits the mother's return, the priest decides to tell her a mother's history that dedicated her life to the son: Mary, mother of Jesus Christ.