Director of Photography
Dr. Sunil Gupta lives a wealthy lifestyle with his wife, Aarti. Although they have been married for several years, they do not have any children. Aarti did get pregnant once, but failed to conceive. Aarti decides to travel to take a break in their Khandala bungalow, which is also in the neighborhood of Aarti's sister Vidya, her son, Raju and her husband's house. Since her bungalow is being decorated by Vinod, whom she remembers as her fellow collegian, both spend considerable time together. When Vinod finds out that Aarti is basically alone most of the time, he proposes to her - but Aarti rejects him, a physical tussle ensues, Aarti grabs a revolver, a shot is fired, Vinod falls down the stairs and dies. Vidya assists Aarti in disposing off his body.
Director of Photography
마적단에게 가족을 몰살당하고 두 팔을 잃은 타쿠르는 복수를 위해 두 명의 무법자, 비루와 제이를 고용한다. 비록 도둑질과 속임수로 살아간다 해도 그들의 정의로움과 용감무쌍함을 믿기 때문이다. 발리우드 식의 멜로드라마가 총성과 말발굽 소리가 메아리 치는 서부영화와 만난다. (2011년 제16회 부산국제영화제)
Director of Photography
Havaldar Ratan is a rookie at the local police station, and is assigned duty on foot patrol on Manoranjan Street, a notorious red-light area, on the very first day of his job. He strikes up a conversation with a good-looking young woman named Nisha, and tells her that there is a possible violation of Suppression of Immoral Trafficking Act taking place on this street. He witnesses several women soliciting men, and decides to call in the paddy wagon, and get them arrested. Alas, one of the men frequenting the prostitutes is none other than Ratan's superior officer, who immediately summons Ratan, and has him removed from service on corruption charges. Nisha takes pity on a homeless and unemployed Ratan, and asks him to live with her. He does not want her to sell her body, and so he decides to work at night, and during the day he takes on the guise of a rich Nawab and spends time with her.
Cinematography
Raja Kumar Bahadur alias Gyan Shankar Rai has been a total abstainer all his life, never touching a drop of alcohol, and keeping away from women and all known vices all his life. Then one day he sees a young woman named Saudamani, and instantly falls in love with her. He finds out about her background, and virtually buys her, and brings her to his palatial home. This is when he takes to drinking, and wooing her, and renaming her Madhuri, but refrains from marrying her. Years later, he sees another beautiful woman, about half his age, named Sumita, meets with her parents, pays off their debts, and marries her in the bargain.
Director of Photography
After a failed conquest, Emperor Ajaatshatru pretends to be a soldier in the enemy's army to weaken them from the inside. However, he falls in love with Amrapali by faking his identity.
Cinematography
Cinematography
Jadoo (Magic) is a 1951 Hindi psychosocial melodrama film directed by A. R. Kardar. The film revolves around a young singer and dancer, Sundari, who is involved with crooks, but falls in love with a police constable, Pritam. The plot of the film was inspired from The Loves of Carmen (1948)
Cinematography
A comic tale of a poet and his fan both in love with each other and relentless efforts by his would be father in law to not let them marry each other. Instead, he wants his daughter to be married to the poet's friend.
