Helmut Weber

출생 : 1985-01-01,

참여 작품

Die Mucklas - und wie sie zu Pettersson und Findus kamen
Producer
Once upon a time, the Mucklas could be found everywhere. But in an increasingly tidy world, the cheerful goblins have a hard time, since they love disorder more than anything. Soon the last tribe will have to leave their home. For generations, the little creatures have made themselves at home unnoticed in Hansson's old, chaotic grocer's store. In the wonderful mess, they find everything they need to live, tinker and make mischief. But Hansson's successor, Karl the exterminator, turns the paradise into a tiled and sterile nightmare. So Svunja, Tjorben and Smartö set off on a dangerous search for the promised land. The great adventure begins
Pettson and Findus: Findus Moves House
Producer
The old man Petterson is trying to sleep but his cat Findus is keeping him awake, so they both agree that Findus shall have his own house.
Pettson and Findus: The Best Christmas Ever
Producer
Pettson and Findus find themselves snowed in their house. The little cat is scared that Christmas is ruined, but Pettson promises that they will celebrate "the best Christmas ever".
Beltracchi: The Art of Forgery
Producer
Wolfgang Beltracchi got away with forging art masterpieces for over 40 years. He may be egotistical and nihilistic, but his genius in undeniable. He managed to fool gallery owners, historians and investors with the stroke of a brush. This documentary follows his last days as a free man.
Beloved Berlin Wall
Co-Producer
Berlin, 1989. Sascha is a young East German border guard and Franzi is a lively young West German woman who's just moved into a flat next to Sascha's watchtower at the Berlin Wall. It takes only a slight mishap and a selfless act of chivalry and the two fall in love. But soon the Stasi believes they are witnessing the start of a revolt. This is the time of mass protests and East Germans taking refuge in the West German embassy in Prague after all. Franzi and Sascha have to find their ways to stand up for their love and strive for the impossible; to bring down the wall.
Tabló
Co-Producer
Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.