Małgorzata Jaworska

A handsome young chauffeur hired by a powerful and charismatic businesswoman discovers he has been made an unwitting party to fraud, but his moral outrage is complicated: the married man allowed himself to be seduced by the woman, who threatens to tell the man's wife.

A classical singer who put his career on hold to raise a family gets a big break when a major company hires him for a televised New Year's Eve concert, but his shot at fame is threatened when, against his better judgment, he goes out on a rainy night and gets a cold.

Marcel Łoziński tells the story of the crime committed by the NKVD in Katyn in 1940. He interweaves accounts of witnesses and survivors with images from the pilgrimage of members of Katyn Families to the place of murder, death and nameless burial of their loved ones.

바르샤바 특유의 회색빛 거리를 배회하며 방황하는 고독한 시골 청년 야체크는 자신의 최후의 무대를 연출할 사람을 찾아 나선다. 드디어 청년은 택시를 타고 도시의 외곽을 달린다. 그리고 이유없는 살인이 벌어지고 그는 곧 체포되어 재판에 회부된다. 한편 변호사 피토르는 변호사 시험에 합격한 후 첫 업무로 야체크를 위해 사형 폐지론을 주장하며 변론을 편다.

"Piwnica pod Baranami" - this legendary literary cabaret group celebrated its 30th anniversary in 1986. The jubilee ball, thanks to the host Piotr Skrzynecki and the invited artists, turned into a night of magic.

A psychological portrait of Ewa, a young Polish theatre actress searching for her own way in life. She plays a minor role in Jasieński's 'The Ball of Mannequins', a complete opposite of her real personality, while aspires to star as Cordelia in Shakespeare's 'King Lear'. Ewa lives on her own, occasionally visiting a famous old actress to talk about theatre, taking care of a poor neighbor, and fights her sophisticated mother rejecting the truth about her beloved father, who died an alcoholic.

The street poll proves that the memory of Nowa Huta has faded in the Poles' consciousness. The documentary filmmaker and his team decided to seek out the heroes of those events from 1949-1954, from the beginning of the works to the smelting of the first pig iron from the first furnace.

One winter day in the life of a village boy.

Documentary about the lives of three generations of residents of Warsaw’s Wola district.

A record of the unveiling of the monument to the victims of December '70 that took place in front of gate 2 of the Gdańsk Shipyard. Witnesses to the December events describe their experiences.

The film is set toward the beginning of World War II, at a psychiatric hospital in the country. But this is an unusual hospital: there are several incurable schizophrenic cases, staff is bit strange and a writer has voluntarily entered the clinic because he is "peculiar" and a drug addict. Then, the occupying forces arrive...

A psychologist is asked about a scientific consultation with a girl who attempted suicide.

이 다큐멘터리는 결혼, 집 그리고 안정된 직업이 준비되지 않은 상태에서 아이를 갖게 된 어린 커플의 이야기이다. 학교 선생님과 친구들 그리고 기관의 관계자들은 ‘모범적인’ 절차를 따르지 않고 아이를 낳으려 하는 그들을 무모하다고 판단한다. 그러나 두 사람은 자신이 꿈꾸는 독립을 얻기 위해서 관료주의적 행정 절차와 사람들의 편견에 굴하지 않고 함께 살아가는 것을 배우려는 책임감을 보여 준다. "첫사랑"은 그런 두 사람이 크고 작은 시련에 맞서며 성숙하는 과정을 개입 없이 관찰자의 시선으로 담고 있다.

작은 도시의 젊은 교사가 수학여행 학생들을 인솔하고 바르샤바에 오는데, 자신을 떠나 새로운 삶을 시작하기 위해 바르샤바로 온 아내를 어떤 지하도에서 만난다. 혼자 남겨진 남편 – 젊은 교사 – 은 아내와 재결합하여 아내와 함께 지냈던 과거를 다시 되살릴 기회로 생각하지만, 불행히도 아내는 그에게 다시 돌아오고 싶어 하지 않는다. 그녀는 이미 냉소주의와 감정이 메마른 대도시의 생활에 익숙해져 이미 돌이킬 수 없게 선을 넘은 상태였기 때문이다.

Krzysztof Kieslowski's protagonist is Joseph Malesa, a former party activist, labor leader and mason. The document talks about his career and life through ups and downs

A biology professor, Adam, after several dizzy spells, enters a hospital for observation. He is a loner and a serious-minded man, who dislikes any display of emotions. He spends three months in the hospital while being tested. After observing patients and hospital routines around him from a distance, he learns that he will need a kidney transplant. Meanwhile his personal and professional life is falling apart: he refuses his wife's offer to donate the kidney for him; the scientific problem he was working on has been solved elsewhere. In the end Adam cracks under the prolonged pressure, waiting for the sound of an ambulance bringing a moribund patient whose kidney may be used for the transplant.

One of the first documentary films of Krzysztof Kieslowski. It is a story about everyday life funeral in the 70s

제2차 세계 대전 중 나치의 폴란드 점령기 시절, 독일군 병사들이 미할의 집에 쳐들어와 아내와 아들, 어머니를 학살한다. 숲속에 숨어있던 미할과 그의 아버지는 목숨은 건졌지만 가족의 학살을 막진 못했다. 미할은 저항군에 합류하기로 결심하지만, 합류하기도 전에 게슈타포에게 들켜 쫓기는 신세가 된다. 게슈타포를 피해 도망치던 중 미할과 비슷한 복장을 입은 사람이 미할로 오인돼 대신 체포되며 추격전은 끝나게 된다. 총소리를 듣고 나온 아파트 주민으로 보이는 임산부는 게슈타포에 체포된 남자를 보며 울먹인다. 체포된 남자가 그녀의 남편이기 때문이다. 그 장면을 목격한 미할은 자신 대신 체포된 남자보다, 그 남자의 아내인 임산부를 보고 더 놀란다. 임산부의 외모가 얼마 전 학살당한 자신의 부인과 너무도 닮았기 때문이다. 게슈타포가 떠나간 뒤 임산부에 집에 들어가 보는 미할, 임산부는 출산이 임박했는지 고통스러워한다. 미할은 얼떨결에 그녀의 출산을 돕게 된다. 출산이 끝나자 미할은 긴장이 풀렸는지 아님, 게슈타포가 쏜 총에 맞은 어깨 출혈 때문인지 혼절하게 된다. 이번엔 반대로 임산부가 미할의 어깨총상을 치료해 주며 미할을 간호한다. 자신 대신 체포당한 남편에 대한 죄책감 때문일까? 아님 죽은 아내와 너무 닮아서일까? 미할은 발진티푸스 센터에서 백신을 만들기 위해 번식되는 실험용 '이'에 피를 공급하며 식량배급을 받는다. '이'에게 피를 빨려 식량배급카드를 받고, 그 식량으로 임산부에게 밀가루와 감자를 나눠준다. 미할대신 남편이 잡혀갔음에도 여자는 게슈타포에 사실을 알리지 않고 미할이 주는 밀가루와 감자를 받아 생활한다. 미할은 여자와 갓난아이를 보며 잃어버렸던 가족을 다시 만나는 듯한 기묘한 체험을 하게 된다.

A documentary revolving around the Polish situation on an industrial level at the tail-end of the 1960s: it alternates between stark images at a metallurgic foundry and a board-room meeting among the various executives involved in its management.

One day in the life of a Vietnamese village, from crowing roosters to the end of a busy day. Time seems to have flown here continuously for hundreds of years. However, the place no longer exists - it has been consumed by the fire of the Vietnam War.

A potter putting up a fireplace tells a story of a man, who decided to build a house at an infamous fire site.

Polish short horror film made in 1968 by Jerzy Gruza upon the story of Jozef Korzeniowski as a part of the TV anthology "Opowiesci Niezwykle" (Incredible Stories). We have 20th century. Mysterious person - Jozef - comes to the apartment of a writer. The mysterious person takes the writer back in the 19th century, where they meet The Death.

A journalist is preparing to take a train trip, when he is confronted by the spirit of professor Ryszpans who tells what happened to him. When he boarded a train standing on a siding, he encountered trackman Wiór with a newspaper informing about the crash of the train and the death of several passengers, including professor Ryszpans. The professor is joined by engineer Zniesławski, who has also heard of the impending disaster and is interested in it from the technical side. On hearing the news of an approaching catastrophe, other passengers leave the train in panic at the next station. However, trackman Wiór manages to hypnotize several travelers who continue with the journey. Ryszpans hears a roar and sees objects crumbling around him, and then turns into a shadow. After hearing the story, the journalist resigns from his train trip.

Siberia, contrary to people’s first association, is not a deserted land covered with snow. During the one-year stay, Polish documentary filmmakers collected materials that make up the image of the modern industrial area of ​​the North.

The viewers visit a school located high in the Tatra mountains, in the village of Zaczerczyk. There are only few students there. Teachers arrive at the place every day, including the film's protagonist, a young woman.

A subtle, almost quasi-documentary tale of a confrontation between two lonely people — one from which true understanding cannot seemingly result.