Nils Kenaston

Everything Adam knows about love, he learned from the movies. Unfortunately, Adam is no Cary Grant, and the closest he's come to experiencing true romance is one drunken night with his unrequited love, Kate. But that evening failed to live up to Adam's expectations, so he casts himself and Kate in a movie recreation of their one night, hoping for a better ending. It's a total flop, and Adam is forced to cast a new Kate when she no longer wants any part of her part. But re-casting Kate leads to an ending that even Adam never saw coming, in this playful comedy about love, movies, and how our love of movies affects how we love.

Everything Adam knows about love, he learned from the movies. Unfortunately, Adam is no Cary Grant, and the closest he's come to experiencing true romance is one drunken night with his unrequited love, Kate. But that evening failed to live up to Adam's expectations, so he casts himself and Kate in a movie recreation of their one night, hoping for a better ending. It's a total flop, and Adam is forced to cast a new Kate when she no longer wants any part of her part. But re-casting Kate leads to an ending that even Adam never saw coming, in this playful comedy about love, movies, and how our love of movies affects how we love.

A lonely, sticky fingered waitress is looking to leave town while her complacent insurance salesman husband gets taken for a ride by a Southern viper. Romance, murder, golf and freight trains are the themes of a strange trip through the South.

Director/screenwriter Gabriel Fleming (One Thousand Years) explores the subtleties of loneliness, friendship, and sexuality with this tale of two high school friends who are forced to face their unspoken sexual history while wandering the streets of San Francisco on Halloween night.

Director/screenwriter Gabriel Fleming (One Thousand Years) explores the subtleties of loneliness, friendship, and sexuality with this tale of two high school friends who are forced to face their unspoken sexual history while wandering the streets of San Francisco on Halloween night.

A man remembers his past during a journey that takes him back to his country of origin.

In Brooklyn of the '50s, small-time mobster George and his sidekick Dip realize they've forgotten the birthday of mob boss Joey, so they engage the services of prostitute Glorice. Joey's reaction to Glorice gives George a promotion, and he's installed as Joey's assistant. George makes the discovery that gender-bent Glorice is not exactly a woman after all. The problem gets worse: Joey intends to marry Glorice, who plans to blackmail Joey after the wedding.

Berenice is a meditation on a dream of lost plenitude, and its inversion into decay. The events depicted in the film concern the formation and dissolution of a utopian community in 1832, and the psychic and physical disintegration of two members of that community. In an allusion to the interiority of the main character, Berenice, whose flashbacks form the film’s narrating consciousness, the oblique and inward-turning fictive structure gives itself over to delirious visual asides. The film is partially adapted from the Edgar Allan Poe story of the same name. Additional primary sources used in constructing the film include texts by the 19th-century French utopian Charles Fourier and the collected letters from Brook Farm.