Reza Arham Sadr

Jafar Khan, son of a rich traditional family in Tehran, comes back to Iran after spending 8 years for studying in Europe, but he has changed completely to the extent that he cannot even speaks Farsi properly.

According to what his father, Farman who is a powerful man of his times, always wants, Fereydoon is grown up as a gentle young boy. However, his relatives call him a ‘baby dandy’, so that his uncle does not consent to marry Shirin, his daughter, to Fereydoon. His uncle is waiting for Ismael to be released from the prison, then he would get his daughter married to him; although this is against Shirin’s wish. Under such a condition, there remains only one choice for Fereydoon, and that is to turn himself to a ‘ruffian’. By pretending to be a ruffian, Fereydoon successfully overcomes his sinister competitor and marries his beloved girl.

Mahmoud and his wife Parvin do not have children after eight years of their marriage. Gol Andam - Rajab's concubine wife, Mahmoud's servant, leaves her baby in front of Mahmoud's house...

Houshang Farzad Mirza (Reza Arazam Sadr), from his hometown of Isfahan, has gone to New York to study for a tragedy, and his scholarship goes down ...

Ayaz who has a feud with Nasir's family makes a plan and manages to get their father arrested. Nasir decides to get revenge but is send away from the city. He meets a valiant and becomes his disciple learning his work. When he returns home he goes after Ayaz and his daughter to take revenge on them

A girl who is interested in a young and poor student, so that she does not get caught up in her father's hasty decision to give her husband to a rich man. He escapes to Isfahan. He meets an Isfahani couple on the way...

Rajab and his friend Ghorban accidentally enter the 20st century from ancient times and after a few events, decide to return to their time and period.

Haji Jabbar is a wealthy man, who is chided constantly by his family for avarice. Haji intends to marry off his daughter, Parvin, to a wealthy old man. He has no regard for the love existing between Parvin and her cousin. He does not care for his son, Hamid, who, due to negligence, is on the verge of a breakdown. In an elaborate fantasy sequence which makes up the last third of the film, Haji finds himself in hell, witness to all sorts of macabre and elaborate tortures and horrors. The film is noted for its elaborate set pieces which recall Méliès. There is even a sequence involving Hitler in hell!