Key Makeup Artist
블록버스터 액션 프랜차이즈의 속편을 찍기 위해 럭셔리 호텔에 모인 제작진. 촬영은 격리 상태에서 이루어진다. 탈출욕, 성욕, 인내심을 마구 자극하는 이곳에서 촬영을 무사히 마칠 수 있을까?
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1920년대 시카고의 오후, 녹음실이 열기와 긴장으로 달아오른다. 시대를 개척한 뮤지션, 전설적인 블루스의 어머니 마 레이니를 기다리는 밴드. 거침없고 불같은 성격의 마는 뒤늦게 나타나 백인 매니저와 제작자를 상대로 한판 붙는다. 그녀는 자신의 음악을 스스로 결정하고 싶기 때문이다. 그곳엔 야심 넘치는 트럼펫 연주자 레비가 있다. 마의 여자 친구에게 관심을 보이는, 음악계에서 한자리 확보하려는 의지에 불타는 레비. 그는 밴드가 스튜디오의 비좁은 리허설 룸에서 대기하는 사이, 동료 뮤지션들 사이에 온갖 이야기와 진실이 폭발하도록 자극한다. 그 때문에 그들 모두의 인생은 영원히 바뀌게 된다.
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어벤져스 멤버들과 타노스와의 대접전을 마친 뒤, 지난 5년 동안 사라졌던 사람들이 동시에 돌아왔다. 아이언맨이 떠난 채 한동안 지구를 구할 히어로가 공석인 상황을 수습할 히어로는 현재 스파이더맨 피터 파커뿐이다. 친구들과의 유럽 현장학습 도중 닉 퓨리의 부름을 받게 된 피터는 미스테리오라는 정체 모를 히어로와 힘을 합쳐 엘리멘탈이라는 괴생명체를 무찔러야 하는 상황에 처한다. 그런데 피터는 지구를 구하는 일보다 MJ에게 멋지게 고백할 계획이 우선인데...
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더 폴카(The Polka)라는 간판이 붙어 있는 살롱(saloon)에서 작은 금광을 하나 소유한 애시비(Ashby)가 무법자 래머레즈(Ramerrez)를 저쪽 골짜기에서 보았다고 얘기한다. 광부들과 술주정꾼들은 그 말에 별로 신경을 쓰지 않는다. 주점의 한쪽 벽에는 래머레즈의 현상 포스터가 붙어 있다. 이때 처음 보는 수상한 사람이 주점으로 들어오게 되는데...
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시 수업을 등록한 뒤 모든 게 달라졌다! 내가 쓴 가사의 진짜 의미는 무엇일까. 시 경연을 통해 진정한 목소리를 찾아가는 여정. 고전하던 래퍼의 도전기, 지금 시작됩니다.
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La Traviata’s sumptuous melodies and timeless depiction of doomed love have made the work a favorite of generations of operagoers. In his approach to this classic drama, director Willy Decker sets the action on a nearly bare stage, focusing the audience’s full attention on the three main characters. As Violetta, the ailing courtesan desperate to escape her past, soprano Sonya Yoncheva offers a fearless and sympathetic performance from beginning to end. American tenor Michael Fabiano sings with ardent longing as her devoted lover Alfredo, delivering emotionally wrought phrases and ringing top notes. Thomas Hampson brings a burnished baritone to Germont, Alfredo’s protective father whose stern demands spell disaster for the young couple. On the podium, maestro Nicola Luisotti leads an electric performance of Verdi’s unforgettable score.
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1950년대의 미국 피츠버그에 살고 있는 전직 야구선수 트로이 맥슨(덴젤 워싱턴)은 쓰레기 수거 용역회사에서 청소부로 일하고 있다. 한때 미국 흑인 프로리그에서 활동했던 그는 자신이 메이저 리그로 올라가지 못한 이유가 고령 때문이 아닌 피부색 때문이라고 굳게 믿고 있다. 트로이는 자신의 실패와 좌절에 대한 분노를 아내 로즈(바이올라 데이비스)와 아들 코리(조반 아데포)에게 표출한다. 특히 아들이 미식축구에서 본인이 가지지 못했던 성공을 거머쥘 조짐이 보이자, 아들의 대학 리그 진출을 방해하려 하는 등 부자간의 갈등의 골이 깊어지게 된다.
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Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.
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Anthony Minghella’s beautiful, atmospheric production enhances Puccini’s drama of unfortunate, doomed love. Soprano Kristine Opolais brings all of her passionate commitment to her portrayal of Cio-Cio-San, the teenage geisha who gives up everything for Lt. Pinkerton. Roberto Alagna is the American naval officer who does not understand the depth of Cio-Cio-San’s love, and whose subsequent marriage to an American woman precipitates Butterfly’s suicide. Maria Zifchak is Suzuki, Cio-Cio-San’s faithful servant, and Dwayne Croft plays the American consul Sharpless, who tries to avert the tragedy. Karel Mark Chichon conducts.
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William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim. The men around her, whose lives she forever alters, are Johan Reuter as newspaper publisher Dr. Schön; Daniel Brenna as his composer son, Alwa; Paul Groves as the Painter; and Franz Grundheber as Schigolch. Susan Graham sings Countess Geschwitz, and Lothar Koenigs conducts Berg’s landmark score.
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죽마고우인 애론과 숀. 두 사람은 화려한 싱글라이프를 즐기며 한 여자에게 얽매이는 것을 거부해왔다. 그러나 숀이 어느날 한 여자를 만나 사랑에 빠지고, 이윽고 장가를 가게 된다. 결혼은 미친짓이라고 생각한 애론은 숀이 정신을 차리고 결혼을 물리도록 지상 최대의 재미를 모두 모은 총각파티를 준비하는데... 그러나 총각파티엔 교도소에서 출소한 숀의 사촌과, 불청객 동창생이 난입하며 처음부터 일이 꼬일 조짐을 보인다. 하지만 애론에게는 아직 비장의 카드가 남아있다. 바로 하룻밤만 보내면 남자의 인생을 바꿔준다는 전설의 콜걸 데스티니! 애론은 그녀를 호출해 숀에게 마지막으로 뜨거운 밤을 선물할 기대에 부풀어있고, 총각 파티는 점점 물이 오른다.
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Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.
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Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.
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An all-star cast assembled for the Met’s first-ever performances of Rossini’s romantic retelling of Sir Walter Scott’s epic poem The Lady of the Lake. Joyce DiDonato is Elena, the title heroine, who is being pursued by not one, but two tenors—setting off sensational vocal fireworks. Juan Diego Flórez is King James V of Scotland, disguised as the humble Uberto, and John Osborn sings his political enemy, and rival in love, Rodrigo Di Dhu. Complicating matters is the fact that Elena herself loves Malcolm, a trouser role sung by mezzo-soprano Daniela Barcellona, and that she is the daughter of Duglas (Oren Gradus), another of the king’s political adversaries. Paul Curran’s atmospheric production is conducted by Michele Mariotti.
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Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.
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New tenor star Vittorio Grigolo takes on the title role in Offenbach’s fantastical opera, giving a tour-de-force performance as the tortured poet unlucky in love. He is joined by a trio of leading ladies: Erin Morley sings the mechanical doll Olympia, Hibla Gerzmava is the fragile Antonia, and Christine Rice sings Giulietta, the Venetian courtesan. Bartlett Sher’s colorful production, seen here in its second Live in HD presentation, also stars Thomas Hampson as the sinister Four Villains and Kate Lindsey as Niklausse, Hoffmann’s friend and muse. Yves Abel conducts.
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A youthful cast brings Rossini’s immortal comedy to sparkling life, led by Christopher Maltman as Figaro, the resourceful barber and man-about-town of the title. The lovely Isabel Leonard is Rosina, the clever young woman at the center of the story, and Lawrence Brownlee sings Count Almaviva, the man who loves her and—with Figaro’s help—rescues her from the house of her elderly and smitten guardian, Bartolo, played by Maurizio Muraro. Paata Burchuladze is the bumbling music master Basilio, and rising conductor and bel canto specialist Michele Mariotti leads the Met’s musical forces in Bartlett Sher’s lively production.
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Georgian mezzo-soprano Anita Rachvelishvili gives a dynamic performance as Bizet’s iconic gypsy, the woman who lives by her own rules. Aleksandrs Antonenko is Don José, the soldier who falls under her spell, and Ildar Abdrazakov plays Escamillo, the swaggering bullfighter who takes Carmen away from Don José—an action that seals Carmen’s tragic fate. Anita Hartig is Micaëla, and Pablo Heras-Casado conducts Richard Eyre’s hit production, set in 1930s Spain.
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Met Music director James Levine conducts a cast of youthful stars in Mozart’s sophisticated comedy about testing the ties of love. Susanna Phillips and Isabel Leonard are the sisters Fiordiligi and Dorabella, who are led to believe their fiancés have gone off to war. Matthew Polenzani and Rodion Pogossov are Ferrando and Guglielmo, the lovers who return in disguise to test their girls' fidelity. Danielle de Niese sings the scheming maid Despina and Maurizio Muraro is Don Alfonso, the philosopher and mastermind pulling the strings.
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Eva-Maria Westbroek stars in the title role of Zandonai’s sensuous drama, opposite Marcello Giordani as Paolo. Piero Faggioni’s lush production provides the perfect setting for one of the all-time great tales of tragic passion, adapted from an episode in Dante’s Inferno. Mark Delavan co-stars as Giovanni, the husband and brother of the star-crossed lovers, whose jealousy leads him to kill them both. Robert Brubaker is Malatestino and Marco Armiliato conducts.
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Michael Mayer’s acclaimed production, first seen in the 2012–13 season, sets the action of Verdi’s masterpiece in 1960 Las Vegas—a neon-lit world ruled by money and ruthless, powerful men. Piotr Beczała is the Duke, a popular entertainer and casino owner who will stop at nothing to get what he wants. Željko Lučić sings Rigoletto, his sidekick and comedian, and Diana Damrau is Rigoletto’s innocent daughter, Gilda. When she is seduced by the Duke, Rigoletto sets out on a tragic course of murderous revenge. Štefan Kocán is the assassin Sparafucile and Michele Mariotti conducts.
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Jean-Pierre Ponnelle’s dramatic production brings ancient Rome to life for this gripping tale of revenge, terror, and attempted murder. Giuseppe Filianoti is the Emperor Tito who chooses Servilia to be his Empress. But when she tells him she is already in love with Annio he decides to wed Vitellia instead. Unaware of the honor about to be bestowed on her, Vitelllia, daughter of the deposed emperor, is determined to seek revenge on Tito and ensnares her lover Sesto in her dark plot. Early music specialist Harry Bicket conducts.
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Anna Netrebko as the beautiful and wealthy Adina leads the cast in Barlett Sher’s production of Donizetti’s charming comedy, first seen on Opening Night of the Met’s 2012–13 season. Matthew Polenzani is Nemorino, the poor but good-hearted country boy who wins her love—with the help of the magic “elixir” sold by the quack Dulcamara, played by Ambrogio Maestri. Mariusz Kwiecien is the swaggering Sergeant Belcore and Maurizio Benini conducts.
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Rising Met star Angela Meade is Elvira, the young woman caught between three men: her lover, the nobleman-turned-outlaw Ernani (Marcello Giordani); her guardian, the rich, elderly de Silva, who wants her for himself (Ferruccio Furlanetto); and Don Carlo, the King of Spain, who also desires Elvira (Dmitri Hvorostovsky). Verdi’s early drama is full of sweeping melody and rousing rhythms, delivered masterfully by the Met Orchestra and Chorus conducted by Marco Armiliato.
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Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.
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The tragic tale of "the bride of Lammermoor" has always been a favorite of opera-goers and sopranos alike. Yet with the riveting singing actress Natalie Dessay in the title role, Lucia's plight and descent into madness take on another dimension. Joseph Calleja is an ardent Edgardo, the man she loves but is not allowed to marry. Instead, her brother Enrico forces her into a union with the rich Arturo to save the family fortunes. It proves too much to bear for Lucia.
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Gluck’s gripping adaptation of the ancient Greek myth is vividly brought to life by a stellar cast in Stephen Wadsworth’s atmospheric production. Oreste is driven by the Furies to atone for killing his mother Clytemnestre. When he and his companion Pylade are shipwrecked on the island of Tauride, the king Thoas demands they be sacrificed. At the center of the drama is Iphigénie, Oreste’s long-lost sister. Forced to live among her enemies, she holds the lives of the captives in her hands—unaware that one of them is her brother. (Iphigénie en Tauride is performed in an adaptation of the 1779 Paris version edited by Gerhard Croll, by arrangement with Bärenreiter.)
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This excellent Deutsche Grammophon Blu-ray DVD was made during a Metropolitan Opera company performance of “La Fanciulla del West” in December 2010. The performance marked the centenary of the world premiere of the opera at the old Metropolitan Opera in 1910 with Caruso as Ramirrez or Dick Johnson, Emmy Destinn as Minnie, Pasquale Amato as Jack Rance and Arturo Toscanini as the conductor. Puccini helped in the production of the opera and was present in the audience on the night of the premiere.
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It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
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퇴직을 7일 앞두고 신참교육 도중 아이를 죽인 에디 (리차드 기어), 가족을 부양하기 위해 검은 돈의 유혹에 흔들리는 샐 (에단호크), 오랫동안 비밀경찰 일을 하고 있는 위장경찰 탱고 (돈치들)는 모두 브룩클린 경찰로 우연한 일들로 엮이게 되고 자신들 앞에 놓인 인생에서 가장 중요한 7일을 보내게 되는데...
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Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
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"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.
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Just as a young woman is about to marry her sweetheart, she is discovered—by the entire village, to say nothing of her fiancé—asleep in the bedroom of a stranger. It takes the young man two acts to figure out that sleepwalking is to blame, and everything ends happily. Natalie Dessay as Amina and Juan Diego Flórez as Elvino deliver bel canto magic and vocal fireworks in Mary Zimmerman’s 2009 production. The Tony award-winning director transfers Bellini’s bucolic tale to a rehearsal room in contemporary New York, where an opera company rehearses La Sonnambula—and where the singers are truly in love with each other.
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Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.
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James Levine’s love for this monumental opera shimmers throughout this exciting performance. It was an afternoon to remember: Met favorite Deborah Voigt singing her first run as the proud Irish princess opposite tenor Robert Dean Smith—making an astonishing Met debut in front of a live worldwide movie-theater audience. Michelle DeYoung was a sisterly Brangäne and Matti Salminen an imposing King Marke.
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This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.
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한 대학교수가 만든 흑인 대학생 토론팀이 하버드대 챔피언십 우승까지 거머쥔 실화를 바탕으로 한 영화.
실화
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The world’s most famous love story comes to operatic life with superstars Anna Netrebko and Roberto Alagna playing the star-crossed young couple. The abandon and ardor of their performances brought audiences to their feet in both the opera house and in movie theaters. And the unique, up-close-and-personal camerawork takes the viewer onstage to witness some of the production’s most memorable images and sultriest moments as never before.
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흑인여성 헬렌 맥카터는 지금까지 매우 풍족하게 남부러울 것 없는 삶을 살아왔다. 그러나 결혼 18주년 기념이 전날 밤에 남편으로부터 이혼하고 싶다는 청천벽력 같은 소리를 듣는다. 헬렌의 친구와 바람을 피워온 남편은 헬렌에게 집을 나가달라는 요청을 하고 헬렌은 어쩔 수 없이 집을 떠나 홀로 거리로 나선다.
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디트로이트의 소외받은 계층은 생존 그 자체가 삶의 목적이다. 이러한 계층, 특히 빈민 흑인들에게 힙합은 탈출구이자 삶의 에너지이다. 지미 스미스 주니어에게도 힙합은 유일한 출구이자 그를 지탱해주는 에너지이다. 결손 가정에서 살고 있는 지미는 그의 친구들과 그들만의 가족을 이룬다. 그리고 그들은 언젠가 성공하리라는, 이 암울한 현실로부터 탈출 하리라는 희망을 가지고 있다. 그들은 밤이면 디트로이트의 힙합 클럽에 모여 그들의 꿈을 키운다. 힙합 클럽에서는 디트로이트 최고의 래퍼들이 모여 밤마다 랩 배틀에 참가한다.
Makeup Artist
조 무어는 보석 도둑이다. 어느날 그의 범행 장면이 감시 카메라에 찍히면서 인생이 꼬이기 시작한다. 그의 장물 버그먼은 돈을 주지 않고, 그의 아내는 버그먼의 젊은 부하와 사랑에 빠져 그를 배신하려 한다. 무어와 그의 파트너 바비, 핑키는 자신들이 파산했고, 배신당했으며, 갈취당했음을 알게 된다. 이들은 어쩔 수 없이 버그먼이 계획한 마지막 도둑질을 하게 되는데...
Makeup Artist
미국 동부의 평화롭던 작은 마을 노스필드는 1965년에 주정부의 수몰화 계획에 따라 저수지로 변하였다. 그후 30년이 지난 후 수몰 지역 인근에 사는 클레어 쿠퍼는 사연이 있는 듯한 어린 소년이 등장하는 꿈에 시달린다. 숲속의 길 잃은 여자 아이, 피묻은 남자의 손, 사과 과수원, 오래 전에 물에 잠긴 마을 등, 꿈에서 보았던 것들은 생활에 서서히 파문을 가져오지만 누구도 그녀의 꿈이 가지는 예지력을 믿으려 하지 않는다. 그러던 어느 날, 클레어의 딸 레베카가 유괴, 살해되자 클레어는 꿈속의 그 소녀가 바로 자신의 딸이었고, 범인은 자신의 꿈까지도 조종하고 있음을 알게 된다. 불우한 어린 시절에 대한 복수심에 사로잡힌 비비안 톰슨은 연쇄적으로 클레어의 주변 인물들을 하나씩 죽여가며 그녀를 자신에게로 유도하는데...
Makeup Artist
뉴욕의 하렘, 이탈리아인의 피자 가게에서 일하는 무키는 여자 친구와 아기를 위해 묵묵히 돈을 벌어야 한다. 브루클린의 다른 흑인들은 여름의 찌는 무더위 속에서 거리를 배회하며 자신들의 독특한 행동만 계속한다. 우연찮게 발생한 이탈리아인과 흑인들의 충돌, 조용하던 무키의 분노가 폭발하면서 피자 가게는 난장판이 되고 불이난다. 소방대원들은 물줄기를 불타는 가게가 아닌 흑인들에게 쏘고, 사건의 진상 조차 조사하지 않고 무조건 흑인들을 구타, 연행하는 경찰, 경찰의 폭력에 의해 라디오 하임은 사랑과 증오가 얽힌 눈으로 죽어가는데...
