Dimitris Kanellopoulos

Welcome to the murky world of digital ad fraud, organized crime’s biggest source of income after drug trafficking. A former industry executive pulls the curtain to expose how it’s done, who the victims are, and what role Google and Facebook play in the game.

A middle-aged man living in the countryside is trapped in an elusive business plan, gradually losing touch with people. A festival will give hime a chance to realize that maybe it is not too late to reconnect with reality.

A young Filipina searches for the missing links between her strange bleeding condition and her faraway mother's healing powers.

사채업자 스텔리오에게 돈을 빌린 '타나시'는 이자가 원금 2배 가까이 될 때까지 갚지를 못한다. 화가 난 스텔리오는 타나시의 농원을 찾아가 행패를 부리다 오히려 타나시에게 멱살을 잡히자 친구에게 부탁해 건달들을 마을로 보낸다. 한편, 타나시는 스텔리오에게 빚이 있는 친구들을 모아 강력한 목소리를 내기로 결심한다. 하지만 마을에 나타난 건달 두 명으로 인해 상황은 예상밖으로 흘러가고, 사채 빚에 시달리다 힘을 합하기로 했던 힘없는 업주들은 무리를 이루면서 어느 사이 먹잇감(양떼)이 아닌 잔인한 사냥꾼(늑대)으로 변해가게 되는데...

사채업자 스텔리오에게 돈을 빌린 '타나시'는 이자가 원금 2배 가까이 될 때까지 갚지를 못한다. 화가 난 스텔리오는 타나시의 농원을 찾아가 행패를 부리다 오히려 타나시에게 멱살을 잡히자 친구에게 부탁해 건달들을 마을로 보낸다. 한편, 타나시는 스텔리오에게 빚이 있는 친구들을 모아 강력한 목소리를 내기로 결심한다. 하지만 마을에 나타난 건달 두 명으로 인해 상황은 예상밖으로 흘러가고, 사채 빚에 시달리다 힘을 합하기로 했던 힘없는 업주들은 무리를 이루면서 어느 사이 먹잇감(양떼)이 아닌 잔인한 사냥꾼(늑대)으로 변해가게 되는데...

When a young girl's father suddenly disappears, her weirdo neighbor - an eccentric supermarket cashier - is forced to take care of her.

This is the story of Copa-Loca, an abandoned Greek summer resort. Paulina is the girl at the heart of Copa-Loca. Everyone cares for her and she cares about everyone – in every possible way.

Moderation, set in Egypt, Greece and Italy, revolves around a female horror director (Maya Lubinsky) and a screenwriter (Anna De Filippi), whose latest collaboration is haunted by encounters with its 'raw material' and the escalation of conflicting desires. Faced with the disintegration of their project, the director becomes more and more drawn into conversations with the actors she has cast (Aida El Kashef, Michele Valley and Giovanni Lombardo Radice), which reflect on the way horror traverses the affective and material realities of their lives on and off screen.

An aspiring screenwriter and a seasoned producer try to work out problems regarding their upcoming collaboration. One of the two will have to compromise, adding milk to his coffee.

Photophobic Zano, arrives in the big city for the very first time. The year is 1984 and Athens beckons. A vampire and a fine dancer, Zano quickly gets devoured by the dark underbelly of the capital city. All he really wants is a 'warm' girl.

School's out for summer, school's out forever, school's been blown to pieces.

Antonis arrives at a hotel resort by the sea. It is wintertime, the hotel is closed and Antonis drifts around alone. He has a lot of time to kill. Until television announces the disappearance of the famous TV host Antonis Paraskevas…

The astonishing debut feature from Greek filmmaker Ektoras Lygizos updates Knut Hamsun's classic 1890 novel Hunger to the modern day, as it follows an alienated young man desperately trying to survive on the streets of Athens.

Antonis lives alone in his family's beach house, hiding away from the world. He has given up on life and is literally watching the world pass him by. It has been left up to his best friends - two offbeat cupids - to remind him that there are things to live for.

Ever since her husband, Andreas, died, Mrs. Antonia only has his picture to talk to. She is almost certain that he can hear her.

Ever since her husband, Andreas, died, Mrs. Antonia only has his picture to talk to. She is almost certain that he can hear her.

Ever since her husband, Andreas, died, Mrs. Antonia only has his picture to talk to. She is almost certain that he can hear her.

Nikos, Christine, Homer, George, Regina, Dimitris, Jim, Margaret, Elias, Monika and Haris return from their summer holidays.

Nikos, Christine, Homer, George, Regina, Dimitris, Jim, Margaret, Elias, Monika and Haris return from their summer holidays.

1957, Drapetsona, a working-class suburb of Piraeus. Katy feels stifled by her futile, enervating and almost ridiculous day-to-day life. An old dress becomes the pretext for the young girl to attempt what her mother dared not: to claim the right to living and not merely existing, or at least a simple stroll in the port.