Bruce Parsons

Protect and Survive was a public information series on civil defence produced by the British government during the late 1970s and early 1980s. It was intended to inform British citizens on how to protect themselves during a nuclear attack, and consisted of a mixture of pamphlets, radio broadcasts, and public information films. The series had originally been intended for distribution only in the event of dire national emergency, but provoked such intense public interest that the pamphlets were authorised for general release.

The idyllic, rural past of a Suffolk village comes to life through the memories of an old man who tends a country graveyard.

Jomo Kenyatta's death in 1978 brought to an end a political career that encompassed more than 50 years of African history. Kenyatta entered politics in the mid-1920s and then spent 17 years in exile in Europe. He returned to Kenya in 1946, and was elected president of the nationalist movement, the Kenya African Union. Arrested and imprisoned in 1952 for allegedly leading 'Mau Mau', he was released in 1961 and two years later became Kenya's first Prime Minister. In power, the man whom European settlers had once reviled as "the leader to darkness and death" was eulogized by them as a pillar of stability, while former allies challenged him by creating a left-leaning political opposition. Kenyatta weaves archival and contemporary images with interviews with friends and relatives, comrades and opponents, to create a biographical portrait of a key figure in 20th century politics, and a case study of what Frantz Fanon called the pitfalls of nationalism as a political force in Africa.

In October 1952 the British government declared a State of Emergency in Kenya. Its object: the defeat of "Mau Mau." In the war that followed, fewer than 40 of Kenya's 40,000 white settlers were killed while more than 15,000 Africans lost their lives, and hundreds of thousands more were arrested and subjected to a humiliating and often brutal process of "rehabilitation." But what was Mau Mau? A movement based, according to the British Colonial Secretary, on a "perverted nationalism and a sort of nostalgia for barbarism"? Or the Land Freedom Army, an organized political and military response to repression and armed aggression? Using newsreel and previously inaccessible archive footage, and drawing on interviews with participants on both sides, Mau Mau examines the myth and the reality of Africa's first modern guerrilla war.

In the late 19th century, Britain, France, Germany and other European states agreed on the division of Africa into a patchwork of colonies, and set about exploring and exploiting their new possessions. White Man's Country combines period photographs and contemporary location footage with the testimony of African and European witnesses, to examine both sides of Europe's "civilizing mission" in Africa.

Focusing on the pressures people feel moving from the security and nurture of village life to the isolate chaos of big city life, Joshua: A Nigerian Portrait tells the story of Joshua Sobitan, a rent-collector living in Lagos.

A light, humorous look at the motor car and the great North American itch for a place on the road. From the comparative peace of Honest Joe's used-car lot, this film hustles you onto our public speedways, where hot rubber erases any distance between all points. Slow-motion and pop-on-pop-off photography make this a provocative, revealing study of motormania unlimited. A 1960 black and white production. (Also released under the title 1/3 Down and 24 Months to Pay.)

This documentary short offers a nostalgic look at the steam locomotive as it passes from reality to history. In its heyday, the big smoke-belching steam engine seemed immortal. Now, powerful and efficient diesels are pushing the old coal-burning locomotives to the sidelines, and the lonely echo of their whistles may soon be a thing of the past.

The misbehaving public performs for the camera in a half-hour miscellany of misdeeds. In a behind-the-scenes look at the hour-by-hour operation of a large metropolitan police force, this film presents a fair sampling of what keeps Toronto's police officers busy twenty-four hours a day.