María de la Riva

참여 작품

What Max Said
A mature man tries to ease his loneliness with fleeting encounters with friends, his lover, old acquaintances and his teenage daughter.
Pepito Piscinas
Mamá del conde
Casa de citas
Luciano has been working in an important company for fifteen years without be rewarded for his efforts, his fidelity and submission. On the recommendation of a cousin, he acts as front man for the shameful business of his managers. They get it so far as to force him to marry the former mistress of one of the directors. Finally, because of a fire in the chalet where he lives and where they cook the dirty business of which he is not responsible for, Luciano ends up in jail for covering up and taking on some responsibilities that are not his, fulfilling his role of straw man until the end.
Acto de posesión
Raquel's not able to have children, so she and her boyfriend manipulate another young woman into bearing his child.
Un día con Sergio
Sergio, a film heartthrob in the decline of his career, agrees to spend 24 hours with the winner of a radio contest. The fate of the prize lies with Tina, a girl from the small town of Algarrobo of Mijares, a fervent admirer of the actor.
A la Legión le gustan las mujeres… y a las mujeres, les gusta la Legión
Criada
A lieutenant and four others are having a little party before entering combat. Ensign has his girlfriend in a village occupied by the enemy, so it is essential a rescue mission
Earthquake in Chile
Indian Woman
1647, Santiago, Chile. Don Henrico banishes his daughter, Josephe, to a convent when he learns she loves Jeronimo, a mestizo who's a teacher in the household. The lovers meet in secret, a child is born, the pair are condemned to die, and prelates scheme to seize Don Henrico's fortune. A moment before Josephe's public execution, an earthquake devastates Santiago. Josephe finds her baby and flees the rubble; Jeronimo survives, escapes, and finds her. The reunion brings joy and rebirth. He wants to build a Utopian community, without priests. She believes they can reenter Santiago society, forgiven. Class, race, and religion dictate a world order: is there a place for these lovers?
I Saw Her First
사촌 앙헬리카
Abuela
40대의 독신남 루이스는 어머니의 유골을 가족묘지에 옮기기 위해 어린 시절 여름을 보냈던 세고비아의 작은 마을로 찾아간다. 그곳에서 친지들과 재회하며 그는 과거의 일들을 하나씩 떠올리게 된다. 회상장면을 플래쉬백을 사용하지 않고 현재의 인물이 직접 과거 속으로 들어가는 방식으로 처리하면서 스페인 내전으로 인한 의식의 분열과 기억의 파편화를 보여주는 독특한 작품. 프랑코 치하 말기에 제작된 영화로 사우라 특유의 은유와 쓸쓸한 상실감의 정서가 작품을 채우고 있다.
The Little Birds
An elderly couple in Madrid each buy a pet bird. Weirdness abounds
Las señoritas de mala compañía
Manuela
My Dearest Senorita
Amiga de Adela
A woman living in a small town discovers after fifty years that she is actually a man. Will she change her sex and suffer the reaction of a narrow-minded society?
Adiós, cigüeña, adiós
Arturo, who has just turned 15, is in love with 13-year-old Paloma. In a moment of passion at a ski lodge while on a field trip to the mountains with their schoolmates, he gets her pregnant. Afraid of what may happen to them if their strict (but somewhat inattentive) parents or any of the rather straight-laced teachers at their Catholic school find out about the baby, Arturo and Paloma turn to their young friends and relatives for help instead. This proves to be something of a coming-of-age for everyone involved as they try to help the young couple get married, conceal the pregnancy from their parents, and prepare for the birth. The many adventures they have while doing this, while often amusing, help drive home to them that the old wives' tale about storks bringing babies is just a myth (hence the title), and pregnancy and childbirth are actually very serious matters.
Don erre que erre
Doña Irene
Don Rodrigo goes to the bank and when he is going to take his money there is a robbery. Then the bank refuses to give him his money back (257 pesetas, a small amount of money) with the argument that the money was robbed to him, not to the bank. He will fight against the bank till the last consequences.
The Awful Dr. Orlof
(as Mª de la Riva)
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices.
María de la O
María de la O leaves her family and her former boyfriend Miguel to go with a rich landowner who's supposedly in love with her...