Fan Jian

출생 : 1977-03-04,

약력

Fan Jian is a documentary director who focuses on Chinese social issues through character-driven storytelling. He is the documentary branch member of the AMPAS. Fan has directed six feature-length documentary films, most recently STILL TOMORROW, winner of the Special Jury Award at the IDFA 2016. His other films include MY LAND (Berlinale 2016; supported by Sundance Documentary Fund) and THE NEXT LIFE (IDFA 2011; Jury Prize at Guangzhou Documentary Film Festival 2011). His work has also screened in competition at Hot Docs, Full Frame, Sheffield, Busan, and dozens of other film festivals around the world. Fan studied at Beijing Film Academy and is now based in Chongqing, China. (Bio as of 2021)

참여 작품

废物故事
废物故事
Producer
두 개의 별
두 개의 별
Cinematography
2008년 대지진이 중국의 한 도시를 초토화한 후, 6천 명이 넘는 부모들은 죽은 아이들을 잊고 살아가야 했다.
두 개의 별
두 개의 별
Director
2008년 대지진이 중국의 한 도시를 초토화한 후, 6천 명이 넘는 부모들은 죽은 아이들을 잊고 살아가야 했다.
被遗忘的春天
被遗忘的春天
导演
위기의 30대 여자들
위기의 30대 여자들
Director of Photography
중국에서 20대 중반이 되도록 아직 결혼하지 않고 정착하지 않은 교양 있고 국제적인 여성들을 어떻게 묘사하는지 보여주는 영화이다. 엄청난 압박 아래 결혼 시장, 중매쟁이, 정부 지원의 데이팅 이벤트 등 속에서 자신들만의 사랑을 찾으려 하는 세 여성을 따라간다.
Still Tomorrow
Still Tomorrow
Director
Yu Xiuhua was raised to hope for little from her life in the rural Chinese province of Hubei. At 19, Xiuhua’s mother encouraged her to marry a man nearly twice her age, fearful no one else would accept a wife with Xiuhua’s condition — cerebral palsy. But as her 20th anniversary approaches, Xiuhua’s poetry goes viral, and she becomes the voice of a rising feminist movement throughout China.
My Land
My Land
Director
Chen Chun, My Land’s central figure, left the countryside fifteen years ago to settle in the outskirts of Beijing. Happily living with his family in the shadow of the capital, he makes a living by growing and selling vegetables. However, the city, ceaselessly expanding, eventually reaches Chen’s farm. The landowner, saying that the area will be redeveloped, tries to force Chen to leave.
The Next Life
The Next Life
Editor
In May 2010, Ye Hongmei, a native of Dujiangyan city in Sichuan province, started her Odyssey to get pregnant again. Her eight year old daughter was killed in the devastating Wenchuan earthquake of 2008, a catastrophe that killed and maimed more than 6000 children. Due to China's one-child policy, most of the grieving families were left childless.
The Next Life
The Next Life
Cinematography
In May 2010, Ye Hongmei, a native of Dujiangyan city in Sichuan province, started her Odyssey to get pregnant again. Her eight year old daughter was killed in the devastating Wenchuan earthquake of 2008, a catastrophe that killed and maimed more than 6000 children. Due to China's one-child policy, most of the grieving families were left childless.
The Next Life
The Next Life
Director
In May 2010, Ye Hongmei, a native of Dujiangyan city in Sichuan province, started her Odyssey to get pregnant again. Her eight year old daughter was killed in the devastating Wenchuan earthquake of 2008, a catastrophe that killed and maimed more than 6000 children. Due to China's one-child policy, most of the grieving families were left childless.
Taxi
Taxi
Director
With his camera hidden in the back of a Beijing taxi, director Fan Jian manages to overhear the daily conversations between driver and passengers. In the cramped space of the car, customers share their secrets, their hopes, their conjectures about the future, and sometimes even offer advice to the driver.