It is a legend, shaped by a prolonged of economic crisis, in a country that once was, and its name is Indonesia. Sukab is a dog thief whose family has also become dogs. Sukab targeted dogs wherever he could, hunting down dogs that let their guard down, and would never have guessed how his fate would end up as a dish for a family.
무림의 존경 받는 지존이자 절대무기 황금봉의 주인인 쳄파카는 4명의 수제자에게 문파의 상징이자 강력하고 치명적인 황금봉과 그 비밀 권법을 계승할 때가 왔음을 알린다. 모두가 모인 자리에서 쳄파카는 자신의 후계자로 실력이 가장 떨어지는 여제자 다라를 지목한다. 이에 반발한 제자들은 다라가 권법을 전수받기도 전에 스승인 쳄파카를 살해하고 황금봉마저 빼앗는다. 믿었던 동료들에게 뼈아픈 배신을 당하고 모든 것을 잃어버린 다라는 스승의 복수를 결심하고 황금봉 권법의 비밀을 아는 숨은 고수를 찾아 나선다. 그리고 마침내 황금봉의 진정한 주인을 가릴 결전을 치르게 되는데……
This film tries to read the idea of film archiving in the mind of Misbach Yusa Biran. A character who gave his entire life to preserve and reinterpret the discourse of film as a source of Indonesian film history. The archives stored are entirely in Sinematek Indonesia.
This film almost literally visualize three short stories on which it is based. The difficulty was to assign real spaces in the film for the world of short stories that does not require material reality. The question of ”What is love?” is stretched into three periods: the 70s, the 80s and the 90s. The story which is divided into three periods is trying to reveal the story of the main characters through three different periods of their lives.
