Ramen restaurant owner
고대 로마에서는 목욕탕 건축가 인 루시우스 (아베 히로시)가 원래의 "써머"(목욕탕)를 디자인하는 것으로 유명해진다. 그는 검투사들이 상처로부터 회복하는 것을 돕기 위해 콜로세움에서 열기를 만들기위한 명령을 받지만 어려움에 직면 해있다. 그리하여 루시우스는 시간의 흐름을 통해 현대 일본으로 다시 여행한다. 그는 Manami (Aya Ueto)를 다시 만난다. 그녀는 지금 욕실을 다루는 잡지 기자이다. 평평한 얼굴의 일본 부족의 도움으로, 루시우스는 새로운 thermae를 다시 디자인합니다. 한편, 하드리아누스 황제 (Masachika Ichimura)는 열과 평화를 유지하기를 원하지만 상원은 무력을 사용하여 그 땅을 확장시키고 싶어한다. 하드리아누스 황제와 상원은 이제 대결을하고 로마는 분열하게된다.
Patient
Comedy of a phony doctor.
Taking place in Shinshu in the 1920s, Tsumakoi Okoma, while traveling to hone her gambling skills, teams up with the vagabond Tsukuba Tsuneji and comes into conflict with gamblers plotting to take over a rustic hot-spring town. Handling a gun and sword as skillfully as a man, Fuji Junko portrays an appealing personality that differs from Oryu in the Red Peony Gambler series. Tsuruta Koji stars as the vagabond Tsukuba Tsuneji that tops the list of an impressive all-star cast that includes Endo Tatsuo, Kogure Michiyo, Ashiya Gannosuke, Kitamura Eizo, and many others. This film is an authentic yakuza movie that conveys the true "Matatabi" (wandering gambler) feeling.
Chibi
When the mysterious “Joe of Spades” (Jo Shishido) executes one of the bosses of a powerful syndicate, his colleagues, fearing for their own lives, call on the services of assassin agency Murder Unincorporated to take care of the problem. This unique entry showcases some of the most peculiar killing tactics to ever hit Japanese cinema!
Mametaro
An entertaining historical drama featuring popular comedians from the Kansai region of the time, such as Makoto Fujita, Minoru Shiraki, and Gannosuke Ashiya. Raizo Ichikawa as the famous yakuza boss Jirocho.
The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute (cf. YOSHIWARA; A BLOODY SPEAR AT MT. FUJI), and his characteristic emphasis on performance and theatrical artifice re-emerge here; but the daring device of having Chikamatsu appear as a character - not unlike having Shakespeare interpolated into a film adaptation of one of his plays - is just one of many surprises this remarkable film holds. “Extraordinary” (Donald Richie).
Kokichi
