Mackenzie Mathis

참여 작품

Desire Path
Cinematography
A young woman walks down a desire path next to her house and invites a demonic figure into her life in this vampire film with an elliptical plot, minimal dialogue, and characters that are defenseless against their drives.
We Used to Know Each Other
Director of Photography
Amid the dried out-and-dead desert oasis of suburban Las Vegas, and after three years apart, a young couple decides it's finally time to move in with each other and take their relationship to the next level.
Ten Eleven O Two
Producer
Over the weekend of October 11, 2002, my uncle along with two friends set out on a camping trip in the Sierra Nevada mountains. Upon returning home, they were changed men, and recounted tales of alien abduction. Today, only two of the three men are alive to tell the story of what unfolded before, during, and after that fateful outing, and they're convinced it was extraterrestrial. This film explores the haunting accounts of two friends who underwent an alien abduction experience while camping in the remote mountains. Featuring psychedelic visuals and an alien hand print, Ten Eleven O Two opens a plethora of questions and is a must-see for anyone interested in the paranormal. Based on the true life events of Ken Mathis and Adolph Santistevan.
Ten Eleven O Two
Director
Over the weekend of October 11, 2002, my uncle along with two friends set out on a camping trip in the Sierra Nevada mountains. Upon returning home, they were changed men, and recounted tales of alien abduction. Today, only two of the three men are alive to tell the story of what unfolded before, during, and after that fateful outing, and they're convinced it was extraterrestrial. This film explores the haunting accounts of two friends who underwent an alien abduction experience while camping in the remote mountains. Featuring psychedelic visuals and an alien hand print, Ten Eleven O Two opens a plethora of questions and is a must-see for anyone interested in the paranormal. Based on the true life events of Ken Mathis and Adolph Santistevan.
Chemical Cut
Director of Photography
A misfit turned L.A. model struggles to define herself in the soul-crushing fashion industry, until a mysterious woman's haunting performance strikes her imagination.
A ningún lado
Director of Photography
Ignacio must move from Puerto Rico to the continental US; this means leaving his best friends behind. The short presents us with a compassionate point of view of the desolated world of contemporary Puerto Rican youth in a country without hope.