Roberto Doveris
출생 : , Chile
약력
Roberto Doveris (Chile) is a filmmaker, editor and producer. He was editor-in-chief for five years at CinemaChile, the international agency to promote Chilean cinema in the world. In 2010, Doveris launched the production company Niña Niño Films, where he has directed more than 40 music videos and several advertising campaigns but mostly focuses on producing feature films. His debut film Las Plantas/Plants (2016), internationally premiered at the Berlinale Generation 14+, where it won the Grand Jury Prix for Best Feature Film and the Crystal Bear's Special Mention. It later screened at many international festivals and was cinematically distributed in Spain and Chile. Doveris has also been a jury member for several festivals, such as the Berlinale Generation 2017. Proyecto Fantasma/Ghost Project, world premiering at IFFR 2022 as part of the Tiger Competition, is a personal project shot with friends and colleagues in his own neighbourhood in Santiago.
Producer
Free-spirited university student Rafaela’s carefree life is shaken when she falls pregnant. Desperate to get an abortion in a country where doing so could land her in jail and unable to fund one illegally, her situation shakes her world. But thankfully, she doesn’t face it alone by virtue of her best friend and sidekick, Gabriela. In her directorial debut, Hyland skilfully captures the incongruity of the inseparable duo’s lives as they move between their fuzzy pink apartment and the rough and raw backstreets of Santiago.
Producer
Inhabiting the intimacy of others allows one to look at oneself from a distance. Victoria is the secretary of the film school where José studies. Although they barely know each other, they exchange their life stories to embody each other's youth. The premise of this exercise in empathy was "if I don't dare to say it, let someone else say it for me".
Producer
Waiting for his big dream (a film role) to come true, Pablo works as a training actor in a patient-care programme at a medical faculty and a paid participant in group therapy sessions. To make ends meet, he sublets a room in his apartment in a suburb of Santiago de Chile. However, he seems to have lost control when his housemate departs, leaving him with rent arrears, a collection of plants, a dog, a woolly jumper, and ... a house ghost. Pablo is 30, and when it comes to romance he is also chasing apparitions. He is secretly still in love with his ex-boyfriend, a popular YouTuber.
Screenplay
Waiting for his big dream (a film role) to come true, Pablo works as a training actor in a patient-care programme at a medical faculty and a paid participant in group therapy sessions. To make ends meet, he sublets a room in his apartment in a suburb of Santiago de Chile. However, he seems to have lost control when his housemate departs, leaving him with rent arrears, a collection of plants, a dog, a woolly jumper, and ... a house ghost. Pablo is 30, and when it comes to romance he is also chasing apparitions. He is secretly still in love with his ex-boyfriend, a popular YouTuber.
Director
Waiting for his big dream (a film role) to come true, Pablo works as a training actor in a patient-care programme at a medical faculty and a paid participant in group therapy sessions. To make ends meet, he sublets a room in his apartment in a suburb of Santiago de Chile. However, he seems to have lost control when his housemate departs, leaving him with rent arrears, a collection of plants, a dog, a woolly jumper, and ... a house ghost. Pablo is 30, and when it comes to romance he is also chasing apparitions. He is secretly still in love with his ex-boyfriend, a popular YouTuber.
Producer
하루 아침에 난치성 질환 환자가 된 세르히오는 지금까지 의사로서는 느끼지 못했던 의료 시스템의 불편함과 부당함을 온몸으로 겪게 된다. 제대로 가눌 수 없는 몸뚱이, 치료비를 걱정하는 아내, 병간호 중에도 아웅다웅 하는 자녀들, 죽음의 공포 속에서 이제 그에게 남은 것은 자신의 경험담을 기록해 환자로서, 아버지로서, 그리고 인간으로서 존엄성을 회복하기 위해 애쓰는 것뿐이다.
Executive Producer
Azariel, a non-binary teenager addicted to his cell phone, prefers to build his image through social networks and talk with people he meets online, than with his male classmates at the school he attends. Lately that seems to even include his best friend Gabriel. After watching a fight between the boys of the school basketball team, their aggressiveness catches his attention, in particular Rafael and Aníbal, the two most violent members of the team. The relationship with Gabriel becomes colder and more distant when Azariel begins to relate to the players. Gabriel is suspicious of them and disapproves of Azariel's new interests.
Co-Producer
1970년 칠레. 술에 잔뜩 취한 밤, 스무 살의 거칠 것 없는 청년 제이미는 욱하는 마음에 가장 친한 친구를 찌르는 사고를 치고 감옥에 갇힌다. 폭력으로 얼룩진 감옥에서 그는 다른 차원의 충성심과 친밀감을 느끼기 시작한다.
Executive Producer
1970년 칠레. 술에 잔뜩 취한 밤, 스무 살의 거칠 것 없는 청년 제이미는 욱하는 마음에 가장 친한 친구를 찌르는 사고를 치고 감옥에 갇힌다. 폭력으로 얼룩진 감옥에서 그는 다른 차원의 충성심과 친밀감을 느끼기 시작한다.
Executive Producer
Sofia is a vampire, she's prisoner of a chat program called SISTEMA ALMA, that forces her to use her career as a pop singer to attract teenagers yearning to be killed and give them death.
Editor
술김에 스와핑을 해버린 네 친구의 막장불륜멜로! 구스타보와 돌로레스 부부의 집에 파산위기인 친구 커플 페드로와 카밀라가 얹혀 살기로 한다. 어느 날 아침, 술에 취해 기억을 모두 잃은 채 알몸으로 일어나게 된다. 그날 밤 대체 무슨 일이 있었는지 친구들은 혼란에 빠진다.
Camera Operator
Fabrizio Copano set out on a journey from his hometown in Chile and became the youngest comedian ever to conquer the "Monstruo" and win the Grand Prize at the Viña del Mar Festival.
Editor
Fabrizio Copano set out on a journey from his hometown in Chile and became the youngest comedian ever to conquer the "Monstruo" and win the Grand Prize at the Viña del Mar Festival.
Editor
Before MSN, Facebook, and the Internet within reach of all, young people communicated in a simpler way: using pencil and paper. Year 1997: hundreds of love letters come and go between the lyceum of girls and the boys' institute. Piñi, a shy girl with a deep secret, will see in the card the ideal opportunity to approach who has stolen her heart: Lizzie, her best friend.
Editor
A small-town journalist in southern Chile realizes he just run out of good news so that he starts making gossips and fake stories in order to keep his job in the local newspaper he works for.
Screenplay
For a whole summer, 17-year-old Florencia has to look after her brother, who is trapped in a persistent vegetative state. From time to time she reads to him from a comic about plant souls that take control of human bodies at full moon.
Editor
For a whole summer, 17-year-old Florencia has to look after her brother, who is trapped in a persistent vegetative state. From time to time she reads to him from a comic about plant souls that take control of human bodies at full moon.
Co-Producer
For a whole summer, 17-year-old Florencia has to look after her brother, who is trapped in a persistent vegetative state. From time to time she reads to him from a comic about plant souls that take control of human bodies at full moon.
Director
For a whole summer, 17-year-old Florencia has to look after her brother, who is trapped in a persistent vegetative state. From time to time she reads to him from a comic about plant souls that take control of human bodies at full moon.
Script Consultant
Since their parents split up, Sara and her younger sister live with their mother, whose new partner is a woman. Everyday life for the four of them is hardly any different than it is for other families. But not everyone sees it that way – Sara's father in particular has his doubts. As Sara’s 13th birthday approaches, she feels rather overwhelmed: her first crush, a body in the midst of changes and to top it off, conflicts over loyalty with her parents.
Director
It's nighttime and a group of actresses gather at the home of Nico, a movie star. It all starts with a ridiculous game of spiritism, releasing an invisible presence that will make all the evil hidden in these actresses flourish.
Thanks
When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.
Sound Editor
Diego is twenty years old and hasn't finished high school yet. Not feeling confident about himself, he takes refuge in hip drugs and parties to avoid confronting his eating disorder, his family issues and his sexual orientation. 'Axolotl' portrays a young man who lives by the day, unwilling or incapable of thinking about his future. A nihilist attitude that mirrors the mettle of a whole generation.
Assistant Editor
Diego is twenty years old and hasn't finished high school yet. Not feeling confident about himself, he takes refuge in hip drugs and parties to avoid confronting his eating disorder, his family issues and his sexual orientation. 'Axolotl' portrays a young man who lives by the day, unwilling or incapable of thinking about his future. A nihilist attitude that mirrors the mettle of a whole generation.
Editor
Diego is twenty years old and hasn't finished high school yet. Not feeling confident about himself, he takes refuge in hip drugs and parties to avoid confronting his eating disorder, his family issues and his sexual orientation. 'Axolotl' portrays a young man who lives by the day, unwilling or incapable of thinking about his future. A nihilist attitude that mirrors the mettle of a whole generation.
Editor
While Ana wakes up her children and makes breakfast for her husband, she secretly searches for a phone number in her eldest daughter's diary. This is how her persecution begins, and in the midst of the collapse of one of the walls of her house, the children's school and the mall, she will try to focus on her real goal, a story from her past that she naively believes she can recover.
Screenplay
While Ana wakes up her children and makes breakfast for her husband, she secretly searches for a phone number in her eldest daughter's diary. This is how her persecution begins, and in the midst of the collapse of one of the walls of her house, the children's school and the mall, she will try to focus on her real goal, a story from her past that she naively believes she can recover.
Director
While Ana wakes up her children and makes breakfast for her husband, she secretly searches for a phone number in her eldest daughter's diary. This is how her persecution begins, and in the midst of the collapse of one of the walls of her house, the children's school and the mall, she will try to focus on her real goal, a story from her past that she naively believes she can recover.
Director of Photography
The film presents a set of fragments where Diego, Ana and Matias transit through a foreign city and its wishes, involved in situations they have sought but against which little or nothing can be done.
Editor
The film presents a set of fragments where Diego, Ana and Matias transit through a foreign city and its wishes, involved in situations they have sought but against which little or nothing can be done.
Editor
Julia and Sofia are two sisters who, due to their father's illness, are forced by their mother to go to the country, with their aunt Cristina and two children they do not know. Both girls feel alien to this grandiloquent place as well as to these relatives with whom they seem to have nothing in common. The stillness of the countryside, the dead times of summer and a house that seems frozen in time are opposed to the imminent collapse of the girls, who intuit that those days are only an illusion.
Sound
Julia and Sofia are two sisters who, due to their father's illness, are forced by their mother to go to the country, with their aunt Cristina and two children they do not know. Both girls feel alien to this grandiloquent place as well as to these relatives with whom they seem to have nothing in common. The stillness of the countryside, the dead times of summer and a house that seems frozen in time are opposed to the imminent collapse of the girls, who intuit that those days are only an illusion.
