Pavol Breslik

Emmerich Kálmán’s Csárdásfürstin (The Gypsy Princess) was once one of the most popular works in the operetta repertoire, but has appeared only sporadically on the operatic stage in recent decades. The plot tells the story of a love triangle involving Sylva Varescu, a spirited variété artist of humble origin, and the aristocrat Edwin, who is already promised to another woman. The obstacle to their love is their difference in social status.

Containing some of the most beautiful arias and attractive ensembles in all opera, Così fan tutte is packed with both pathos and humour. Mozart and Da Ponte's witty, compassionate examination of young love has ensured its lasting popularity. Jonathan Miller’s original 1995 production for Covent Garden is dear to the hearts of London audiences and has been revived numerous times. Necessity, they say, is the mother of all invention. With no money left for costumes, Miller has the genius idea of asking Giorgio Armani to lend a hand... This production is from Sept 2010.

Considered by some to be the greatest opera ever written, Don Giovanni was the second product of an incredibly fruitful collaboration between two geniuses: the legendary W.A. Mozart and the talented Italian librettist Lorenzo da Ponte. Based on Molière's Don Juan, the two-act dramma giocoso premiered in October 1787 at Prague's state theater to rave reviews. The 2017 Festival d'Aix-en-Provence brought Mozart's fabulously devious work to the stage once more in a production by stage director Jean-François Sivadie. Starring Philippe Sly (Don Giovanni), Nahuel di Pierro (Leporello), and Eleonora Buratto (Donna Anna), the excellent performance featured the acclaimed maestro Jérémie Rhorer at the head of the period instrument ensemble Le Cercle de l'Harmonie.

Vera Nemirova’s challenging production of Berg’s operatic masterpiece Lulu won critical acclaim when first seen at the Salzburg Festival in 2010. It was successfully repeated in 2011, when the production was filmed for DVD. Supporting Nemirova’s powerful vision of corruption, decadence and death are the highly praised set designs by the young artist Daniel Richter. Musically, the production is led with style and assurance by the brilliant German conductor Marc Albrecht, currently director of the Netherlands Opera. Singing Lulu with allure and passion is the lauded French soprano Patricia Petibon, whose charms grip an outstanding cast of top European singers. Berg’s score is performed in the completed version by the Austrian composer Friedrich Cerha.

An arresting and star-studded production of Mozart’s Singspiel nonpareil: in the 2013 Baden-Baden Easter Festival, a group of outstanding soloists joined Sir Simon Rattle and the Berliner Philharmoniker for Die Zauberflöte in an attractive and naturalistic staging by Robert Carsen.

Tchaikovsky's much-loved opera Eugene Onegin, a story of love, rejection and tragedy based on Pushkin's verse drama of the same name.

Vera Nemirova’s challenging production of Berg’s operatic masterpiece Lulu won critical acclaim when first seen at the Salzburg Festival in 2010. It was successfully repeated in 2011, when the production was filmed for DVD. Supporting Nemirova’s powerful vision of corruption, decadence and death are the highly praised set designs by the young artist Daniel Richter. Musically, the production is led with style and assurance by the brilliant German conductor Marc Albrecht, currently director of the Netherlands Opera. Singing Lulu with allure and passion is the lauded French soprano Patricia Petibon, whose charms grip an outstanding cast of top European singers. Berg’s score is performed in the completed version by the Austrian composer Friedrich Cerha.

Live from Munich 2009

With this wonderful production, Mozart’s “Munich” opera returns to the place where it was first performed in 1781, the lovingly restored Cuvilliés Theatre, a veritable jewel of Rococo architecture. In Dieter Dorn’s production, the characters are real people of flesh and blood, their emotions and conflicts intelligible to every member of the audience. The cast includes some of the finest Mozart singers of our day, headed by the British tenor John Mark Ainsley in the title role, while Kent Nagano in the orchestra pit appears to unleash an elemental force of nature.