Alice Coote

Alice Coote

출생 : 1968-05-10, Frodsham, Cheshire

약력

Coote was born in Frodsham, Cheshire, the daughter of the painter Mark Coote. She was educated at the Guildhall School of Music and Drama in London (though she did not complete her course), the Royal Northern College of Music in Manchester (where she came into contact with Janet Baker and Brigitte Fassbaender) and the National Opera Studio during 1995/96. Coote was a BBC Radio 3 New Generation Artist from 2001 until 2003. She sings both operatic (particularly trouser roles) and recital repertoire, in the latter often with pianist Julius Drake. An interpreter of Handel ("his music could keep you going for a whole career") she has performed contemporary pieces such as Dominick Argento's From the Diary of Virginia Woolf, a partly atonal work first performed by Janet Baker, an influence on Coote. Judith Weir has written a song cycle, The Voice of Desire, especially for her; it was premiered at a BBC Chamber Prom. Coote has performed at England's Opera North, the English National Opera, the Metropolitan Opera in New York (Hansel in Humperdinck's Hansel and Gretel), the San Francisco Opera in 2002 (Ruggiero in Handel's Alcina) and 2008 (Idamante in Mozart's Idomeneo).[3] In 2009, she sang Maffio Orsini in Gaetano Donizetti's Lucrezia Borgia at the Bavarian State Opera. She also appeared in 2011 as Prince Charming in Cendrillon at the Royal Opera House. In 2013, she played Sextus in the Metropolitan Opera's production of Handel's Giulio Cesare. In March 2017 she reprised the role of Idamante in six performances at the Metropolitan Opera.

프로필 사진

Alice Coote

참여 작품

Mozart: La clemenza di Tito
This is an excellent production of Mozart's 1791 opera about Titus Vespasian, who prefers to be remembered for his clemency, even toward his best friend who instigated a revolt to overthrow him. It was recorded at Glyndebourne on August 3, 2017, in front of an audience, and the orchestra and singers perform the work beautifully
신데렐라
Le Prince Charmant
마스네의 매혹적인 오페라가 베르트랑 드 비이의 지휘와 희극오페라 연출의 대가 로랑 펠리의 연출로 메트에서 초연된다. 로랑 펠리는 메트에서 이미 도니체티의 '연대의 딸'과 마스네의 '마농' 연출로 찬사를 받았다. 프랑스어 원제는 ‘샹드리용’이며 여주인공 신데렐라의 이름도 이 오페라 속에서는 ‘샹드리용’으로 불린다. 조이스 디도나토가 이 작품의 타이틀 롤을 맡아 자신의 메트 배역을 또 하나 첨가했다. 이 작품은 로열오페라하우스, 바르셀로나 리세우 대극장, 브뤼셀 왕립극장, 릴 오페라와 메트 오페라가 공동으로 제작했으며, 산타페 오페라에서 첫 공연이 이루어졌다.
죽음의 천사
Leonora Palma
“왜 나갈 수 없다는 거죠? 이해가 안 돼요. 무엇이 방에서 그들을 붙들고 있는 거죠?” 한정된 공간에 갇힌 사람들이 생사가 오가는 과정에서 인간의 본능을 표출한다. 협력과 반목이 나타나고 하고 싶은 것을 하지 못하는 인간의 내면 발견한다. 점점 보이지 않는 세계에 대한 상상과 탐구 속으로 빠져들어 가는데...
The Metropolitan Opera: Idomeneo
Idamante
Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.
The Metropolitan Opera: Giulio Cesare
Sesto
David McVicar’s inventive hit production of Handel’s most popular opera sets the story of Caesar’s conquest of Egypt—and of its queen, Cleopatra—in the era of British 19th-century imperialism while also including elements of Baroque theater and Bollywood movies. David Daniels in the title role and Natalie Dessay as Cleopatra lead the cast. Christophe Dumaux is Ptolemy, Cleopatra’s brother, and Alice Coote and Patricia Bardon star as Sesto and Cornelia, son and widow of Caesar’s opponent Pompey. Early music specialist Harry Bicket conducts and plays harpsichord continuo.
Cendrillon
Le Prince Charmant
Massenet composed his opera about Cenerentola nearly 80 years after Rossini did his. And if you are looking for the outburst of the non-stop hilarity and the musical jokes of Rossini, you won't find it here. Also, while the Cendrillon was highly successful and popular in its time, it does not reach up to the artistic and musical levels offered by Massenet's other operas, like Manon, or Thais or Werther. Nevertheless, this is a delightful opera and it is well presented by The Royal Opera. Laurent Pelly created a ingenious setting with movable walls which are covered [in French] with the story of Cinderella, and which open and close book-like.
Lucrezia Borgia
Maffio Orsini
Live from Munich 2009
The Metropolitan Opera: Hansel and Gretel
Hänsel
This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.
Alcina
Ruggiero
Handel's Alcina. Anonymous libretto, adapted from the libretto of Riccardo Broschi's "L'isola d'Alcina", based on Ludovico Ariosto's "Orlando furioso" (uncredited)