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Markus Eiche

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MARKUS EICHE was born in St. Georgen im Schwarzwald, he studied in Karlsruhe and Stuttgart and is a prizewinner of several national and international competitions. He started his career at the National theater Mannheim, and there played the roles of Marcello (La Bohème), Wolfram (Tannhäuser), Papageno (Zauberflöte), Guglielmo (Così fan tutte) as well as the leading roles in Wozzeck and Don Giovanni. In the season 2007/2008, he became an ensemble member of the Wiener Staatsoper and sang among others, Marcello, Jeletzki, Belcore (L’elisir d’amore), Albert (Werther), Lescaut (Manon), Fritz/Frank, Valentin (Faust), Donner (Das Rheingold), Gunther (Götterdämmerung), Eugen Onegin, Don Juan (Aus einem Totenhaus), and Dr. Falke (Die Fledermaus). In addition, he has appeared as a guest at the Salzburger Festspielen, the Milan Scala, the Nederlandse Opera Amsterdam, the Semperoper Dresden, the Deutschen Staatsoper Berlin, the Finnish National Opera, the Gran Teatre del Liceu Barcelona, the Münchner Staatsoper and at the Bayreuther Festspielen. Since autumn 2012, Markus Eiche teaches at the Zurich Hochschhule der Künste. http://www.wiener-staatsoper.at/Content.Node/home/kuenstler/saengerinnen/Eiche.en.php

참여 작품

The Ring of the Nibelung: Twilight of the Gods

The Ring of the Nibelung: Twilight of the Gods

Gunther

Frank Castorf’s staging of the Ring, premiered in 2013 and filmed in 2016, provoked controversy right from the beginning. For Castorf, the Rheingold of our days is oil; thus he places the first part of the tetralogy at a gas station on Route 66. Die Walküre is situated in Baku, Azerbaijan, which was seized by the Bolsheviks in 1920 for its oil, whereas Siegfried takes place in a socialist equivalent of Mount Rushmore and at Berlin’s Alexanderplatz. Götterdämmerung is set somewhere in the GDR, ending up at New York’s stock exchange. Whilst Castorf’s staging polarized, Marek Janowski’s musical reading was unanimously praised, as was the excellent cast including in this opera Iain Paterson (Wotan), Nadine Weissmann (Erda), Albert Dohmen (Alberich) and Roberto Saccà (Loge).

The Ring of the Nibelung: The Rhinegold

The Ring of the Nibelung: The Rhinegold

Donner

Frank Castorf’s staging of the Ring, premiered in 2013 and filmed in 2016, provoked controversy right from the beginning. For Castorf, the Rheingold of our days is oil; thus he places the first part of the tetralogy at a gas station on Route 66. Die Walküre is situated in Baku, Azerbaijan, which was seized by the Bolsheviks in 1920 for its oil, whereas Siegfried takes place in a socialist equivalent of Mount Rushmore and at Berlin’s Alexanderplatz. Götterdämmerung is set somewhere in the GDR, ending up at New York’s stock exchange. Whilst Castorf’s staging polarized, Marek Janowski’s musical reading was unanimously praised, as was the excellent cast including in this opera Iain Paterson (Wotan), Nadine Weissmann (Erda), Albert Dohmen (Alberich) and Roberto Saccà (Loge).

Prince Yeletsky

"This is Vienna State Opera live at home". January 2015.

Puccini Manon Lescaut

Puccini Manon Lescaut

Lescaut

The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.

Wolfram

Wagner's tale of the struggle between spiritual and profane love, and of redemption through love, is given a radical visual update in Sebastian Baumgarten's controversial yet thought-provoking Bayreuth production. Joep van Lieshout's giant installation 'The Technocrat'; dominates the stage, its industrial interior giving credence to the idea that Tannhäuser is one big experiment and playing host to some magnificent performances, among them Torsten Kerl's robust interpretation of the title role and Camilla Nylund's wonderfully empathetic Elisabeth. Recorded live at the Bayreuth Festspiele, August 2014.

Olivier

Richard Strauss' last stage work is an opera about opera as an art form, depicting the creation of a music drama in a wise and witty way. Which came first the words or the music? That is the question Strauss and his librettist Clemens Krauss address through the story of a Countess torn between a composer and a poet.

Frank/Fritz

This Finnish National Opera production of the opera “Die tote Stadt” by Erich Wolfgang Korngold was staged by Kasper Holten, with Klaus Florian Vogt as Paul and Camilla Nylund as Marietta, while Mikko Franck directed the Finnish National Orchestra.