Detective Chief Inspector Sörensen is anxious. More precisely, he suffers from a chronic anxiety disorder that makes life difficult for him. That is why he is moving from Hamburg to the Frisian village of Katenbüll, where he hopes for a more peaceful working life. But that is not how the cookie crumbles. The place is grey and bleak, it rains continuously, and the locals are not very enthusiastic in welcoming him. He also finds his new colleagues, Jenni Holstenbeck and Malte Schuster, somewhat suspect. And then things go from bad to worse. Mayor Hinrichs is found dead in his stables. Sörensen quickly realises that there is a lot of bad blood hidden behind the small town's tranquil facade and some well-founded reasons for anxiety...
The local theater in Armstadt has to take a step back; the budget gets cut due to less audience. However, the actors try their best to prepare for a new piece.
Hanns Zischler embarks on a walk to Canossa in "Prof. Wall in the brothel": A law professor desperately wants to make amends, that through his guilt an outstanding student has broken off and now works as a prostitute. With targeted provocations Emilia Schüle as Aurelie takes apart his self-righteousness. Director Stefan Krohmer focuses on the psycho-duo of the excellent leading actor in his chamber-like staging: The longer the dispute lasts, the more the original balance of power between the prostitute and her unusual client turns upside down.
Hans calls his girlfriend Heinz, which tells you everything you need to know about their relationship. They're a typical couple who're stuck in a rut after eight years. Hans works at a copy shop and Heinz is an actress relegated to voicing a cartoon stoplight. On their anniversary, they go to the movies. It's a romance. But the spark on screen just doesn't strike them. When Hans gives Heinz's ex her phone number instead of putting up a fight over her, Heinz' alarm bells go off: How can this be love? They decided to make a list of everything than makes up a real love: Romance, desire, passion, jealousy, drama – deep feelings, in other words. Hans and Heinz methodically start checking off their list and realize: Real life is nothing like the movies.
For Pastor Judith Ehrmann, her job as an emergency counselor is more than just part of her job: giving people assistance is a vocation for them. But when a classmate of her son dies in a car accident, that's unusual. Judith begins to doubt: herself, her job - but also her family. For all at once everything seems to indicate that her own husband and son were involved in the accident and now want to cover this up. The emotionally intense drama of award-winning director Aelrun Goette raises fundamental themes without giving easy answers.
Nick Gutlicht lives of illegally selling valuable books, owes money to a bunch of other crooks and has to hide from them. By chance he ends up in the mansion of the famous, now very old philosopher Curt Ledig, who despite the age related forgetfulness and pathological kitchen phobia resists to move to his daughter. Nick is hired by the family as watchdog. Now Curt can work on a presentation for the upcoming symposium, which anybody thinks he's capable of anymore. Nick thinks he has an excellent hiding place. This partnership of convenience of the two individuals quickly develops its own momentum. Curt regards Nick as an exciting research object and subjects him to an absurd therapy. For Nick it's a unique opportunity to fund his finances with Curt's phenomenal library. The strange couple is going through turmoil of incalculable proportions.
