Vladimir Durán

출생 : 1977-01-01, Bogotá, Colombia

참여 작품

The Face of the Jellyfish
It is no coincidence that the second feature by Argentinian Melisa Liebenthal begins with a quote from “Duino Elegies” by Rilke, who was concerned with existential angst. And, more prosaically, Marina, the film’s young protagonist, is faced with similar anxiety. In fact, her problem is her face. One morning, she discovers her face has changed, and she can no longer recognise herself. Not even her mother can, who bumps into her on the street and says hello to her like she would to any stranger (deadpan, surreal humor is part of the film’s recipe). Marina is thus forced to confront her identity: who is she? Is she determined by her parent’s DNA or by her ID card? Can she be identified by a family portrait, by biometrics or the love of those around her, including her Colombian boyfriend? Is she prettier now?
Plurabelle
Ana Livia Plurabelle (30) has different sexual encounters that will make her realize something she hasn't thought about before: the possibility of making money with her body.
Una habitación simple
The Defendant
Silvia, a single mother and a lawyer, is implicated in a corruption scandal. But in addition to trouble at work, she is also facing a more crippling problem: her mother’s cancer has returned. While she is forced to face up to her mother’s inconceivable yet inescapable death, Silvia embarks on a love story, her first in many years.
So Long Enthusiasm
Bruno
Ten-year-old Axel lives with his mother and three sisters in a flat in Buenos Aires. They’d be a perfectly normal family if only the mother weren't imprisoned in one of the rooms.
So Long Enthusiasm
Writer
Ten-year-old Axel lives with his mother and three sisters in a flat in Buenos Aires. They’d be a perfectly normal family if only the mother weren't imprisoned in one of the rooms.
So Long Enthusiasm
Director
Ten-year-old Axel lives with his mother and three sisters in a flat in Buenos Aires. They’d be a perfectly normal family if only the mother weren't imprisoned in one of the rooms.
Dear Renzo
Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.
Present Imperfect
It's Martin's Birthday. A confusing gift will make him wonder how the rest of the people see him.
I Am So Happy
Producer
Fragments of a Saturday winter day. The Vittenzein brothers are alone at their family house. Mateo stops by to pick up Bruno and Camilo and drive them to the country house where their mother awaits. A sudden break slam brings them into the intimacy of a waste land.
I Am So Happy
Writer
Fragments of a Saturday winter day. The Vittenzein brothers are alone at their family house. Mateo stops by to pick up Bruno and Camilo and drive them to the country house where their mother awaits. A sudden break slam brings them into the intimacy of a waste land.
I Am So Happy
Director
Fragments of a Saturday winter day. The Vittenzein brothers are alone at their family house. Mateo stops by to pick up Bruno and Camilo and drive them to the country house where their mother awaits. A sudden break slam brings them into the intimacy of a waste land.
La toma de la embajada
Assistant Director
Bogotá, 1980. During the government of President Turbay. An urban cell of the M-19 invades the Embassy of the Dominican Republic, taking 14 ambassadors as hostages. They demand that they be exchanged for political prisoners. The film focuses on the events that took place during those two months of captivity.
Un cuadro japonés
Un cuadro japonés
Writer
Un cuadro japonés
Director