Assistant Director
코렐리아 행성에서 노예처럼 일하던 빈민가의 청년 한은 사랑하는 키라와 함께 행성을 탈출할 기회를 노리고 있다. 우주 최고의 파일럿이 되기를 꿈꾸지만 현실은 못된 악당에게 붙들려 밀수꾼 노릇을 하는 중. 우여곡절 끝에 행성을 탈출하지만 키라와 생이별을 하게 된 한은 우주를 떠돌다가 츄바카, 랜도, 베킷 등을 만나 엄청난 가치를 지닌 우주 자원 탈취 작전을 공모하게 된다. 파일럿이 되어 키라 곁으로 돌아갈 궁리만 하던 한의 계획은 드라이덴 보스의 등장과 함께 꼬여만 가는데...
Arrigo
Part of Tutto Verdi series - La battaglia di Legnano (2012) Trieste. 'La battaglia di Legnano' ('The Battle of Legnano') is an opera in four acts, with music by Giuseppe Verdi to an Italian-language libretto by Salvadore Cammarano. Most of the early Verdi operas are sort of rare for a reason. They do not rise to the heights of genius that his middle period and late period operas did. However, there are always some beautiful arias or choruses and most of them are great fun......sort of like bel canto on steroids! What I mean is that you can hear that he was coming from the bel canto tradition, but he liked to inject a lot more power into the characters and their music.
Parsifal
A mythical performance from la Monnaie - Bruxelles. Parsifal is a strange and enigmatic work. At the end of his life, did Wagner wish to celebrate asceticism, which he himself had never practised? Did he fall upon his knees before the Cross, as claimed by Nietzsche? And what does the secret society of knights based on pure blood signify, desperately waiting for the saviour to regenerate it? What is the true nature of the opposition between the worlds of Klingsor and the Grail? What can Parsifal tell us today? In his artistic will and testament, Wagner condenses his moral idea of the world and returns to the roots of love and religion - to the very heart of art according to him. With the participation of conductor Hartmut Haenchen who is passionated by the score, Italian stage director Romeo Castellucci proposes an original reading of this brilliant work and explores the essence of Wagnerian ‘Kunstreligion’ in a different light.
Don Jose
About the Director: John Eliot Gardiner is one of the most versatile conductors of our time. Acknowledged as a key figure in the early music revival, he is the founder and artistic director of the Monteverdi Choir, the English Baroque Soloists and the Orchestre Révolutionnaire et Romantique. The extent of his repertoire is illustrated in over 250 recordings which have received numerous international awards. Over the years Gardiner has won more Gramophone awards than any other artist. Probably the most francophile of English conductors, John Eliot Gardiner returned to the Opéra Comique, Paris for a much aclaimed production of Carmen last year. On June 25th it was broadcast live to 50 theatres in France and Switzerland and also recorded for TV. This followed an exciting collaboration that began in December 2007 with Chabrier s Opera bouffe L'Etoile, which had opened the new theatre at Opera Comique in December 2007.