Gabriela Cunha

Ophelia is a 20-year-old girl who lives with her mother and grew up without a father. She suspects that he is Tedesco, a German artist who has just returned to Brazil. Determined to find him, she sends a letter notifying him of her arrival and that she will swim to him from the Santos bridge. Upon learning of the imminent arrival, Tedesco asks Smutter, his great friend, to start following her closely.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.

A Nigerian musician travels to Brazil to search for his estranged brother, who is living a life very different than the one his family thought.

The daily life of a family in which countless factors are disturbing: the father is unemployed, the members need to move house, the mother is abducted, and life continues as if nothing had happened.

상파울루의 빈민가 출신 클라라는 임신한 아나의 가정부로 취직한다. 아나는 전문 유모가 아닌 클라라가 미심쩍었지만 점점 그녀에게 의존하게 되고 급기야 두 사람 사이에 묘한 감정이 싹트기 시작한다. 그리고 보름달이 뜬 어느 날 클라라는 아나의 임신과 관련된 충격적인 비밀을 알게 되고 예정일에 앞서 아이가 태어나면서 겉잡을 수 없는 사건이 벌어지는데…

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.

부유한 가정에서 일하며 그 집 아들을 애지중지 키워 왔지만 정작 자신의 딸인 제시카와는 13년 째 떨어져 지내고 있는 ‘특별한 엄마’이자 완벽한 하우스메이드, ‘발’(헤지나 카제). 대학 입시를 위해 엄마가 일하는 곳으로 와 13년 만에 함께 살게 된 당차고 자유분방한 딸 ‘제시카’(카밀라 마르질라)는 꽉 막힌 엄마와 시종일관 부딪히는데... 반가운 듯 반갑지 않은 모녀의 특.별.한. 동거! ‘제시카’의 등장으로 그동안 ‘발’이 지켜왔던 평온한 삶은 흔들리고 서로를 이해할 수 없는 모녀의 갈등은 쌓여만 간다. 올 가을, 엄마와 딸 각자의 가슴 한 켠에 담아둔 이야기가 공개됩니다.

A very in love couple decide to set the date of their breaking up. They believe that ending their relationship on the top of their love would keep it preserved forever. The breaking up day arrives and they have to deal with it, each one in its own particular way.

중산층의 평범한 주부 헬레나는 자신의 꿈이었던 슈퍼마켓 사업을 시작하지만 남편의 실직과 경기 침체 등 그녀의 원대한 꿈은 시작부터 덜컹거린다. 어느 날 가게 한쪽 벽에 정체를 알 수 없는 검은 얼룩이 발견되고 얼룩이 커져가면서 그녀의 사업과 일상도 흔들리게 되는데... 느슨한 미스터리 플롯에 중산층의 위기감과 미묘한 계급갈등을 능숙하게 엮어내는 수작. (2012년 제16회 부천국제판타스틱영화제)

Silmara, an industrial worker and a woman of exuberant beauty, supports her arsonist father and gets involved with two different pop stars, from whom she learns traumatic life lessons.

São Paulo, today. Bones are found in an anonymous grave and sent to the morgue. The coroner Artur deals with actresses and extremists. A body gets preserved for more than thirty years. An identity is searched...

Clarisse notices a small green leaf growing out of her right arm.

Carolina Maria de Jesus. Her favela diary was a success in 1960. Despite her recognition, she died forgotten and poor.

Boy meets girl.