Huang Hsin-Yao

On the night of their high school graduation, three juvenile delinquents get drunk at their regular hangout. But for these boys about to enter a new chapter of life, they decide to share their darkest secrets with one another. The first secret is shocking. The second secret is terrifying. The third secret is... Wait! Unless you want us to kill you, you must do something terrible enough! Right now! Tonight!

A shy young man who finds himself attracted to a single mother at a sex hotel.

Since 2009, the filmmaker has spent 12 years documenting the ever-changing times of three townships along the coast of Tainan County, namely Beimen, Jiangjun and Qigu. Through the lenses, human activities are seen closely connected with the surrounding nature, while maintaining its own charm. The film subtly captures a singular way of life and a sense of time suspended in the past, present and future.

Since 2009, the filmmaker has spent 12 years documenting the ever-changing times of three townships along the coast of Tainan County, namely Beimen, Jiangjun and Qigu. Through the lenses, human activities are seen closely connected with the surrounding nature, while maintaining its own charm. The film subtly captures a singular way of life and a sense of time suspended in the past, present and future.

Since 2009, the filmmaker has spent 12 years documenting the ever-changing times of three townships along the coast of Tainan County, namely Beimen, Jiangjun and Qigu. Through the lenses, human activities are seen closely connected with the surrounding nature, while maintaining its own charm. The film subtly captures a singular way of life and a sense of time suspended in the past, present and future.

Austin Lin opens the night of the 58th Golden Horse Award Ceremony, and pays his tribute to the magic of film, with a short film and the song “Contentment”.

싱글 워킹맘 핀웬은 사춘기의 딸 샤오징과 함께 사는 능력 있는 커리어 우먼이다. 회사 사정의 악화로 월급이 삭감되었다는 통보를 받은 날 핀웬은 회의 도중 샤오징으로부터 전화를 받는다. 반 친구가 코로나 확진이 되면서 샤오징도 자가격리를 해야 하는 상황이 되자, 핀웬은 회사의 권유로 샤오징과 집에 머물게된다. 원래 사이 좋은 모녀는 아니었지만, 그날 이후 샤오징의 적대감이 지나치게 심해지고 이상행동이 계속된다. 결국 핀웬은 전 남편 치웬에게 도움을 청한다. (제26회 부산국제영화제)

대표작 없는 영화감독, 승진에서 누락된 영업사원, 동사무소 말단 직원, 장례용 종이 공예가. 마흔이 넘도록 딱히 내세울 것 없는 절친 4인방이지만, 인생 뭐 별거 있나? 모여서 수다 떨며 카드 칠 친구 있으면 됐지 뭐.

대표작 없는 영화감독, 승진에서 누락된 영업사원, 동사무소 말단 직원, 장례용 종이 공예가. 마흔이 넘도록 딱히 내세울 것 없는 절친 4인방이지만, 인생 뭐 별거 있나? 모여서 수다 떨며 카드 칠 친구 있으면 됐지 뭐.

대표작 없는 영화감독, 승진에서 누락된 영업사원, 동사무소 말단 직원, 장례용 종이 공예가. 마흔이 넘도록 딱히 내세울 것 없는 절친 4인방이지만, 인생 뭐 별거 있나? 모여서 수다 떨며 카드 칠 친구 있으면 됐지 뭐.

운전 강사일을 하는 아버지와 미용사인 어머니, 그리고 아버지의 큰 기대 속에 의대 입학 재시험을 준비하는 고등학생 형 아호와 이 집안의 유일한 문제아 막내까지, 이 영화는 평범한 네 가족에 관한 이야기다. 막내 아들이 사고를 치고 소년원에 가게 되면서 가족들은 뿔뿔이 흩어지게 되는데...

A commentary of Huang Hsin-yao´s "Contact Prints of Baileng Canal", explaining the history of the canal and presenting other renowned aqueducts of Japan, Italy, Spain and France.

불상을 만드는 공장의 야간경비원 피클은 친구 벨리 버튼에게 빌린 도색잡지나 보면서 시간을 보낸다. 어느 날 소일거리 삼아 사장의 블랙박스를 들여다보던 그들은 엄청난 비밀을 알게 된다. 화제를 모았던 동명 단편영화를 장편으로 완성한 올해 대만영화의 발견. (Naver 영화)

불상을 만드는 공장의 야간경비원 피클은 친구 벨리 버튼에게 빌린 도색잡지나 보면서 시간을 보낸다. 어느 날 소일거리 삼아 사장의 블랙박스를 들여다보던 그들은 엄청난 비밀을 알게 된다. 화제를 모았던 동명 단편영화를 장편으로 완성한 올해 대만영화의 발견. (Naver 영화)

Yonaguni is an island on the far western end of Japan, bordering Taiwan. One day, the people of Yonaguni decided they wanted independence and to establish diplomatic relations with Taiwan. These two islands share similar backgrounds. Both are in the peripheral vision of the world. I came here by boat as a tourist, but rediscovered myself on this strange land.

A Buddha statue, three middle-aged men and a mysterious woman. The unexpected encounter among them creates a story of suspense. Will the Buddha protect everyone of us? or does He choose the right ones at His own will?

A Buddha statue, three middle-aged men and a mysterious woman. The unexpected encounter among them creates a story of suspense. Will the Buddha protect everyone of us? or does He choose the right ones at His own will?

In August 2009, Typhoon Morakot killed hundreds and caused irreversible damage to Taiwan. On the Alishan Mountains, the rainfall destroyed its forest railway and badly damaged its tourism industry for years. Huang Hsin-yao initially went up the mountain to document the aftermath of the storm. But Huang changed his approach when he claimed he saw many Wu Fengs on the mountain, referencing the Han merchant who, according to folk legends, “civilised” Taiwanese aborigines on Alishan. This scathing documentary asks whether rapid development of the region, be it by deforestation or by exploitation of its natural beauty for tourist dollars, worsened the effects of the typhoon.

Tuvalu, This defenseless nation of 26 square kilometers will be the first island nation to be submerged by the oceans once the sea level rises due to global warming. The director Huang Hsin-yao left his hometown after the 88 flooding disaster in Taiwan in search of this disappearing island called Tuvalu. While aboard this swaying ship in the Pacific, various fantastic spectacles of Taiwan emerge in the mind of the director… Once out at sea barbecuing, he found under the sea…

Tuvalu, This defenseless nation of 26 square kilometers will be the first island nation to be submerged by the oceans once the sea level rises due to global warming. The director Huang Hsin-yao left his hometown after the 88 flooding disaster in Taiwan in search of this disappearing island called Tuvalu. While aboard this swaying ship in the Pacific, various fantastic spectacles of Taiwan emerge in the mind of the director… Once out at sea barbecuing, he found under the sea…

The wetland in Kouhu township, Yunlin County has once been cultivated as farmland but returned to its original state nowadays, The beautiful scenery in the eyes of tourists are nothing but trouble to local residents.....

This is a documentary on "Tai-ke" male-bonding, and a story about the lost and found of life. The director uses black humor in depicting the lives and encounters of each person through out a period of ten years.

Huang Hsin-yao began studying documentary filmmaking in order to make a difference as an ecological activist. While attending Tainan University of the Arts, Huang made this film as a continuation of a previous documentary about the salt evaporation ponds near Tainan. But instead of filming the ponds once more, Huang turned his camera around to capture the state of the mangrove habitat surrounding the ponds. The result marks an important evolution for Huang as an ecologically-minded documentarian.

Huang Hsin-Yao’s directorial debut on documentary